Some people go looking for love. Others crash right into it.
Zara Khoury believes in love – so much so that she flies from Dubai to Liverpool to be with a man she barely knows. It’s a risk, but she’s certain that uprooting her life for Nick is the new start she needs.
Jim Glover is stuck. Since his Dad died, he’s put his dreams aside and stayed at home in Liverpool to care for his mum. Trapped in a dead-end job, he’s going nowhere – that is, until he gets a phone call that just might change his life..
Zara and Jim aren’t supposed to meet. But then fate steps in, and when their worlds – and cars! – collide, the real journey begins…
A gorgeous tale about taking risks and living life to the full.
I received a copy of this book from Avon Books UK in return for an honest review.
Zara is a true romantic, she is prepared to follow her heart, and does so, as she travels from Dubai to Liverpool. Jim’s life is put on hold when his father dies, but when his luck changes, will his life improve too? Jim and Zara ‘s paths should never cross, but they do, and the results are life-changing.
Both of these characters are easy to like, and when their dreams implode, easy to empathise too. The story flows well, with a cast of captivating characters and interesting settings. Friendship, family drama, humour and romance, make this an engaging read. What makes this special is the unpredictability of it, as fate plays cupid. The life journey is full of conflict, as dreams crash and reality sets in, but there is a plan and eventually, it gives everyone the result they deserve.
Evie Kilgaren is a fighter. Abandoned by her mother and with her father long gone, she is left to raise her siblings in dockside Liverpool, as they battle against the coldest winter on record. But she is determined to make a life for herself and create a happy home for what’s left of her family.
Desperate for work, Evie takes a job at the Tram Tavern under the kindly watch of pub landlady, and pillar of the community, Connie Sharp. But Connie has problems of her own when her quiet life of spinsterhood is upturned with the arrival of a mysterious undercover detective from out of town.
When melting ice reveals a body in the canal, things take a turn for the worst for the residents of Reckoner’s Row. Who could be responsible for such a brutal attack? And can Evie keep her family safe before they strike again?
A gritty, historical family drama, full of laughter and tears from the author of Annie Groves’ bestsellers including Child of the Mersey and Christmas on the Mersey.
I received a copy of this book from Boldwood Books via NetGalley in return for an honest review.
I love reading a book that you become absorbed in from the first page. ‘The Orphan Daughter’, has this quality, and it’s an enthralling story, with historically authentic characters, whose lives you feel part of, especially the two main female protagonists Connie and Evie.
The historical period for this book, the post WW2 era, and the terrible winter of 1947 is a time I often heard my grandparents and parents talk about. The historic details are believable, and the setting and characters portrayed using vivid imagery, which brings the book to life.
Evie’s hardships are all too common during this time, the euphoria of the ending of war recedes, leaving the bombed cities, damaged infrastructure and relentless poverty for many. Life is hard in Reckoner’s Row, although the community is tight, it is wary of outsiders and unforgiving to those who break the unwritten laws. Evie wants to get out and make something of her life, but love and responsibility draw her back, into the world she longs to leave. This is an emotional family drama, where women are important, they keep families together, and have to subjugate their ambitions.
Angus is an outsider, there to investigate. He and Connie have an attraction, but she is loath to risk her heart and reputation on a fling. There is a mystery element, in this story, which adds to the family saga theme. The air of menace increases as the story progresses. Connie and Evie find that their daily hardship is not the only danger they face.
‘The Orphan Daughter’ has an authentic historical setting, complex characters, with intriguing elements of crime and mystery cleverly woven into the story. An enticing start to the ‘Reckoner’s Row’ series.
Extract from The Orphan Daughter – Sheila Riley
CHAPTER 1 SUMMER 1946 Nineteen-year-old Evie Kilgaren gathered her mane of honey-coloured hair into a loop of knicker elastic before taking a vase of heavy-scented lilies and freesias into the kitchen. The flowers were barely faded when she rescued them from the churchyard bin that morning.
Placing them in the centre of the table, she hoped their heady scent would mask the smell of damp that riddled every dwelling in the row of terraced houses opposite the canal and add a bit of joy to the place.
‘Who’s dead?’ her mother, Rene, asked. Her scornful retort was proof she had already been at the gin and Evie’s heart sank. She had wanted today to be special.
Surely her dead father’s birthday warranted a few flowers. Even if they were knockoffs from the church – at least she had made an effort, which was more than her mother had.
