Present day: Anna is focused on growing her new gardening business and renovating her late grandmother’s house. But when she discovers a box hidden in a wall cavity, containing watercolours of exotic plants, an old diary and a handful of seeds, she finds herself thrust into a centuries-old mystery. One that will send her halfway across the world to Kew Gardens and then onto Cornwall in search of the truth.
A lady adventurer…
1886: Elizabeth Trebithick is determined to fulfil her father’s dying wish and continue his life’s work as an adventurer and plant-hunter. So when she embarks on a perilous journey to discover a rare and miraculous flower, she will discover that the ultimate betrayal can be found even across the seas…
Two women, separated by centuries. Can one mysterious flower bring them together?
I received a copy of this book from Orion Publishing via NetGalley in return for an honest review.
A lovely timeslip novel containing some unusual themes, which give it a uniqueness and quirky appeal.
An unexpected find when updating a house bequeathed to her by her beloved grandmother sets Anna on a mystery tour that reveals family secrets and takes her on a much-needed journey of self-discovery.
Elizabeth pushes against society’s conventions in Victorian England. When her much-loved father dies, she feels duty-bound to fulfil his dying wish This is not the selfless act it appears, as she has always wanted to follow in her father’s footsteps.
Both stories are engaging, and courageous in their own way. Elizabeth’s is perhaps the bravest and for me the most absorbing, because she sets out to visit Chile in South America, with only her maid, after living a sheltered, if unconventional life in Cornwall.
The story focuses on botany and botanical art and discoveries in great detail, this is fascinating and gives the story an authentic feel. The geographical descriptions likewise are well done and bring the settings to life. This is important in a story like this where the main protagonists are motivated out of their comfort zones to discover the truth. You have to experience what they do to believe it could happen.
The dual time perspectives are well- written and the links and crossover between past and present well grounded and believable. Neither of the female protagonists is perfect, they are flawed, but you are invested in their story’s and want it to end well.
Although easy to read, the pacing is slow in parts. The plot’s vivid imagery holds your interest, and the ending is worth waiting for.
In wartime, it takes courage to follow your heart.
Everyone hated the heat and the deafening noise, but for Gracie, the worst thing was the smell of chemicals that turned her stomach every morning when she arrived at the Rosenberg Raincoats factory.
Gracie is a girl on the factory floor. Jacob is the boss’s charismatic nephew. When they fall in love, it seems as if the whole world is against them – especially Charlie Nuttall, who also works at the factory and has always wanted Gracie for himself.
But worse is to come when Jacob disappears and Gracie is devastated, vowing to find him. Can she solve the mystery of his whereabouts? Gracie will need all her strength and courage to find a happy ending.
Guest Post – WHY I WRITE WWII NOVELS – Alrene Hughes
I think it was inevitable. If I was going to write a novel, then I would write about the second world war. For a start, my mother, aunts and grandmother had lived through the hardships and dangers of that time. The war had ended only seven years before I was born and, growing up, I somehow absorbed their memories second-hand.
My home city of Belfast in Northern Ireland – an industrial
city of shipbuilding, aircraft manufacture and heavy engineering – was crucial
to the war effort. Needless to say, it was heavily bombed. Later, when the USA
entered the war, it was to Northern Ireland that the GIs came to train before being
As a child, I knew the gaps between the buildings were bomb sites. Once on a bus going into the city centre with my mother, she pointed out a street where she had seen the dead bodies laid out on the pavement on her way to work after an overnight bombing. But she had happy memories too of her time as a factory girl building Stirling bombers. As a housewife after the war, I remember she wore her factory clothes, trousers and a turban, to clean the house. But the biggest influence in my post-war childhood was the music.
My mother and aunts had been popular singers, in the style of the Andrews Sisters, and throughout the war, they entertained in the concert and dance halls, as well as the military camps. After my mother died, I found an old scrapbook among her possessions. It contained many concert programmes listing the acts and the Golden Sisters, as they were known, often had the titles of songs they sang next to their billing: Don’t Sit Under the Apple Tree; Chattanooga Choo Choo … And then there were all the photos.
I just had to tell their wartime story. The personalities of
my mother, aunts and grandmother were etched in my brain, the snippets of wartime
memories had been passed on to me and I had the scrapbook. Add to that my
research of life in the city and the ideas that flooded my mind and it was
enough to turn it into a novel. In the end, their story became a popular WWII family
saga, the Martha’s Girls trilogy.
