Having refurbished her inherited house and upcycled her whole life
in the process, Freya – now happily married to Patrick, and
with a small child – has to transform
her tiny stone barn into a romantic hideaway for a mystery guest who is also
looking for change. With Christmas only a week away, things don’t go according
the past old uncertainties are resolved when an elderly woman seeks the truth
of a legend on Christmas Eve and confesses to a deception; a Tudor wife listens
to a story that must never be repeated and is given a precious relic that must
never be displayed; and in the early nineteenth century an old woman tells a
younger one the story of the hares at Ladywell.
Past and present are only a whisper apart when Freya learns of an astonishing discovery that will make Ladywell famous, but meanwhile, her house is full of unexpected visitors, she has a turkey to cook – and a very special secret of her own that must be told.
I received a copy this book from the author in return for an honest review.
This novella is a Christmas visit to ‘The House At Ladywell’, the first book in this series, which I have yet to read. There is a helpful character list, with each characters motivation, or special quality. This is useful if you haven’t met the characters before.
The story is divided into the past and present, There is an engaging contemporary story with a festive theme. A mystery that connects the present day to the historical timeslip elements in the story, which cover different historical periods. All of this is in a novella format, and yet it reads like a novel, the contemporary story isn’t rushed. The historical interludes add information and interest to the main plot.
I enjoyed the story and the characters, and although it reached a satisfactory conclusion, I wanted more. So, I’m off to read The House At Ladywell and recommend this festive offering, if you’re seeking something atmospheric, and original for your Christmas reading.
Nicola Slade is an award-winning, bestselling author of historical and contemporary mysteries and romantic fiction, all set in and around Winchester and Romsey in Hampshire – which is where she lives. The House at Ladywell – a contemporary romantic novel with historical echoes – won the Chatelaine Grand Prize for Romantic Fiction at the CIBA awards in April 2019.
She is the author of the mid-Victorian Charlotte Richmond
mysteries and the contemporary Harriet Quigley mysteries and The
Convalescent Corpse, published November 2018, is the first in a new series,
The Fyttleton Mysteries, set in 1918.
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I received a copy of this book from Boldwood Books via NetGalley in return for an honest review.
Historical romance with a timeslip element is one of my favourite genre combinations, especially when there is a forbidden romance and a festive setting. Set mainly in 1943, it follows Kate’s story, as she falls in love, only to have her heartbroken when her true love is killed in WW2. Christmas is a painful reminder of all she’s lost, and she’s never felt able to return home until circumstances conspire in 1955, and make it a mercy mission she can’t ignore.
Full of mystery, poignancy and classic romance, the story is easy to read. I couldn’t put it down, I wanted to know what really happened, and if there was a chance for Kate to be truly happy.Kate is a complex, independent woman, like so many women who lost their partners in the war. Despite her strength, much of her emotional pain is hidden, and this has prevented her from moving on with her life. Her life stopped in 1943, perhaps now she can find the answers she seeks, and live, rather than going through the motions.
The historical detail brings the story to life. Written with vivid imagery, it unfolds in your mind like a movie. A lovely escape to a different time and place, full of heartbreaking romance and intriguing mystery and Kate’s chance to live another life, but should she?
Jina Bacarr is a US-based historical romance author of over 10 previous books. She has been a screenwriter, journalist and news reporter, but now writes full-time and lives in LA. Jina’s novels have been sold in 9 territories.
Chapter 1 Posey Creek, Pennsylvania December 12, 1943
‘I bet you my last pair of stockings, little sister, I’ll be saying I do before Christmas.’
I whirl around in a circle, pretending the most wonderful man in the world is holding me in his arms, my heart soaring. A pot of Ma’s meat gravy simmers on the burner, the smell tickling my fancy to have my own kitchen soon. So many wonderful memories here. Planked floors, big white stove humming with good cooking, Ma’s rocker and her rosewood sewing box. Wallpaper dotted with daisies, their yellow petals turned golden over the years – and four ceramic angels lined up on top of the spice rack. A tradition we do every year along with listening to the holiday radio shows, but this Christmas is even more special to me. It’s crazy I feel so confident, even though he hasn’t actually asked me yet. But I know he will.
Eyes popping, Lucy swallows the spoonful of jam she shoved into her mouth. ‘You, Kate? Married?’ Slender and graceful like a young doe, she’s not as tall as me, though at sixteen she’s already filling out her sweaters. Dark brown hair rich with honeyed highlights frames her oval face and an army of freckles deepen in color on her cheeks as she laughs. ‘I hear Santa’s taken.’
