She is also a poet and a visual artist. She has a Fine Art MA and a BA (Hons) Visual Studies. She has exhibited paintings throughout the UK (as Tracey Scott). She has a long career as a workshop facilitator with community groups and in schools.
Tracey is co-director of an up-and-coming small independent publisher, Wild Pressed Books, which has a growing roster of authors and poets.
Mother of four grown-up children, Tracey spends as much time as possible travelling the UK and Europe in a camper van with her husband and two dogs, writing and editing while on the road.
The drinks are flowing. The music is playing. But the party can’t last.
With the Blitz over and London reeling from war, jazz musician Lawrie Matthews has answered England’s call for help. Fresh off the Empire Windrush, he’s taken a tiny room in south London lodgings, and has fallen in love with the girl next door.
Touring Soho’s music halls by night, pacing the streets as a postman by day, Lawrie has poured his heart into his new home – and it’s alive with possibility. Until, one morning, he makes a terrible discovery.
As the local community rallies, fingers of blame are pointed at those who had recently been welcomed with open arms. And, before long, the newest arrivals become the prime suspects in a tragedy which threatens to tear the city apart.
Atmospheric, poignant and compelling, Louise Hare’s debut shows that new arrivals have always been the prime suspects. But, also, that there is always hope.
I received a copy of this book from HQ via NetGalley in return for an honest review.
This atmospheric and insightful story set in London in the 1950s captures the ethos of post-war Britain still in the grasp of rationing. Lawrie is a young man drawn to England with promises of a better life. The welcome banner in the skies above the Windrush proves to be a cynical publicity stunt. The reality? Prejudice, poor housing and no jobs.
Lawrie’s secures work as a postman and works as a musician in a Soho club when he can. He has a girlfriend and a future until he offers a helping hand, and his life changes forever.
This is a well-written story with events and characters that resonate.
Giacomo is stuck in a funk he can’t shake – and a translation he can’t finish. When he’s summoned home to Sardinia, to say a final goodbye to his dying grandmother, he’s offered the perfect opportunity to escape.
On the noisy, sun-drenched island, Giacomo reconnects with long-lost friends and overbearing relatives, relives the childhood he once couldn’t wait to leave behind, and rediscovers new joie-de-vivre within him. Never mind that he’s making no progress on his translation. . .
When the time comes to leave once more, Giacomo wonders: has he fallen back in love with his home-island? Or has he been hiding from something which he needs the courage to return and confront?
But most importantly – is his grandma really as ill as she’s claiming to be?
I received a copy of this book from Hodder and Stoughton via NetGalley in return for an honest review.
This story has an autobiographical quality about it. Giacomo is a translator returning to his home village in Sardinia when his grandmother falls ill. The remote village setting and the quirky characters that live there, give this story its humour, intrinsic interest and poignancy.
Giacomo is at a crossroads in his life. He uses his time in the village, to come to terms with this and make sense of his existence. There are memories revisited and acquaintances renewed, which create a web of anecdotes and experiences rather than a linear plotted story.
There are literary references and insight into the life of translator which Giacomo equates with his status, the ‘nearly’ man. It’s not a commercial book. It is an insight into an ordinary man’s life in a unique place, fascinating but not always relatable.
Twenty-five years ago, a sixteen-year-old schoolgirl and her charismatic teacher disappeared without trace…
In an elite Catholic girls’ boarding-school the pupils live under the repressive, watchful gaze of the nuns. Seeking to break from the cloistered atmosphere two of the students – Louisa and Victoria – quickly become infatuated with their young, bohemian art teacher, and act out passionately as a result. That is, until he and Louisa suddenly disappear.
Years later, a journalist uncovers the troubled past of the school and determines to resolve the mystery of the missing pair. The search for the truth will uncover a tragic, mercurial tale of suppressed desire and long-buried secrets. It will shatter lives and lay a lost soul to rest.
The Temple House Vanishingis a stunning, intensely atmospheric novel of unrequited longing, dark obsession and uneasy consequences.
I received a copy of this book from Atlantic Books – Corvus via NetGalley in return for an honest review.
The remote setting gives this story a gothic quality. It’s a place that masks deceit, obsession and dark secrets. Louisa is vulnerable and desperate to fit in somewhere in her new school. This makes her an easy target for manipulative Victoria.
