“There’s something I have to explain, my love,” he says, taking your hand in his. “That wasn’t a dream. It was an upload.”
Abbie wakes in a hospital bed with no memory of how she got there. The man by her side explains that he’s her husband. He’s a titan of the tech world, the founder of one of Silicon Valley’s most innovative startups. He tells Abbie she’s a gifted artist, a doting mother to their young son, and the perfect wife.
Five years ago, she suffered a terrible accident. Her return from the abyss is a miracle of science, a breakthrough in artificial intelligence that has taken him half a decade to achieve.
But as Abbie pieces together memories of her marriage, she begins questioning her husband’s motives – and his version of events. Can she trust him when he says he wants them to be together forever? And what really happened to her, half a decade ago?
I received a copy of this book from Quercus via NetGalley in return for an honest review.
Even if you don’t look at the book cover, you can always tell when you’re reading this author’s novels, by the original ideas it contains, the creepy, menacing undertone, and the importance of technology to the story. The only negative is that the ending doesn’t necessarily reflect, the careful suspense building of the previous chapters.
‘The Perfect Wife’, is a true mix of genres. A psychological thriller, set in a science-fiction world, with mystery, suspense and family drama. The story is told from different points of view and draws you in from its traumatic beginning.
The protagonists are unreliable, and many of the characters are hard to empathise, but this doesn’t matter. As the story unravels and the disclosures from the past, illuminate the present, you keep reading because you have to know what happens next.
Even though most of the characters lack redeeming features, they are realistic, despite, the setting and ethos of the story being hard to believe. Whilst, I don’t like everything about this story, it is compelling reading.
Breathtaking, disturbing and original, this is a reading experience that shouldn’t be missed.
When someone mentions the City of Cambridge you probably think
of an iconic building, its four corners stretching out of the once medieval mud
and into the arms of everlasting heaven, its white limestone yearning into
eternity… and without even knowing exactly what ephemeral joys or permanent
wonders the vision brings to mind, it’s a safe bet that the one thought which
does not occur to you is that the Chapel might not be there by Christmas.
Theo (Theophilus Ambrose Fitzwilliam Wedderburn to his friends) is a Junior Research Fellow in Number Theory. Prompted by a supervisee to demonstrate how to trace the provenance of bitcoins, Theo happens across a shocking revelation, with embarrassing ramifications for the whole University. Meanwhile, he is being stalked unseen by someone from his childhood. To his annoyance, Theo falls for a cheap con… and discovers a horror set not only to rock the very seat of power itself but to change the face of Cambridge and its beautifully iconic image forever.
I received a copy of this book from the author in return for an honest review.
This book is on one level, like its title, elegant, the setting in Cambridge draws you into the iconic place, where, in some ways, nothing has changed. The criminal threat and technological mystery, impose the contemporary world on the academic establishment, causing ripples and threatening the people and ancient buildings.
The characters are what makes this story stand out. I did find it difficult to get into initially, but Theo and Charlotte have an intriguing relationship, that faces both internal and external conflict. Theo’s character is significant and gives an honest portrayal of autism and how it affects the individual’s perception of the world, and those around him.
The detailed theory will not be for everyone, but even if that is not for you, there is still a lovely character-driven drama to enjoy.
Anne Atkins is a well-known English broadcaster and journalist, and a regular contributor to BBC Radio 4’s Thought for the Day. She took an involuntary, and long, break from writing fiction when her son was diagnosed with Asperger Syndrome, their daughter repeatedly hospitalized with a severe illness, and finally, the family was made homeless. Thankfully those dark days are now behind her and she and her husband Shaun along with some of her children now live happily in Bedford, England.
The sequel to the bestselling phenomenon The Note – based on the true story of one girl and her ‘Train Man’…
year after the kiss that brought them together in a snowy train-station
doorway, Maya and James are embarking on another journey – this time around the
The trip starts promisingly, with an opulent and romantic Indian wedding. But as their travels continue, Maya fears that ‘love at first sight’ might not survive trains, planes and tuk-tuks, especially when she realises that what she really wants is a baby, and James doesn’t feel the same.
Can Maya and James navigate their different hopes and dreams to stay together? Or is love at first sight just a myth after all…
I received a copy of this book from Aria – Head of Zeus Books in return for an honest review.
I must be the only person in the UK who didn’t read ‘The Note’, but fortunately ‘The Postcard’ whilst being a sequel, is also a separate adventure for Maya and James and reads well as a standalone.
There is a curious diversion from Maya’s story as she prepares to go on around the world trip with #TheTrainMan. A different character, confused, lost and vulnerable, is introduced, the menace and mystery of this encounter are on your mind as Maya and James start their journey, and then the person’s identity and the situation is revealed, and you wonder if, where and when, Maya will meet her?