I ignore her sarcasm and scoop Ma’s holiday cherry jam onto crackers. ‘It’s a secret, so don’t tell anyone.’ I wink at her, not letting up with my tease. I can’t. I’m too excited. Lucy adores secrets. Her face beams with excitement, like she got away with something without Ma finding out. Like using a pillow case for a laundry bag since bedding is hard to come by, or borrowing my two dollar face powder when she thinks I’m not looking.
Despite my affection for her, I pray she keeps my news under her hat. She loves to talk as much as she loves flirting with the soldiers down at the canteen, but I have to tell somebody the news or I’ll burst. What are sisters for if you can’t tease them? Besides, when Jeff does ask me, I’ll need her help fitting my bridal suit to get the hem straight. A gray suit with a frog clasp I made from extra silk Ma had left over from before the war. I’m lucky to have it. I want to look pretty for him. I never thought of myself as the pinup type, but Jeff makes me feel special and loved. He says I stand up taller when he catches my eye and that brings me closer to kissing him. Ma also noticed how much more confident I am. She was curious about why I saved up for two months to buy a blue silk hat with a wispy veil to go with my red coat with the fake fur collar when I have a perfectly good black hat.
I just smiled.
‘What’s there to tell?’ Lucy points to my bare finger smeared with jam. ‘You’re not wearing a ring, so you can’t be engaged.’
I smile. ‘You don’t know everything about me.’
‘I know you’re sweet on some guy.’
I raise a brow. ‘Snooping again?’
‘Me?’ She bats her eyelashes. ‘I don’t have to. Not the way you go around singing to yourself when you come home from your job at the mill. How you stop and sigh when we walk past Wrightwood House on our way to town.’
A winsome smile makes my lips curl. I love working at the paper mill. I started out in the typing pool after I graduated from high school. I worked my way up to private secretary to Mr Clayborn in the billing and acquisitions department. He needed a girl who could think and not just type, he said. Nothing top secret about what I do, but I’ve been told not to ask questions. Anyway, I have other things on my mind. Even when I’m dead tired from typing a pile of my shorthand notes, I get warm all over when I think about the man I want to marry.
A light comes on in Lucy’s swimming green eyes. ‘So my big sister has stars in her eyes for Jeffrey Rushbrooke.’
‘Don’t get your garter belt in a twist.’ I grab another cherry jam filled cracker. ‘You don’t know anything of the sort.’
Surprisingly, Lucy goes quiet, like she’s mulling over her reply before saying something that might upset me. She gossips more than Mrs Widget the neighbor, but she’s a good egg. Bouncy and full of cheer, especially this time of year. She loves Christmas as much as I do and helped me pile Ma’s holiday cherry jam into glass jars.
For me, the Christmas season begins when Ma takes us kids cherry picking in the woods. Lucy, Frank Junior, and me. When the days are long, the nights are hot, and the cherries are big and sweet and perfect to pick for jam. Before the war, Ma made the sweetest jam in the county with cinnamon and lemon zest, but since rationing started, we’ve had food shortages. We cheered when the government doubled the sugar rations so we could make jam for the boys passing through our small town. The trains stop here every day and Lucy makes it a high priority to meet the train and flirt with the soldiers. She talks about nothing else.
‘He’ll never marry you, Kate,’ she says, her sad puppy eyes showing real concern. I’ve never seen her look so serious. ‘You know what Ma says about them rich people.’
‘Those rich people.’
She wriggles her nose. ‘It doesn’t matter how good you talk, we’re not his kind.’
I shrug. ‘The bet’s still on.’
‘You’re a fool, Kate Arden.’ She sighs. ‘Falling for a guy who doesn’t know you’re alive.’
Lucy never went up to Wrightwood House with Ma and me when we were kids, never knew Jeff and I were pals. I grin. ‘He knows.’
She stares at me straight on. ‘Then why don’t you bring him around the house to meet Ma and Pop?’
‘You know I can’t.’ The hoarseness in my voice reveals how much that hurts me. Because my romance is a secret. Is Lucy right? Am I a fool?
Maddie is restless in London. She
has friends, a job and a sort-of boyfriend, but something in her life is
missing. Then she visits the ancient village of Walditch, deep in the Dorset
countryside. Something stirs in her, and on a whim she buys a centuries-old cottage
and moves there three months later. Her friends think she’s crazy, but for
Maddie it feels like coming home.