Flawed realistic characters are the story’s driving force. They often lack compassion and understanding. The pacing is slow to create the school’s claustrophobic atmosphere. The plot does seem to rely on coincidences in parts, but there are realistic twists and a dark ending.
An absorbing, intriguing tale that has a haunting quality.
Following the death of her mother, Becky begins the sad task of sorting through her empty flat. Starting with the letters piling up on the doormat, she finds an envelope post-marked from Cornwall. In it is a letter that will change her life forever. A desperate plea from her mother’s elderly cousin, Olivia, to help save her beloved home.
Becky arrives at Chynalls to find the beautiful old house crumbling into the ground, and Olivia stuck in hospital with no hope of being discharged until her home is made habitable.
Though daunted by the enormity of the task, Becky sets to work. But as she peels back the layers of paint, plaster and grime, she uncovers secrets buried for more than seventy years. Secrets from a time when Olivia was young, the Second World War was raging, and danger and romance lurked round every corner…
The Sea Gate is a sweeping, spellbinding novel about the lives of two very different women, and the secrets that bind them together.
I received a copy of this book from Head of Zeus via NetGalley in return for an honest review.
Life in the contemporary world seems tawdry and insignificant in the wake of the secrets and tribulations faced by young Olivia in WW2. This dual timeline story follows Rebecca in the present day as she attempts to make Oliva’s crumbling but magnificent old house habitable for her.
The secrets Rebecca discovers gives an authentic insight into WW2 society and issues of abuse and racism. There is forbidden love, intriguing mystery and a lovely multigenerational relationship between Rebecca and Olivia. The setting is dramatic and complements the revelations perfectly.
Gently paced this atmospheric story engages and holds the reader, as they lose themselves in another time.
Jane Johnson is a British novelist and publisher. She is the UK editor for George R.R. Martin, Robin Hobb and Dean Koontz and was for many years publisher of the works of J.R.R. Tolkien. Married to a Berber chef she met while researching The Tenth Gift, she lives in Cornwall and Morocco.
Fran hates her hometown, and she thought she’d escaped. But her father is ill, and needs care. Her relationship is over, and she hates her dead-end job in the city, anyway. She returns home to nurse her dying father, her distant teenage daughter in tow for the weekends. There, in the sleepy town of Ash Mountain, childhood memories prick at her fragile self-esteem, she falls in love for the first time, and her demanding dad tests her patience, all in the unbearable heat of an Australian summer. As past friendships and rivalries are renewed, and new ones forged, Fran’s tumultuous home life is the least of her worries, when old crimes rear their heads and a devastating bushfire ravages the town and all of its inhabitants… Simultaneously a warm, darkly funny portrait of small-town life – and a woman and a land in crisis – and a shocking and truly distressing account of a catastrophic event that changes things forever, Ash Mountain is a heart-breaking slice of domestic noir, and a disturbing disaster thriller that you will never forget…
I received a copy of this book from Orenda Books in return for an honest review.
An adrenaline-inducing beginning guarantees the reader’s attention from the start The main protagonist, is desperately searching for her family amidst a raging firestorm. The story rewinds to the days preceding the firestorm, and you begin to see what life’s like in Ash Mountain.
Character-driven, this is an addictive intricate story. Each of the characters is believable and ordinary. This authenticity makes them fascinating. The town’s dynamic relationships; family, friends and frenemies are interweaved to form its ethos.
The story slips back in time thirty years to illuminate currents events and motivations. Dark satirical humour enlivens the plot which explores terrible abuse and betrayal from Fran’s past. The final chapters are immersive and intense.
This story is an enthralling balance of humour and poignancy exploring contemporary issues of abuse, prejudice and catastrophic disaster.
Helen FitzGerald is the bestselling author of ten adult and young adult thrillers, including The Donor (2011) and The Cry (2013), which was longlisted for the Theakstons Old Peculier Crime Novel of the Year, and is now a major drama for BBC1.
Her 2019 dark comedy thriller Worst CaseScenario was a Book of the Year in both The Guardian and Daily Telegraph.
Helen worked as a criminal justice social worker for over fifteen years. She grew up in Victoria, Australia, and now lives in Glasgow with her husband.
Sometimes in Bath is a captivating story-tour through the city’s history conducted by Charles Nevin, the award-winning journalist, national newspaper columnist, author and humorist.
Beau Nash, Old King Bladud, young Horatio Nelson, Jane Austen’s Mr Bennet, the Emperor Haile Selassie and many more spring to life in episodes shimmering with the curious magic of Britain’s oldest resort and premier purveyor of good health, happiness and romance for the last 2000 years.