The characters and relationships you explore in this story are complex and realistic, whether they be from Maya’s past, present or on the trip of a lifetime. Her best friend’s story is so far removed from Maya’s at this time, and yet both think they want what the other is experiencing.
There is a lovely balance of humour and poignancy in this, the romance is still there, but tempered with reality and therefore authentic.Maya and Jamesfind out who they are as a couple as a series of conflicts, try to break them.
The final conflict is adrenaline-fueled, suspenseful and unexpectedly poignant. These scenes are full of vivid imagery that really lets you experience the tension, terror and tumultuousness of the events. Romance and love prevail, and the final scenes provide a heartwarming and believable ending.
Guest Post – Zoe Folbigg – The Postcard
Welcome back, Maya and James! –
If you enjoyed my debut book The Note then I hope you love the sequel, The Postcard, even more. At first, I was nervy about revisiting Maya and James and writing about what happens after the happy ever after. The Note was based on my own story of how I fell for a stranger on a train on my daily commute and then married him. It was a story I had told a thousand times even before I’d fictionalised it; before Aria offered me a book deal; before it became a bestseller.
When I wrote my second novel, The Distance, a story about long-distance love, based (almost) entirely on characters plucked from my imagination and nothing to do with me or my husband, I enjoyed the liberating feeling of writing about something totally different, telling a new story.
So when Aria suggested a sequel, I was worried. How could I move Maya and James’ story on? In reality, Train Man and I got married and had kids. We settled down to school runs, sports clubs and Friday-night fajitas. Nowadays the most drama in our lives tends to be Sainsbury’s selling out of coriander (those fajitas matter), or me falling over in the mums’ race on Sports Day. Embarrassing, yes, but none of my current life felt like novel material.
Then I remembered the “in-between”. Those years in a relationship when you’re out of the early throes of glorious newness, when you’re still self-conscious about morning breath and think each other’s bad outfit choices are adorable, but you’re not quite ready for his ‘n’ hers Mahabis or actually saying, “This is the person I want to spend the rest of my life with!”, even if you think it. A period when family and friends ask about marriage and babies in hushed tones and want to move your relationship on to the next stage, even if you haven’t discussed it yet.
Our “in-between” coincided with some amazing travels: a holiday to Argentina with friends, Costa Rica for my 30th (double income no kids = nice holidays) and then a year-long round-the-world trip (redundancy = a “sod-it, it’s now or never” attitude).
Before these trips, friends would gush about the proposal opportunities, how we would definitely come back engaged, that surely Train Man had something up his sleeve, and I felt a mixture of hope and pressure, excitement and resentment.
So while pondering a sequel I remembered that phase. The round-the-world trip was chock full of vibrant places, crazy characters, beautiful scenery, and weirdly that in-between issue that I realised would be as pertinent to Maya and James as it is to many people.
Once I started writing The Postcard and I took Maya and James on their own travels, I fell in love with their new chapter: I could almost smell the coriander and coconut of dinner on the Mekong; hear the beat of a drum at a Hindu wedding; see the mossy limestone karsts looking down on them at a beach in Thailand. And I could hear the ring of that lingering question: “Do you think he’ll ask you to marry him?!” “Do you think you’d ask him?” All from my kitchen table.
So welcome back Maya and James! It’s been an honour to pick up their story and revisit all these amazing places for The Postcard – and I hope you enjoy it as much as I’ve enjoyed writing it.
Zoë Folbigg is a magazine journalist and digital editor, starting at Cosmopolitan in 2001 and since freelancing for titles including Glamour, Fabulous, Daily Mail, Healthy, LOOK, Top Santé, Mother & Baby, ELLE, Sunday Times Style and Style.com. In 2008 she had a weekly column in Fabulous magazine documenting her year-long round-the-world trip with ‘Train Man’ – a man she had met on her daily commute. She since married Train Man and lives in Hertfordshire with him and their two young sons. Twitter FacebookInstagram Website
Their backgrounds could hardly be further apart, their expectations in life more different. And there is nothing in the first meeting between the conference planner and the university lecturer which suggests they should expect or even want to connect again. But they have more in common than they could ever have imagined. Both have unresolved issues from the past which have marked them; both have an archaeological puzzle they want to solve. Their stories intertwine and they discover together that treasure isn’t always what it seems.
I received a copy of this book from the author in return for an honest review
I love to read something a little different, this story is a mix of genre, there is a gentle romance. which is slow-burning, ridden with internal obstacles to its success. There is a mystery, with historical roots, that draws the couple together, when it seems, in the beginning, they have nothing in common, except that they irritate each other. There is also a strong emotional thread in this story, as the first part of the book reveals, why Theo and Jane are unwilling to trust again, this poignancy makes the characters easier to empathise.