Late at night in the cottage,
Maddie hears strange noises and sees mist gathering indoors and out. When she
starts investigating the cottage’s history, she becomes drawn into the tragic
story of a family who lived here 400 years ago. Meanwhile, Maddie starts to
fall in love with a local carpenter – but he has a relationship already…
Can Maddie solve the riddle of
the past? What is her connection with the family that lived there so many years
ago? And can she and her true love ever be together?
I received a copy of this book from Aria Fiction via NetGalley in return for an honest review.
I live in a sixteenth-century converted barn, and just standing in it, thinking how long it has stood over looking the Exmoor landscape is awe inspiring. So, I can fully appreciate the inspiration behind, this lovely timeslip romance set in Dorset.
Serendipity plays an important part in this book. I was drawn to Maddie’s story, as soon as I read about her unexplained, and out of character attraction to the old cottage, formerly a blacksmith’s, when she visited the village as part of her work. The story is cleverly written, so that Maddie’s experiences at the cottage are believable. Set in the present, as she brings her new home up to date, there are many slips into the past as historic events and a time defying love unfolds.
Maddie’s leaves a well-paid career and a glamorous life in London behind her. At a crossroads in her life she is not sure why, but as the story progresses, things start to fall into place. Her meeting and attraction to Nick is powerful but fraught with conflict. Their chance of something developing seems remote.
The characters are complex and realistic, the situations they find themselves in believable. The pacing and the timeslip element make this an absorbing read. I couldn’t put it down, literally I read it into the night.
The poignant ending is perfect, and the epilogue draws everything together in this gentle, timeslip, romantic story.
Guest Post – Kate Ryder – Secrets of the Mist
I’m so thrilled to be invited on your
guest post. Thank you!
Do you ever wish you had a second chance to
meet someone again for the first time? I have explored
this theme in Secrets of the Mist, a time slip romance that encompasses self-discovery and a great
love resonating across the ages. With
supernatural, historical and geographical overtones, it should appeal to fans
of Kate Mosse, Diana Gabaldon and Barbara Erskine.
few years ago, my husband and I moved to Cornwall and bought a derelict, 200
year old cottage. Whilst carrying out extensive
renovations and taking the cottage back to its shell, we discovered a time
capsule left by a previous owner. The
contents were fascinating, if not that old (circa 1980), and made me consider previous
occupants during the past two centuries, the lives they led and the dramas that
may have taken place within the four walls of our cottage.
Apart from spending days mixing cement,
procuring building materials and helping to install the plumbing and electrics
(must remember to add these to my CV!) I was also selling complementary health
products at country fairs throughout Devon and Cornwall. One day, a chance conversation with a fellow
trader set my creative juices flowing as she described a Dartmoor cottage she once
owned, which had an unusual, internal stained-glass window and unaccountable
cold corners. Well… that was all the
encouragement I needed!
At the time I was a member of a local
writers group and, suitably fired up, I penned a short story. The room fell silent as I read it out to my fellow
writers and all wanted to know what happened next. During this period I had to travel up to the
South East on a fairly regular basis. On
one particular trip I took a detour to Dorset and discovered the villages of
Walditch and Shipton Gorge, which became the setting for the tale. Furthermore, whilst researching the villages
and surrounding area, I uncovered historic events on which to pin the story. Three months – I mentioned I was fired up,
didn’t I? – and 85,000 words later, I had a novel!
I self-published the book as The Forgotten Promise, and this version achieved
one of the first Chill with a Book “Book of the Month” awards. I am very fortunate that Aria agreed to
publish the novel and, with further time-slip development, it is now Secrets of the Mist. Lastly, but by no means least, I must mention
the lovely cover, which has a softly haunting feel and is totally appropriate
to the story.
Kate Ryder writes
romantic suspense with a true-to-life narrative. Her passion is writing (a
period during which she studied acting only confirmed her preference for
writing rather than performing!). Since then she has worked in the publishing,
tour operating and property industries, and has travelled widely.
She is a member of the Romantic Novelists’
Association and the Society of Authors. Kate lives in Cornwall with her husband
and a newly acquired rescue cat.