Now I’ve written WWII novels set in Manchester, the city
where I’ve lived most of my adult life. It’s a lot like Belfast in some ways:
the heavy bombings; the industry; the no-nonsense, resilient people. The women
in my new novels The Girl in the Pink
Raincoat and The Girl from the Corner
Shop, face tragedy and danger, experience love and loss but, throughout, their
courage shines through.
I received a copy of this book from Head of Zeus Books in return for an honest review.
Gracie is an endearing character, young, naive, but optimistic and full of life, with a smile never far from her face. It is this bubbliness that attracts Jacob, even though he realises that any relationship between them would be fraught with conflict.
The setting and era of this story are vividly portrayed, you can imagine the raincoat factory, the bombsites and the people, as they try to live their lives during wartime. Anyone who has listened to their grandparents and parents stories about ‘the war’, will recognise familiar concepts, and it is this relatability that makes the story so powerful.
The plot is well constructed, with a mystery and romance. The prejudice rife at the time is evident and is an important theme. Wartime romance with a twist. Family drama, strong friendships and a menacing undercurrent of betrayal and obsession, something for everyone in this wartime tale.
Alrene Hughes grew up in Belfast and has lived in Manchester for most of her adult life. She worked for British Telecom and the BBC before training as an English teacher. After teaching for twenty years, she retired and now writes full-time. Facebook
Extract – The Girl In The Pink Raincoat – Alrene Hughes
to the sound of crying, and it was a moment before she realised it was coming
through the paper-thin walls of the house next door. Then she remembered it was
Friday morning and still Doris had not come to terms with her children being evacuated.
She lay for a while, watching a shaft of sunlight coming through the gap in the
curtains, and when the crying was replaced by the squeals and laughter of
excited children, she got up.
By the time the children were ready to walk to school, a crowd had gathered in the street to see them off. Gracie and Sarah stood next to Doris as she held back her tears, hugged her two little girls and told them to be good and to write every week. An older boy, John Harris, took charge and it was clear that the evacuees had been drilled for this moment. At his command, they left their mothers and lined up like little soldiers, with their gas masks and belongings, each with a brown luggage label fastened to their coat. Gracie scanned their faces: some were filled with excitement, others apprehensive; and little Gladys Clark, with no mother to see her off, was sobbing her heart out.
raised his hand and all eyes turned to him. ‘One … two … three!’ he shouted,
and what happened next made the hair stand up on the back of Gracie’s neck –
the children began to sing.
An elderly resident of an inner-city tower block is brutally attacked and left for dead. Her neighbours, a pregnant alcoholic, a vulnerable youth, a failed actress and a cameraman with a dark secret, are thrown together in their search for answers. Misfits and loners, they are forced to confront uncomfortable realities about themselves and each other, as their investigation leads them towards the shocking finale.
I received a copy of this book from Blackbird Books in return for an honest review.
A chilling act of violence on a defenceless person is the starting point for ‘The Lonely Hearts Crime Club. The setting is a sixties style tower block, mainly used for social housing, The residents all have a story, revealed as the book progresses.
All the characters except one know the victim, they all feel threatened in some respect by what happened. Out of adversity comes a camaraderie that is realistic and poignant. Complex, recognisable, but not stereotypical characters are the driving force of this story. We learn their stories in a format reminiscent of ‘talking heads’ and the angst, heartbreak and ultimately self-realisation is enthralling.
The mystery of what happened at Shenstone tower is well-written, all the characters in the story could be guilty. There is a clever twist almost halfway through, which makes you believe that someone else may have the answers to the mystery.
Ella, Ethan, Birdie and Willian are the unlikely sleuths, but they want to find the attacker and driven by Ella, they try to piece together who the attacker is and the motives behind the crime.
The main characters’vulnerability draws them to each other, they find strength in shared mutual experience, and although heartbreakingly vulnerable alone, together they are strong and effective.
The clues are subtle but meaningful and gradually the mystery resolves in a believable, satisfying way.
A powerful, poignant story. The ending is so sad, but something hopeful emerges for the majority of ‘The Lonely Hearts Crime Club’ members.