The believable setting is contemporary and well researched, and has intrinsic interest. Your primary focus is always on Jane and Theo in this character-driven story.The subsidiary characters both past and present are complex and realistic. The flaws and emotional baggage carried by the two protagonists make them authentic.
An easy to read, engaging romance with an intriguing mystery set against a politicised contemporary background.
Gilli Allan began to write in childhood – a hobby pursued throughout her teenage. Writing was only abandoned when she left home, and real-life supplanted the fiction.
After a few false starts, she worked longest and most happily as a commercial artist, and only began writing again when she became a mother.
Living in Gloucestershire with her
husband Geoff, Gilli is still a keen artist. She draws and paints and has now
moved into book illustration.
Currently published by Accent Press,
each of her books, TORN, LIFE CLASS and FLY or FALL has won a ‘Chill with a
Following in the family tradition, her
son, historian Thomas Williams, is also a writer. His most recent work,
published by William Collins, is ‘Viking Britain’.
Imagine turning up to your own party, and recognising no one. Your best friend has just created your worst nightmare.
Louisa is an exhausted, sleep-deprived new mother and, approaching her fortieth birthday, the very last thing she wants to do is celebrate.
But when her best friend Tiff organises a surprise party, inviting the entire list of Lou’s Facebook friends, she’s faced with a new source of anxiety altogether: a room full of old college classmates who she hasn’t spoken to in twenty years. And one person, in particular, she never expected to see again is there – her ex-boyfriend from college, the handsome and charismatic Oliver Dunmore.
When Oliver’s wife Melissa goes missing after the party, everyone remembers what happened that night differently. It could be the alcohol, but it seems more than one person has something to hide.
Louisa is determined to find the truth about what happened to Melissa. But just how far does she need to look…?
One simple Facebook invitation unfolds into something both tragic and monstrous; a story of obsessive love, breath-taking deception and masterful manipulation.
I received a copy of this book from Avon Books UK via NetGalley in return for an honest review.
Like many psychological thrillers, this one has a strong family drama theme. Written in the third person from Louisa’s point of view, it focuses almost exclusively on her emotions, motivations, observations and thoughts, This does mean that the other characters in the story fade into to the background, even though they are in many cases key to the storyline.
Louisa is an unreliable protagonist, sleep-deprived, looking after a young baby. She may also be suffering from postnatal depression, but because everything is seen from her point of view, and she has no insight into her mental health, this possibility is alluded to, but not explored. Diagnosed with dissociative amnesia, where the person cannot recall personal information, not explained by ordinary forgetting, usually triggered by trauma or extreme stress.
The plot is for the most part believable, the pacing varies, but you are drawn into Lousia’s story. How much of it is in her mind? Is her paranoia, justified, or a symptom of her mental state? Despite her unreliability, I did sympathise with Louisa. The remainder of the characters, could all be guilty of something, with the exception of Emily her teenage daughter, who I also like, especially as she realises how fragile her mother is, as the story progresses, and supports her, the best she can.
The clues and the misinformation are integrated into the plot well, but they didn’t surprise me. The final few chapters are bizarre, but not unimaginable, who knows what they would do in those circumstances?
Missing in Wales, the first in an exciting new Welsh-set crime series by Jenny O’Brien, author of The Stepsister. The next in series, Stabbed in Wales, will be available soon.
Alys is fine – don’t try to find us
Izzy Grant is haunted by the abduction of her newborn daughter five-years ago.
When a postcard arrives from her missing partner, the man she believes is
responsible, saying they’re fine and asking her not to try to find them, she
knows she can’t give up hoping. Then she sees a face from her past. Grace
Madden. Just where did she disappear to all those years ago? And is there a
connection between her disappearance and that of her child?
DC Gabriella Darin recently transferred from Swansea, is brash, bolshie and dedicated. Something doesn’t fit with the case and she’s determined to find out just what happened all those years ago.
It’s the first time you’ve been out with her by yourself.’
nagging, Izzy. We’ll be fine, won’t we, gorgeous?’ Charlie said, bending
on his haunches and gently running his finger down his daughter’s plump cheek,
her dark blue eyes staring back at him. ‘We’re going to let your mammy have
some rest while we go to the shops. It’s time we got better acquainted. I can
tell you all about football and which team to support.’
‘You will not. Don’t
listen, Alys. There’s only one football team worth supporting and it’s not
his,’ Izzy teased, feeling redundant now that Charlie had stolen her attention.
This would be the
first time they’d been apart since the birth and already she could feel the
bonds of motherhood straining at the thought of Alys being out of her sight,
even if it was only for half-an-hour. It had only taken a week for her world to
shrink to the boundary walls of the house. But she’d never been happier.
Her eyes grazed the pair of them and love-filled every corner. They needed this time, both of them and a few minutes alone after another interrupted night’s sleep would be like a gift from the gods.
about a goodbye kiss from your pretty mam then?’ he said.