In 2017 Kate signed a 4-book publishing contract
with Aria (digital imprint of award-winning independent publisher, Head of
Zeus). Her first novel, ‘Summer in a Cornish Cove’, saw her nominated for the
RNA’s 2018 Joan Hessayon award. Under its original self-published title, ‘The
Forgotten Promise’, ‘Secrets of the Mist’, was shortlisted for Choc Lit’s
“Search for a Star” and awarded a Chill with a Book “Book of the
Extract From: Secrets of the Mists – Kate Ryder
We arrived in Walditch late
morning, having first visited the Bridport estate agents, Randall & Mather,
to pick up the keys for The Olde Smithy. As we pulled up alongside Walditch
village green I noticed a few people already sitting outside the Blacksmith’s
Arms. Casually, I wondered if there might be an opportunity of work in that
Clambering down from the van, I stretched and rubbed
my hands together. ‘OK, let’s get cracking.’
Over the next couple of hours we unloaded the van, depositing
bags and furniture in various rooms. Dan hit his head several times on the low
beams of the downstairs rooms, but I had no such trouble. At five feet four
inches I was a good ten inches shorter.
‘Must have been midgets in the seventeenth century!’
he muttered, ferociously rubbing his skull.
According to Randall & Mather, the cottage dated
back to the mid-1600s, in part. The property details stated: A charming, two-bedroom period cottage situated in Walditch, a
village set deep in hilly countryside yet only a mile from Bridport and West
Bay. The Olde Smithy offers discerning buyers an opportunity to put their stamp
on a property steeped in history but with all modern-day conveniences.
The sitting/dining room, kitchen and master bedroom
were in the original part of the building, and all had heavily beamed ceilings
and uneven floors, while a two-storey extension, built during the late 1980s,
created a hallway, downstairs bathroom and first-floor guest bedroom. A small,
overgrown, cottage-style garden to the front opened directly onto the village
green and to the rear, immediately accessed from the kitchen, was a courtyard
created by a collection of outhouses, one being an outside privy. A pathway led
past the outbuildings to a further area of overgrown garden where there were
three gnarled and twisted fruit trees, in desperate need of pruning, and the
outline of a long-forgotten vegetable bed. To my delight, at the far end, was a
The day passed quickly and we busied ourselves
unpacking boxes, stacking shelves and filling cupboards. I had energy to spare.
Soon, the cottage soon took shape and by the time the elongating shadows of the
oak tree encroached upon the front garden it felt homely. Only the last
remaining packing boxes stacked in the hallway and the lack of curtains at the
windows declared me a new occupant. I made a mental note to buy fabric during
the next few days to remedy this, as I’d been unable to salvage any window
dressings from the flat. Being a Victorian conversion, the apartment had tall
sash windows to which the landlord had fitted vertical blinds.
As the day progressed, Dan regained a cheerful
disposition and his earlier melancholy evaporated. He was busy cleaning the
fireplace as I rummaged through a box in the kitchen, searching for elusive
teabags. I paused and looked around appreciatively at the beams, the flagstone
floor and the view of the courtyard through the small-paned windows. I could
already see next spring’s hanging baskets on the outhouse walls. I smiled, instinctively
knowing that all that had gone before was simply leading to this day.
‘Hey, Mads, take a look at this,’ Dan called from the
I turned and walked to the doorway. A thick haze
filled the room and I marvelled at how much dust he’d created. I was about to
suggest he let in some fresh air when I noticed all the windows were open wide.
I frowned. How strange… The room was full of fog and yet there was a strong
breeze blowing outside.
It must have been a trick of the light because, as Dan
turned, his blond hair appeared darker and longer and he seemed less tall and
lean; an altogether rougher version. I blinked and shook my head, as if
brushing away the image. As quickly as he had appeared altered, there he was,
once again, the Dan I knew.
‘What have you found?’ I walked across the room and
saw a small opening in the stonework to one side of the inglenook. ‘How did
‘One of the stones was loose. It came away quite
easily when I investigated. I think there’s something behind it.’
‘Clear away a bit more,’ I said, enthusiastically.
‘It might be a bread oven.’
Placing his long fingers into the gap, he teased away
at the stones around the opening. For a moment nothing happened but then one
suddenly shifted, coming away in his hand. There was a definite edge to the
hole. I peered inside at a hidden void.
‘Wow, how exciting!’
Without hesitation, I inserted my hand and felt
around, unsure what I expected to find, but apart from a thick layer of dust
and rubble, the alcove was empty. Disappointment flooded through me.