Tanya Bullock is a college lecturer, writer and award-winning filmmaker. She lives in the UK with her husband and two young children. She has a passion for foreign culture and languages (inherited from her French mother) and, in her youth, travelled extensively throughout Australia, America, Asia and Europe. As a filmmaker, she has gained local recognition, including funding and regional television broadcast, through ITV’s First Cut scheme, two nominations for a Royal Television Society Midlands Award, and, in 2010, a Royal Television Society Award in the category of best promotional film. On maternity leave in 2011 and in need of a creative outlet, Tanya began to write That Special Someone, the story of a mother’s quest to help her learning-disabled daughter find love. It was a finalist for The People’s Book Prize and The Beryl Bainbridge First Time Author Award 2016. Her second novel, Homecoming, a love story with an unexpected twist, was published in 2016. The Lonely Hearts Crime Club is Tanya’s third novel. A psychological thriller with a shocking finale, it will be published in the spring of 2019. All of Tanya’s novels are published by Blackbird Digital Books.
1862 Young widow Eugénie is left bereft when her husband dies suddenly and faces an uncertain future in Guernsey. A further tragedy brings her to the attention of Monsieur Victor Hugo, living in exile on the island in his opulent house only yards away from Eugénie’s home. Their meeting changes her life and she becomes his copyist, forming a strong friendship with both Hugo and his mistress, Juliette Drouet.
2012 Doctor Tess Le Prevost, Guernsey-born though now living in Exeter, is shocked to inherit her Great-Aunt’s house on the island. As a child, she was entranced by Doris’s tales of their ancestor, Eugénie, whose house this once was, and who, according to family myth, was particularly close to Hugo. Was he the real father of her child? Tess is keen to find out and returning to the island presents her with the ideal opportunity.
Will she discover the truth about Eugénie and Hugo? A surprise find may hold the answer as Tess embraces new challenges which test her strength – and her heart.
I received a copy of this book from the author in return for an honest review.
A delightful mix of contemporary and Victorian life on Guernsey, with colourfully described historical details, and an engaging contemporary story full of romance, friendship and family drama.
Tess unexpectedly inherits an old house on Guernsey where she spent her childhood, Visiting her inheritance, she is drawn to the rundown house and being at a crossroads in her life decides to renovate and make Guernsey her home again.
Characters from previous stories make cameo appearances, but the story is standalone. The story slips between 2012 and Victorian times, told from Tess and Eugenie’s points of view. Both stories are complex and interesting, and there is a historical mystery for Tess to solve.
The story features a real historical figure, although the story is fictional, his presence as a character adds authenticity and depth.
Domestic abuse is a primary theme in this book, and it serves to highlight, its prevalence, and the differences and similarities between contemporary and Victorian women, in abusive relationships.
The storytelling is enthralling, the setting vividly described and the connections between the past and present meaningful. A lovely mix of believable characters and a realistic but hopeful ending make reading ‘The Inheritance’, a lovely way to spend an afternoon.
Guest Post – Anne Allen – The Inheritance
I would like to start by thanking Jane for
allowing me space on her lovely blog, to talk about my latest offering in The
Guernsey Novels series.
This book marks a slight change of direction for
me in that instead of referencing the German Occupation in Guernsey as in my
previous books, I go further back in time to the late 19th C and we
meet the famous writer, Victor Hugo. It may not be widely known, but he spent
fifteen years in Guernsey while in exile from France, having fallen out with
Emperor Napoleon III. He arrived, complete with his wife, children, mistress
and various other exiles, in October 1855. Hugo had already been kicked out of
Jersey, his port of call, for rude comments about Queen Victoria. The Guernsey
view was that if Jersey didn’t want him, he must be worth having!
The inspiration behind my book was Hugo’s house,
Hauteville House, in St Peter Port. It’s one of a kind – opulent, over the top,
full of quirky features like oak panels carved by Hugo himself, and with a
rooftop eerie made from steel and glass where he wrote his novels and poems. I
have visited it a couple of times, both when I lived there and two years ago
when the idea for this book first surfaced. It is exactly how it was in Hugo’s
day and his descendants gifted it to France some years ago and a French flag
flies outside to proclaim it as French territory. My last visit was just in
time as the house has been closed for nearly two years for extensive
renovation, re-opening on 7th April just before my book is
Hugo finished writing his most famous work here, Les Misérables, as well as several more novels and collections of poetry. In my book, my character, Eugénie, a young French woman living yards away from Hugo, has a life-changing encounter with him and becomes his copyist. No computers or typewriters around then! His mistress, Juliette Drouet, also helped with the copying and the two women became close. Eugénie, recently widowed, has inherited her husband’s family home but has no income and working for Hugo is her salvation. My story is dual-time and the in the modern part, my character, Tess, is a Guernsey-born doctor now living in Devon and she unexpectedly inherits what was Eugénie’s house from her great-aunt in 2012. There has long been a family myth that Hugo and Eugénie were particularly close and that he may have been the father of her child when she remarried. I had to be very careful about this aspect of the story as Hugo’s descendants still have an apartment in Hauteville House and do visit Guernsey regularly. How to avoid upsetting people! Although he was a known womanizer, as far as is known Hugo had no illegitimate children.