Each story has an afterword distinguishing the fiction from fact, adding enthralling historical detail – and giving visitors useful links to Bath’s many sights and fascinations Sometimes in Bath is warm, witty, wistful and will be loved by all who come to and from this most enchanting and enchanted of cities.
How do you like your historical fiction? Romantic, an exciting escape into the consolations of the beguiling past? Realistic and instructive as well as entertaining? Or all of that?
I’m all for the all-in approach. And I have a great weakness for a touch of humour being thrown into the mix. Which is why one of my very favourite pieces of historical fiction is the marvellous ‘No Bed For Bacon,’ by Caryl Brahms and S J Simon, a wonderfully entertaining re-telling of Shakespeare and his life which clearly inspired the Oscar-winning Shakespeare In Love of Gwyneth Paltrow and Judi Dench fame.
So when I moved to Somerset and fell under that old Bath magic of healing waters, mythic origins, Roman bathing, Georgian larks and the finest cast list ever encountered of charmers, chancers, characters and charlatans, I didn’t need much encouragement to set them down in a series of stories set throughout this richest of histories. Step forward, to name but a few, Bladud, mythical founder and wannabe aviator; a Roman governor with gout; Alfred the Great; Sir John Harington, Elizabethan inventor of the water closet; Beau Nash, Georgian master of its revels; Dr Johnson; Horatio Nelson; Charles Dickens; the Emperor Haile Selassie of Ethiopia, in Bath in exile; and, oh, yes, Jane Austen’s Mr Bennet from Pride and Prejudice.
Thus, Sometimes In Bath; which was tremendous fun, and is, I hope tremendous fun, a happy canter through the city’s history, with some balancing poignancy and wistfulness mixed in.
But possibly not that realistic, which presented me with a problem. A career as a journalist entails many things: and one of them (believe it or not) is a compulsion to establish fact and differentiate it from the speculative and the unfounded. I’m one of those sad people who cannot watch any drama ‘based on’ historical events and characters without afterwards rushing to Wiki to find out how based and how true.
So how to combine this with my flights of Bath fantasy? Just expect readers to do their own research? That seemed a little unmannerly, a touch unfriendly, somehow ungenerous, mean.
The solution I hit upon was to follow each story with an afterword explaining what was fact and what was my invention. And, further, to set the story in its historical context.
This has the added benefit of building up a history of the great city chapter by chapter, with an interesting further dash of fascinating fact and anecdote. So you will learn of the theories of Bath’s great architect, John Wood, on magic and druids, and the significance of the layout of his crescent, circus and square, of the mysterious symbols decorating his buildings; of the origin of the Bath Bun and the end of the noted Bath dandy highwayman, Sixteen String Jack Rann; of how the great Roman bath was rediscovered in Victorian times; of John Betjeman and his fight to save fine Bath buildings, and the truth behind his famous poem, “In A Bath Teashop”; of how Haile Selassie regained his Ethiopian throne in a remarkable campaign of the Second World War; and of the city’s great goddess, Sul, begged in writing on little lead tablets by many a citizen in the time of Rome to curse thieves and vagabonds.
You will learn, too, where to see those tablets and find other places and features mentioned in the book: a veritable cornucopia of Bath, compiled with love and fascination and imagination, and written, as I say in the dedication, for all those come to and from the city. And why not you?
I received a copy of this book from the author in return for an honest review.
Bath holds a fascination for so many people, even those who have only passed through it. There is a wealth of history, coupled with colourful historical and literary characters embodied in this city. This book, captures many of them, in a humorous, knowledgeable way.
The characters, real or imaginary, are brought to life with astute observation and wit. The engagingly visual descriptions make imagining the characters and settings effortless. Each story completes with a narrative on the fact and fiction and where further historical knowledge is available.
This book is a delightfully different literary adventure to the ancient city of Bath.
Charles Nevin has written for, among others, the Guardian, the Independent on Sunday, the Daily Telegraph, The Times and Sunday Times, and the New York Times. Sometimes in Bath is his second book of fiction following Lost in the Wash with Other Things, a collection of short stories. He has also published three books of non-fiction – Lancashire, Where Women Die of Love, a paean to the neglected romance of his native county; The Book of Jacks, a history and lexicon of the name, and So Long Our Home, a history of Knowsley Road, the famous old ground of St Helens Rugby Football Club. Charles lives in an old watermill near Bath, which is ideally placed for his forays into the enchanting city.