‘I’ll make a feature of it,’ I said. ‘I’ll visit a
reclamation yard and find a door that fits.’
‘This cottage will give up more of its secrets as
time goes by.’
As Dan spoke the words I became aware of an expectant
stillness in the air.
‘Why did you say that?’ I asked sharply.
‘Well, these old places always have secrets, don’t
they? And this one’s had four hundred years to collect them.’
Suddenly I felt hot and short of breath. Feeling
dizzy, I reached out for Dan, as if trying to hold on to something solid;
something I could trust.
He caught hold of my arm. ‘Hey, steady, Mads!’
Beads of perspiration pricked my forehead and I
struggled to hold back rising nausea.
‘You OK?’ Dan asked with concern.
‘I just need some fresh air,’ I gasped.
‘Tell you what – let’s abandon the tea thing and go
to the pub instead.’ This was his answer to most things.
‘Yeah, I could do with a drink.’
He smiled at me.
‘And dinner’s on me,’ I said weakly, hurrying towards
‘Now, there’s an offer I can’t possibly refuse, but won’t that be a tad messy?’
As the last train leaves, will life ever be the same?
Stationmaster Ted has never cared much for romance.
Occupied with ensuring England’s most beautiful railway runs on time, love has
always felt like a comparatively trivial matter. Yet when he meets Annie
Galbraith on the 8.42 train to Lynford, he can’t help but instantly fall for
But soon the railway is forced to close and a
terrible accident occurs within the station grounds, Ted finds his job and any
hope of a relationship with Annie hanging in the balance…
Recovering from heartbreak after a disastrous
marriage, Tilly decides to escape from the bustling capital and move to Dorset
to stay with her dad, Ken. When Ken convinces Tilly to help with the
restoration of the old railway, she discovers a diary hidden in the old ticket
office. Tilly is soon swept up in Ted’s story, and the fateful accident that
changed his life forever.
But an encounter with an enigmatic stranger takes
Tilly by surprise, and she can’t help but feel a connection with Ted’s story in
I received a copy of this book from HQ Digital via NetGalley in return for an honest review.
I’ve read most of this author’s timeslip novels, and they keep getting better in terms of mysteries to be solved, emotional, poignant life journeys to be explored, and believable characters that you empathise with from the first page. The genealogy connection between the past and present is always cleverly done and is the author’s unique selling point, something that makes her stories both engaging and original.
Both Ted and Tilly’s stories are very emotional and poignant, Ted’s tragic love story in the 1930s is particularly touching, his honesty and simplicity make him vulnerable, and whilst you empathise with him, you are also horrified by others manipulation of his innocence. Tilly is also on a knife-edge, after the abusive behaviour of her husband, whose lack of compassion is horrifying. Her emotional recovery with the help of her father Ken and friend Jo is heartwarming, and the railway restoration society plays its part too and connects the past and present in a believable, interesting way.
The story is complex but easy reading, as it slips convincingly and effortlessly from the present to the past. Connections are made, clues given, with insights into the time and place, moving the story on, but letting the reader enjoy the experience.
The perfect escape, which will appeal to a wide audience who like genealogy, history, mystery and romance.
Kathleen McGurl lives near the sea in Bournemouth, UK, with her husband. She has two
sons who are now grown-up and have left home. She began her writing career
creating short stories, and sold dozens to women’s magazines in the UK and
Australia. Then she got side-tracked onto family history research – which led
eventually to writing novels with genealogy themes. She has always been
fascinated by the past, and the ways in which the past can influence the
present, and enjoys exploring these links in her novels.
I received a copy of this book from HQ via NetGalley in return for an honest review.
This story may not appeal to everyone. You have to be willing to accept the concept of parallel lives that exist but only come to your notice, if you act in a certain way. Lauren Paling as a young girl, sees snapshots of her other possible lives, she learns not to share these insights with others who don’t understand, but then she dies and the emotional rollercoaster journey begins.
In each life she is different, and although surrounded by those who love her, they may relate to her, in different ways. The stories explore, love friendship, relationships loss and grief in a poignant way.
Lauren is searching for a mystery man in each life, without knowing his significance to her, if any. This is a story that can be read more than once, and perhaps needs to be, to fully grasp everything it is about, but that might just be me?
The historical scene-setting is well done, I grew up in this time frame, and I enjoyed the mid to late 20th Century references. Each life has subtle differences to authenticate it to Lauren, as part of her struggles to accept her new present and forget what has gone before.