Anne Allen lives in Devon, by her beloved sea. She has three children, and her daughter and two grandchildren live nearby. Her restless spirit has meant a number of moves which included Spain for a couple of years. The longest stay was in Guernsey for nearly fourteen years after falling in love with the island and the people. She contrived to leave one son behind to ensure a valid reason for frequent returns.
By profession, Anne was a psychotherapist, but long had the itch to write. Now a full-time writer, she has written The Guernsey Novels, seven having been published. The books form a series, but each one is a standalone story with links to other books and characters. Although not originally planned, Anne is, in effect, writing a saga of Guernsey; featuring numerous characters and stories covering the German Occupation, Victorian Guernsey and the present day. A mix of family drama, mystery and love, the books have a wide appeal to readers of all ages.
Lily’s gone. Someone took her. Unless she was she never there…
A little girl has gone missing.
Lily was last seen being tucked into bed by her adoring mother, Nova. But the next morning, the bed is empty except for a creepy toy rabbit.
Has Nova’s abusive ex stolen his “little bunny” back for good?
At first, Officer Ellie James assumes this is a clear custody battle. Until she discovers that there are no pictures of the girl and her drawers are full of unused toys and brand new clothes that have never been worn…
Is Ellie searching for a missing child who doesn’t actually exist?
I received a copy of this book from Killer Reads via NetGalley in return for an honest review.
I’ve read quite a few of this author’s stories and they usually involve domestic settings, with a mystery, and cleverly built suspense. The stories are dark and the characters are believable, but usually have secrets, which lead to outcomes most readers wouldn’t foresee.
‘Without A Trace’ is creepy and sinister, told from three main, first-person points of view. The psychological thriller is characterised by an unreliable protagonist. This story has three and accompanied by a plot full of twists, and misinformation. It is difficult for the reader to decide who to believe. What is the truth? What is fiction? Are the answers somewhere in between?
Domestic abuse is the primary theme of this story, it is the reason Nova runs. The twisty plot is always coherent, you can see where this story is going, but you don’t know what you will find when you get there.
The short chapters, providing viewpoints from the three main female protagonists, work well with this suspense led story. The reader has to wait to see what happens next to the character, whilst they are given additional facts and motivations from the other characters.
Poignant and dark this story has important messages, and the final events and resolution of the mystery are realistic and memorable.
A stolen sister. A daughter determined to uncover the truth.
Belle Hatton has embarked upon an exciting new life far from home: a glamorous job as a nightclub singer in 1930s Burma, with a host of sophisticated new friends and admirers. But Belle is haunted by a mystery from the past – a 25-year-old newspaper clipping found in her parents’ belongings after their death, saying that the Hattons were leaving Rangoon after the disappearance of their baby daughter, Elvira.
Belle is desperate to find out what happened to the sister she never knew she had – but when she starts asking questions, she is confronted with unsettling rumours, malicious gossip, and outright threats. Oliver, an attractive, easy-going American journalist, promises to help her, but an anonymous note tells her not to trust those closest to her. . .
Belle survives riots, intruders, and bomb attacks – but nothing will stop her in her mission to uncover the truth. Can she trust her growing feelings for Oliver? Is her sister really dead? And could there be a chance Belle might find her?
I received a copy of this book from Penguin UK via NetGalley in return for an honest review.
Such an evocative read, this story of loss, political unrest and a quest for the truth takes place in Burma during the 1930s, with slips back in time to 1911 and the 1920s.
Belle has left England, for a life as a singer in exotic Rangoon. She’s not the usual type of singer they have, but her talent and independent spirit bring her both admirers and adversaries.
Her mother’s failing mental health blighted her childhood, but after her father’s death, she discovers her parents once lived in Rangoon and had and lost a child there. Can this terrible tragedy explain her mother’s illness and what happened to her missing sister?