‘I got them for Dad’s…’ Evie was silenced by the warning flash in her mother’s dark eyes. A warning she had seen many times before. Rene gave a hefty sniff, her eyes squinting to focus, her brow wrinkled, and her olive skin flushed. Evie knew that when her mother had drunk enough ‘mother’s ruin’, she could be the life and soul of any party or, by contrast, one over could make her contrary and argumentative. ‘I thought they’d look nice on the table,’ Evie answered lightly, quickly changing her answer to try and keep the peace. She should have known better than to mention her father in front of Leo Darnel, who’d moved in as their lodger six months ago and taken no time at all getting his feet under her mother’s eiderdown. ‘I found a vase in…’ Her voice trailed off. Her mother wasn’t listening. As usual, she’d disappeared into the parlour to darken her finely shaped eyebrows with soot from the unlit grate – make-up was still on ration – dolling herself up for her shift behind the bar of the Tram Tavern. The tavern was barely a stone’s throw away on the other side of the narrow alleyway running alongside their house, so why her mother felt the need to dress to the nines was anybody’s guess.
Out of the corner of her eye, Evie noticed a sudden movement from their lodger, who was standing near the range, which she had black-leaded that morning. Leo Darnel didn’t like her and that was fine, because she didn’t like him either.
He was a jumped-up spiv who tried to pass himself off as a respectable businessman. Respectable? He didn’t know the meaning of the word, she thought, her eyes taking in the polished leather Chesterfield suite that cluttered the room and seemed out of place in a small backstreet terraced house.
‘None of your utility stuff,’ he’d said, pushing out his blubbery chest like a strutting pigeon. All the time he had a wonky eye on the bedroom door. He would do anything to keep her mother sweet and made it obvious every chance he got to show Evie she was in the way.
He’d been very quiet for the last few minutes, Evie realised. That wasn’t like Darnel. He was up to something, she could tell. He hadn’t interrupted with a sarcastic comment as he usually did when she and her mother were having a tit-for-tat. His elfsatisfied smirk stretched mean across thin lips as he hunched inside a crisp white shirt and peered at her.
His beady eyes looked her up and down as he chewed a spent matchstick at the corner of his mouth before turning back to the grate. His piggy eyes were engrossed in the rising flames of something he had thrown onto the fire. Her attention darted to the blaze casting dancing flares of light across the room.
‘No!’ Evie heard the gasp of horror and disbelief coming from her own lips. How could he be so callous? How could he? As he stepped back with arms outstretched like he was showing off a new sofa, Evie could see exactly what he had done.
‘You burned them!’ Evie cried, hurrying over to the range, pushing Darnel out of her way and grabbing the brass fire tongs from the companion set on the hearth, desperate to save at least some of the valuable night-school work.
Two years of concentrated learning to prove she was just as good as all the rest – reduced to ashes in moments. Thrusting the tongs into the flames again and again was hopeless Her valuable notes disintegrated.
‘Mam, look! Look what he’s done!’ Her blue eyes blazed as hotly as the flames licking up the chimney.
‘You are not the only one who can crawl out of the gutter? Mr High-and-mighty!’ Evie was breathless when her burst of anger erupted, watching the flames envelope her books, turning the curling pages to ash. She balled her work-worn hands, roughly red through cleaning up after other people and pummelled his chest. Why? She caught his mocking eyes turn to flint before being dealt a quick backhander that made her head spin.
Her nostrils, which only moments before had been filled with the sweet fragrance of summer freesias and Mansion polish, were now congested with blood as traitorous tears rolled down her cheek. Evie dashed them away with the pad of her hand, ashamed and angry because he was privy to her vulnerability. Her pale blue eyes dashed from the range to her mother, who was now standing in the doorway shaking painted nails.
Sheila Riley wrote four #1 bestselling novels under the pseudonym Annie Groves and is now writing a new saga trilogy under her own name. She has set it around the River Mersey and its docklands near to where she spent her early years. She still lives in Liverpool.
Long ago, on a windswept Irish beach, a young
father died saving the life of another man’s child.
Thirty years later, his widow, Julia, decides to
return to this wild corner of Ireland to lay the past to rest. Her journey
sparks others: her daughter Bel, an artist, joins her mother in Ireland, while
son Matt and daughter-in-law Rachel, at home in Liverpool, embark on some
soul-searching of their own.
threads of past and present intertwine, Julia’s family confront long-buried
feelings of guilt, anger, fear and desire.
Only then can they allow the crashing waves of
the beach at Doonshean to bond them together once again.
I received a copy of this book from Aria via NetGalley in return for an honest review.