The plot is detailed and the characters are likeable and believable, despite the extraordinariness of the storyline. This has a uniqueness, because of its emotional content and characterisation, even though the parallel lives concept is often used in science- fiction literature.
If you enjoy variety in your reading and enjoy a lovely, out worldly story this is for you.
Posy Montague is approaching her seventieth birthday. Still living in her beautiful family home, Admiral House, set in the glorious Suffolk countryside where she spent her own idyllic childhood catching butterflies with her beloved father and raised her own children, Posy knows she must make an agonizing decision. Despite the memories the house holds, and the exquisite garden she has spent twenty-five years creating, the house is crumbling around her, and Posy knows the time has come to sell it.
Then a face appears from the past – Freddie, her first love, who abandoned her and left her heartbroken fifty years ago. Already struggling to cope with her son Sam’s inept business dealings, and the sudden reappearance of her younger son Nick after ten years in Australia, Posy is reluctant to trust in Freddie’s renewed affection. And unbeknown to Posy, Freddie – and Admiral House – have a devastating secret to reveal . . .
I received a copy of this book from Pan Macmillan via NetGalley in return for an honest review.
‘The Butterfly Room’ takes you on an atmospheric, emotional journey full of memorable characters and sensual experiences.
Posy Montague spent her early childhood in Admiral House, her most cherished memories are catching butterflies and playing make-belief with her father. He is the driving force in her life, her mother fading into the background when he is around until she discovers something that shatters the illusion.
Moving between Posy’s often difficult childhood years, and her current life in Suffolk, Admiral House is a constant, but its crumbling glory means Posy has to accept, change is inevitable.
Posy’s life journey explores many themes, notably family life and dysfunctional families, women’s position and role in society, love, romance, relationships and money. Posy is a complex girl and woman, with a self-deprecating sense of humour and quirky personality, often associated with only children brought up in adult households.
This story is an effortless read. You are drawn in by the quality characterisation. What happens to the family matters, even though they are flawed, often selfish, and in some cases completely unlikeable. The plot is layered, revealing its secrets gradually until you are spellbound, yet completely unprepared for the final revelations. The last part of the book is suspenseful and poignant as the domestic drama intensifies.
The ending is hopeful and satisfying as Posy and her family finally realise what truly matters in life.
Present day: Anna is focused on growing her new gardening business and renovating her late grandmother’s house. But when she discovers a box hidden in a wall cavity, containing watercolours of exotic plants, an old diary and a handful of seeds, she finds herself thrust into a centuries-old mystery. One that will send her halfway across the world to Kew Gardens and then onto Cornwall in search of the truth.
A lady adventurer…
1886: Elizabeth Trebithick is determined to fulfil her father’s dying wish and continue his life’s work as an adventurer and plant-hunter. So when she embarks on a perilous journey to discover a rare and miraculous flower, she will discover that the ultimate betrayal can be found even across the seas…
Two women, separated by centuries. Can one mysterious flower bring them together?
I received a copy of this book from Orion Publishing via NetGalley in return for an honest review.
A lovely timeslip novel containing some unusual themes, which give it a uniqueness and quirky appeal.
An unexpected find when updating a house bequeathed to her by her beloved grandmother sets Anna on a mystery tour that reveals family secrets and takes her on a much-needed journey of self-discovery.
Elizabeth pushes against society’s conventions in Victorian England. When her much-loved father dies, she feels duty-bound to fulfil his dying wish This is not the selfless act it appears, as she has always wanted to follow in her father’s footsteps.
Both stories are engaging, and courageous in their own way. Elizabeth’s is perhaps the bravest and for me the most absorbing, because she sets out to visit Chile in South America, with only her maid, after living a sheltered, if unconventional life in Cornwall.
The story focuses on botany and botanical art and discoveries in great detail, this is fascinating and gives the story an authentic feel. The geographical descriptions likewise are well done and bring the settings to life. This is important in a story like this where the main protagonists are motivated out of their comfort zones to discover the truth. You have to experience what they do to believe it could happen.
The dual time perspectives are well- written and the links and crossover between past and present well grounded and believable. Neither of the female protagonists is perfect, they are flawed, but you are invested in their story’s and want it to end well.
Although easy to read, the pacing is slow in parts. The plot’s vivid imagery holds your interest, and the ending is worth waiting for.