Belle’s search for the fate of her missing sister reveals more questions and answers, Oliver an attractive journalist offers to help, but can she trust his motives, or should she rely on the establishment to help her?
The plot is engaging. The perfect pacing adds to the story’s sense of mystery and menace. The political climate is dangerous, and Belle shows her emotional strength as she witnesses unspeakable violence and prejudice.
Full of powerful imagery, both in terms of the geographical and historical setting and the vivid characterisation, this story enthrals the reader. There is a mystery to solve a family tragedy to witness and empathise, and a lovely romance.
A lovely escapist read, which will touch your emotions and inspire your imagination.
Extract from The Missing Sister – Dinah Jefferies
Rangoon, Burma, 1936
Belle straightened her shoulders, flicked back her long red-gold hair and stared, her heart leaping with excitement as the ship began its steady approach to Rangoon harbour. Rangoon. Think of it. The city where dreams were made, still a mysterious outline in the distance but coming into focus as the ship cut through the water. The sky, a shockingly bright blue, seemed huger than a sky ever had business to be, and the sea, almost navy in its depths, reflected a molten surface so shiny she could almost see her face in it. Even the air shimmered as if the sun had formed minute swirling crystals from the moisture rising out of the sea. Small boats dotting the water dipped and rose and she laughed as screeching seabirds swooped and squabbled. Belle didn’t mind the noise, in fact, it added to the feeling that this was something so achingly different. She had long craved the freedom to travel and now she was really doing it.
With buzzing in her ears, she inhaled deeply, as if to suck in every particle of this glorious moment, and for a few minutes, she closed her eyes. When she opened them again she gasped in awe. It wasn’t the bustling harbour with its tall cranes, its freighters laden with teak, its lumbering oil tankers, its steamers and the small fishing boats gathering in the shadow of the larger vessels that had gripped her. Nor was it the impressive white colonial buildings coming into sight. For, rising behind all that, a huge golden edifice appeared to be floating over the city. Yes, floating, as if suspended, as if a section of some inconceivable paradise had descended to earth. Spellbound by the gold glittering against the cobalt sky, Belle couldn’t look away. Could there be anything more captivating? Without a shadow of a doubt, she knew she was going to fall in love with Burma.
The heat, however, was oppressive: not a dry heat but a kind of damp heat that clung to her clothes. Certainly different, but she’d get used to it, and the air that smelt of salt and burning and caught at the back of her throat. She heard her name being called and twisted sideways to see Gloria, the woman she’d met on the deck early in the voyage, now leaning against the rails, wearing a wide-brimmed pink sun hat. Belle began to turn away, but not before Gloria called out again. The woman raised a white-gloved hand and came across.
‘So,’ Gloria’s cut-glass voice rang out, breaking Belle’s
reverie. ‘What do you make of the Shwedagon Pagoda. Impressive, no?’
‘Covered in real gold,’ Gloria said. ‘Funny lot, the
Burmese. The entire place is peppered with shrines and golden pagodas. You
can’t walk without falling over a monk.’
‘I think they must be splendid to create something as
wonderful as this.’
‘As I said, the pagodas are everywhere. Now, my driver is waiting
at the dock. I’ll give you a lift to our wonderful Strand Hotel. It overlooks
Belle glanced at the skin around the other woman’s deeply
set dark eyes and, not for the first time, tried to guess her age. There were a
number of lines, but she had what was generally termed handsome looks. Striking
rather than beautiful, with a strong Roman nose, chiselled cheekbones and sleek
dark hair elegantly coiled at the nape of a long neck . . . but as for her age,
it was anyone’s guess. Probably well over fifty.
Gloria had spoken with the air of someone who owned the city. A woman with a reputation to preserve and a face to match it. Belle wondered what she might look like without the thick mask of expertly applied make-up, carefully drawn brows and film-star lips. Wouldn’t it all melt in the heat?
‘I occasionally stay at the Strand after a late night, in fact, I will be tonight, though naturally, I have my own home in Golden Valley,’ Gloria was saying.
‘Golden Valley?’ Belle couldn’t keep her curiosity from showing.
‘Yes, do you know of it?’
Belle shook her head and, after a moment’s hesitation,
decided not to say anything. It wasn’t as if she knew the place, was it? She simply
wasn’t ready to talk to someone she barely knew. ‘No. Not at all,’ she said. ‘I
simply liked the name.’