Pushing himself to
standing, the car seat in the crook of his arm, he leaned in for a kiss
reminiscent of the best Hollywood romances.
thing,’ she laughed. But secretly she was pleased, more than pleased.
She watched as he
reversed the Mini into the road and continued watching until they were out of
sight before returning to the warmth of the house. She slipped off her shoes by
the front door, fumbling into her slippers and heading for the kitchen. There
was washing and ironing, not to mention food to prepare. There were so many
things she knew she should be doing but she felt sick with tiredness. With a
mug of tea in her hand, she returned to the sofa and, feet propped up on the
end, rested back, allowing the silence envelop her.
There was always
noise in the cottage. It wasn’t Charlie’s fault that he was one of those men
you could hear long before you could see them: Charlie, her one-night-stand,
who seemed to have taken up root in both her house and her heart. He was always
clomping around the place with a heavy tread and if it wasn’t him, it was one
of his mates he’d invited back for her to feed. The house suddenly felt empty
with the pervading sound of silence.
She’d close her eyes; just for five minutes…they’d be back soon.
I received a copy of this book from the author in return for an honest review.
An atmospheric, emotional police procedural, with a refreshingly unique storyline, and a complex and interesting female detective.
Izzy’s story is tragic, and the chance for closure, has her contacting the police again, even though it will mean revisiting her painful past. This is a character-driven story, and the players are believable. Izzy is easy to empathise. The pacing is a little slow in the first third of the story but picks up as the plot twists start.
DC Darin has secrets, but good instincts and insight, which prove to be pivotal in solving the case. The ending is suspenseful, and though I did guess who the antagonist is, the clues are there, if you look, the ending’s impact resonates.
Definitely, a series I would like to read.
Jenny O’Brien was abandoned in Dublin at the tender age of 17 by her parents when they decided to move to Wales. It was only on the completion of her studies that she was finally able to join them. She’s an avid reader and book blogger in addition to being a RoNA book judge. She writes for both children and adults with a new book coming out every six months or so. In her spare time, she can be found frowning at her wonky cakes and even wonkier breads. You’ll be pleased to note she won’t be entering Bake-Off. She’s also an all-year-round sea swimmer. Jenny currently resides on the island of Guernsey with her husband, children and cats. She works as a nurse and writes in her spare time. Readers can find out more about Jenny from her blogFacebookTwitter
Giveaway to Win a signed copy of Missing In Wales and the chance to be a character in the next book STABBED IN WALES. ( UK only)
*Terms and Conditions –UK entries welcome. Please enter using the Rafflecopter box below. The winner will be selected at random via Rafflecopter from all valid entries and will be notified by Twitter and/or email. If no response is received within 7 days then Rachel’s Random Resources reserves the right to select an alternative winner. Open to all entrants aged 18 or over. Any personal data given as part of the competition entry is used for this purpose only and will not be shared with third parties, with the exception of the winners’ information. This will passed to the giveaway organiser and used only for fulfilment of the prize, after which time Rachel’s Random Resources will delete the data. I am not responsible for despatch or delivery of the prize.
Grace Quinn loves her job at Cohen’s Convenient Storage Company, finding occasional treasure in the forgotten units that customers have abandoned. Her inquisitive nature is piqued when a valuable art collection and a bundle of letters and diaries are found that date back to the 1930s.
Delving deeper, Grace uncovers the story of a young English woman, Connie Levine, who follows her heart to Italy at the end of the Second World war. The contents also offer up the hope of a new beginning for Grace, battling a broken heart and caring for her controlling mother.
Embarking on her own voyage of discovery, Grace’s search takes her to a powder pink villa on the cliff tops overlooking the Italian Riviera, but will she unravel the family secrets and betrayals that Connie tried so hard to overcome, and find love for herself?
I received a copy of this book from Harper Collins UK – Harper Fiction via NetGalley in return for an honest review.
Grace needs to escape from her daily life, she has a broken heart, a controlling mother and a family who take her for granted, no wonder she enjoys her work, where she is appreciated. Finding some letters and treasures in a storage unit whose payments have lapsed, Grace finds a kindred spirit in Connie. She finds both, courage and solace whilst learning her story and tracking down her heirs.
There is a good mystery to solve, romance, but most of all a journey of self-discovery for Grace. The Italian scenes are vividly described and give the story added interest. The historical aspect of the story is well-written and shows the problems faced by women in the 1940s. There are obvious similarities between Connie and Grace’s stories, but some important differences too.
This is an emotion-driven story, you feel for both Connie and Grace as they are constrained by their circumstances, familial demands and society’s expectations.
There is a detailed epilogue, which draws the drama together well, and gives Grace the hopeful ending she deserves.