A heroic, yet tragic event affects the emotional development of two families connected historically by the tragedy on Doonshean beach.mi
The quality that resonates from this story is the family’s dysfunction. Superficially, Julia’s family seems normal, but dig a little deeper and the cracks appear. The characters are believable because they are flawed, and in some cases unlikable.Ronnie’s family is also divided. Her sons left at the first opportunity, and never fulfilled her hopes for them. Especially, Tom. Despite his lucky escape, he doesn’t seem to be making the most of his life, but maybe things are about to change.
This story has a great deal of charm, its an easy, emotional read. Both families are affected by the past tragedy, now they are together again, will something positive emerge?
A story of coincidence, tragedy and family life.
Guest Post- Penny Feeny
All sorts of factors combine in the construction of a novel, little pieces that you put together bit by bit like a jigsaw. I usually begin with the location, somewhere that will transport me and my characters. My previous three novels were all set in Italy, which is instantly seductive – but other countries can be romantic too! I chose the Dingle peninsula in Ireland for The Beach at Doonshean, because it’s an area I know well and one that I love. No visitor can fail to be beguiled by its special magic: the wild unspoilt scenery, the gentle pace of life and the charm and friendliness of the Irish themselves. However, the starting point for the story was an event I’d heard about many years earlier.
A woman I knew (actually she was my landlady) had been widowed when her husband drowned saving the life of a child – leaving behind three children of his own. The horror of this tragedy made a strong impression on me, but there was curiosity too. What happened to the rescued child? What kind of adult did they become? Does knowing that your life has been saved give you an extra sense of responsibility? Is it a privilege or a burden? And what repercussions does such an act of heroism have on the people who come after? Do they feel they have to measure up? I can’t pretend I know the answers to these questions but I wanted to explore the possibilities and the likely effects on the two families involved. What if they came across each other several years later?
The Beach at Doonshean covers a period of ten days or so in the lives of the Wentworths and the Farrellys. Various members of each clan are already facing a personal turning point when circumstances throw them together again. Bel has had a health scare and is longing to fall in love, Rachael is doubting her ability to be a good mother, and Tom has suddenly acquired a child he didn’t know existed. I wanted to find a catalyst that would reflect the disruption they were all experiencing. The volcanic ash cloud of 2010 was a freak incident at the time and mostly forgotten now (there’ve since been so many other bizarre aircraft delays!) but for those caught up in the chaos, it had a significant impact. Flights were grounded for a week and the knock-on effects lasted for several days as people tried to get back to their homes and their normal lives. For my purposes, this created an ideal scenario in which Julia Wentworth, first widowed, then divorced and now newly retired, could set in motion a chain of events which would lead to much soul-searching in both families.
The action is set between Liverpool, which has undergone a wonderful renaissance since I first came to live here, and the beautiful windswept south-west of Ireland where we go on holiday regularly. County Kerry has a famously spectacular coastline and magnificent Atlantic beaches with endless stretches of golden sand; you can even catch the unforgettable sight of a shoal of dolphins leaping for their dinner. But my story needed a beach with a riptide – and one that was not too remote. It’s not often that you would deliberately seek out a danger spot, but Doonshean, just outside the little town of Dingle, fit the bill perfectly. I should add that there is only one section of the beach subject to the riptide, so there is absolutely no excuse not to visit and enjoy this wonderful corner of the world!
I hope you enjoy the book too!
Penny Feeny has lived and worked in Cambridge, London and Rome. Since settling in Liverpool many years ago she has been an arts administrator, editor, radio presenter, advice worker, and has brought up five children. Her short fiction has been widely published and broadcast and won several awards. Her first novel, That Summer in Ischia, was one of the Summer of 2011’s best selling titles.
A young Czech girl, missing for eight days, is found in a deserted playground. Starving and terrified, she may be alive, but the horrors she’s survived have left her mute.
DCI Eve Clay is on her way to try and interview the girl when another case is called in. Two Polish migrant workers have been found dead in their burnt out flat. But this is no normal house fire. The men’s bodies had been doused in petrol.
Then Clay uncovers a sinister message at the scene: killing time is here, embrace it. It’s clear this is only the beginning, but how long does Eve have before another life is taken?
Fast-paced with a likeable female protagonist this is a suspenseful crime thriller.
Extremism and racial hatred is the premise of this novel with graphically described psychotic delusions and racially motivated hate crimes. The characters are either good or evil, there is no middle ground in this story, and the authenticity suffers.
Probably because this is the fourth book in the detective series, there is minimal character description, making most of the characters difficult to empathise since I haven’t read the previous books in the series.
I enjoyed the suspense element.
Mark Roberts was born and raised in Liverpool. He was a teacher for twenty years and now works with children with severe learning difficulties. He is the author of What She Saw, which was longlisted for a CWA Gold Dagger.