Gloria gave her a quizzical look and Belle, even though she had
determined not to, caught herself thinking back. A year had passed since her
father’s death, and it hadn’t gone well. The only work she’d found was in a friend’s
bookshop, but each week she’d pored over the latest copy of The Stage the
moment it arrived. And then, joy of joy, she’d spotted the advertisement for performers
wanted in prestigious hotels in Singapore, Colombo and Rangoon. Her audition
had been in London, where she’d stayed for a gruelling two days and an anxious
wait until she heard.
AUGUST 1975: Cassie Maltham’s life changes forever one scorching day. She and her twelve-year-old cousin Suzie take a shortcut through the Greenway, an ancient pathway steeped in Norfolk legend. Somewhere along this path Suzie simply vanishes . . .
TWENTY YEARS LATER: Cassie is still tormented by nightmares, parts of her memory completely erased. With her husband Fergus and friends Anna and Simon, she returns to Norfolk, determined to confront her fears and solve a mystery that won’t let her rest.
Then another young girl goes missing at the entrance to the Greenway, and Cassie is pushed once more into the darkest recesses of her mind.
John Tynan, the retired detective who’d been in charge of Suzie’s case, is still haunted by her disappearance. He offers his help to Detective Inspector Mike Croft who is leading the increasingly frantic search for the missing child. Has evil returned? And what really happened all those years ago and who can be believed?
I received a copy of this book from Joffe Books via NetGalley in return for an honest review.
A well-written retro, psychological suspense mystery set in Norfolk.
Cassie is the link between two disappearances of young girls. Her cousin Suzie in 1975 and Sara in 1995, whilst Cassie is revisiting the area after twenty years, as part of her mental health rehabilitation.
There is a multi-layered plot, which encompasses many themes; myths and legends, supernatural occurrences, crime, mental health and police procedural. Some of these are explored in detail, like the day to day police activity surrounding the missing child, others like the supernatural elements, and Cassie’s mental state are hinted at but left to the reader’s imagination to decide what to believe.
Mike Croft the SIO in the case is an interesting character, he has a tragic past, which threatens to impinge on his decision-making capacity in the case. John Tynan, a retired detective who was SIO on the previous missing girl case in 1975, sees the similarities between the two cases, and he supports Mike and his team with the new case. His involvement ties up the historical, and present day elements of the story in a realistic way.
The plot twists are good and the final resolution solves the mystery. Some questions remain but, this is intentional, making this an authentic story, as in real life not every aspect of a crime or mystery can be solved in entirety.
I like the retro ethos of the story, it adds to the plot’s level of menace and the mystery. The complex characters, especially Cassie who is the unreliable protagonist in the story are believable.
Overall this fusion of genres works well and makes the story a compelling read.
Separated by time and distance, two sisters seek answers for all they’ve lost
When Alice Verinder’s beloved sister Lydia goes missing, Alice boards the Orient Express bound for Topkapi Palace in Constantinople, determined to find her.
Lydia was governess to the Sultan’s young children and though her letters spoke of exotic delights and welcoming hosts, the reception Alice receives is decidedly cold and answers unforthcoming.
Now, as Alice digs deeper into the secrets of a land foreign to her she has only Englishman Harry Frome to help her. But as their search uncovers unforeseen dangers and exposes an unexpected ardour, is Alice ready for the truths they’ll uncover?
I received a copy of this book from Canelo via NetGalley in return for an honest review.
A beautifully told story of sisterly love, impetus youth, and evil. The Tale of Two Sisters is set in the vibrant historical background of early twentieth century Turkey. Full of vivid imagery and intricate historical details, you can imagine the opulence and the culture the two sisters experience.
The plot is believable and well thought out, the twists and turns, which keep the reader guessing are plentiful and the mystery keeps its terrible secrets to the end.
Lydia is a woman before her time, driven by political equality, yet naive and ill-equipped for what she becomes embroiled in. She is selfish and flawed, but her exuberance and zest for life’s experiences make this forgivable, Ultimately she becomes a heroine.
Alice is the antithesis of her sister, dependable, selfless and resigned to subjugating her needs for the good of her parents and sibling. She is easy to empathise. Her courage is notable and as the story progresses her adventurous and impulse qualities come to the fore, making her share more with her sister than you would first imagine.
Gentle pacing reflects the many obstacles Alice faces as she tries to discover her sister’s whereabouts. Told from both sisters’ points of view, the story is full of emotion, historical interest and suspense, as the mystery surrounding Lydia’s disapperance is solved. There is also a tender, unexpected romance, which adds extra depth to the story and allows its ending to be hopeful.
If like me, you love historical fiction with a mystery to solve, and just a touch of gentle romance, this lovely tale will draw you in.
The start of The Lochmore Legacy – A Scottish castle through the ages! Earl’s daughter Flora McCrieff brought shame on her family once, now she discovers she must wed impossibly rich but low born Lachlan McNeill. He’s undeniably handsome, but a man of few words. Despite the attraction that burns between them, can she reach beyond his impeccable clothing to find the emotions he’s locked away for so long…?
I received a copy of this book from Mills and Boon via NetGalley in return for an honest review.
Set mainly in the Scottish Highlands and West coast, this story is full of rich imagery that makes it easy to visualise both the setting and the time period this story is set in.
The slums of Glasgow and Edinburgh form part of the story, and the poverty and deprivation found there in Victorian times, set against the riches of the lairds and the aristocracy is one of the elements covered in this interesting story.
This is the first story in the Lochmore Legacy, which written by four different historical romance authors travels back through time, exploring the secrets of the legacy. This story touches on the secrets, with a discovery made by the heroine Flora, and the feud that exists between two clans.
The romance element predominates as expected, and is based on a marriage of convenience trope. Flora’s youth and beauty are her family’s way out of financial ruin. Her father is dictatorial, and she has little choice in the man she marries. Her previous actions embroiled the family in a scandal, and so she is given no choice in marrying the second suitor her father presents her with.
There is a physical attraction between Flora and Lachlan but he is mostly withdrawn and refuses to engage with her emotionally. The reasons for this, Flora gradually discovers, as she loses her heart to her husband. Flora’s strength of character and her emancipation, set against the social strictures of the time lead to inevitable conflict. Lachlan is a philanthropist motivated by his roots and his secrets, he is more enlightened than the majority of men in Victorian society.
This is a romantic story set against a background of social deprivation and social divide. The characters are believable, and the hero and heroine are easy to empathise. This is a complex story, showcasing an interesting time in history.
The added dimension of the secrets of the Lochmore Legacy makes this an enjoyable, historically based romance.
Dr Claire Peters flees her unfaithful husband, James, to work for The World Health Organisation in post-war Kosovo. Her husband follows, hoping for reconciliation. Both take lovers, she a French Captain in KFOR (Kosovo Force), part of UNMIK (United Nations Mission in Kosovo) he a beautiful Kosovar, wife of a senior member of the KLA (Kosova Liberation Army), catapulting both into a mix of Kosovo politics and criminality. Intimidation and murder in the mountains and then threats on the life of Claire climax in the capital, Pristina.
This book is a novel. It is a love story and a mystery. All the characters are fictitious but the description of war-torn Kosovo as seen through their eyes and the background to the events described are true. Robert Hedley was recruited by the World Health Organisation as a consultant on medical education and health service development in 2000. For ten years before the war, Albanian Kosovars were treated as second-class citizens, encouraged to emigrate, denied access to the University for Law, Medicine and other careers. In Medicine, a ‘Parallel System’ was established where Albanian Kosovar students were taught Medicine in private houses with no access to the University Medical School. WHO fast-tracked a new medical education system, upgrading the training of Kosovar doctors, including medical education techniques to train future doctors, using experienced doctors from across Europe and other parts of the world. A new system of Primary Care was developed with a new curriculum for Family Doctors as well as a new curriculum for some Secondary Care Specialists at undergraduate and postgraduate level. Eventually, several years later, The Royal College of General Practitioners in London recognised the postgraduate training and examination for Family Doctors in Kosovo as equivalent to the diploma of MRCGP INTERNATIONAL.
I received a paperback copy of this book from the author in return for an honest review.
This story scores highly for originality and factual detail. It’s clear from reading this book that the author has first-hand knowledge of the political climate at the time, the setting and the ethos of Kosovo. This is an atmospheric, tense novel with vivid but not overly graphic imagery.
It’s a tale of two doctors, married but estranged through the actions of the husband. When his wife decides to leave the country and make a new start, he follows. His motivations for this are not entirely clear since he professes to love her but starts an affair whilst in Kosovo. Claire is easier to empathise, but neither character’s emotional states and motivation are fully explored.
The story is suspenseful and there are some passionate moments, but this story’s strength is in the authentic, detailed setting, action scenes and realistic plot.