Written in his own words, and guided by a man who collects glasses in a local pub, this is the story of Herod ‘Rod’ Pinkney’s search for Daisy Lamprich, a young woman he first sees on a decade-old episode of the Judge Judy Show, and who he now intends to marry.
When Daisy is located in the coastal city of Huntington Beach, California, he travels there with his good friend and next-door neighbour, Donald, a man who once fought in the tunnels of Cu Chi during the Vietnam War and who now spends most of his time in Herod’s basement.
Herod is confident that the outcome will be favourable, but there’s a problem… Will the course of true love ever run smoothly for this unlikely hero?
A funny and touching story of an improbable and heart-warming quest to find true love
I received a copy of this book from no exit press in return for an honest review.
If you like character-driven literary humour, with personable characters and a quirky, lighthearted yet sometimes poignant and satirical plot Daisy will please you. Herod or Rod is an enigma. After being a disappointment to those who should care for him, he is now happy with his life and content to just live. His two friends are equally quirky. Setting out on a quest for true love is out of Herod’s comfort zone. Seeing Daisy on TV changes everything for him and his story is funny, romantic and a little sad.
This story has many tangents, not all of them relevant to the quest, but all pertinent to Herod. This story has an immersive quality, told from Herod’s point of view. Something different, engaging and humorous, with a character who resonates.
J P HENDERSON is the author of three previous novels including Last Bus to Coffeeville, which was selected for World Book Night and longlisted for the Dublin Literary Award. By nature an internationalist, he lives in a cul-de-sac in West Yorkshire for practical reasons.
A beautiful and heart-breaking story set in South Africa where two mothers – a century apart – must fight for their sons, unaware their fates are inextricably linked.
Orange Free State, 1901. At the height of the Boer War, Sarah van der Watt and her six-year-old son Fred can only watch as the British burn their farm. The polite invaders cart them off to Bloemfontein Concentration Camp promising you will be safe here.
Johannesburg, 2010. Sixteen-year-old Willem is an outsider who just wants to be left alone with his Harry Potter books and Britney, his beloved pug. Worried he’s turning out soft, his Ma and her new boyfriend send him to New Dawn Safari Camp, where they ‘make men out of boys.’ Guaranteed.
The red earth of the veldt keeps countless secrets whether beaten by the blistering sun or stretching out beneath starlit stillness. But no secret can stay buried forever.
I received a copy of this book from Bloomsbury Publishing in return for an honest review.
This book based on historical events and entities evokes disturbing, and resonating images for its readers. Colonialism in South Africa during the early twentieth century is seen through the eyes of Sarah, interned in a camp by the British during the Boer War, in the wake of a scorched earth policy. Sarah’s diary gives an astute, poignant and thought-provoking insight into her exposure to the war and subsequent imprisonment, with her young son. It exposes a dark side of humanity, that is sobering. The two sides of being human are exposed, through the riveting prose.
Forced to stay at a camp by his mother and her partner, Willem’s life, in 2010, is a living nightmare, difficult to read, but horrors that need bringing into the light.
This story exposes and informs eloquently, the writing style makes the content easy to absorb, and the vivid images portrayed are hard to forget.
Damian Barr is an award-winning writer and columnist. Maggie & Me, his memoir about coming of age and coming out in Thatcher’s Britain, was a BBC Radio 4 ‘Book of the Week’, Sunday Times ‘Memoir of the Year’ and won the Paddy Power Political Books ‘Satire’ Award and Stonewall Writer of the Year Award. Damian writes columns for the Big Issue and High Life and often appears on BBC Radio 4. He is creator and host of his own Literary Salon that premieres work from established and emerging writers. You Will Be Safe Here is his debut novel. Damian Barr lives in Brighton. @Damian_Barr
I received a copy of this book from the author in return for an honest review.
An interesting novel. Set predominately in Australia, in the 1970s, it traces the lives of a young couple who emigrated from England to Australia in 1970. Prejudice and social injustice are explored, on their voyage to their new home. The details of life as a migrant in Australia, build the world Anna and Joe find themselves in. Anna loves her new country but when her circumstances change the rose coloured glasses cloud a little.
Told in the third person, it reads like a memoir. Anna’s emotional struggles are believable, and her escape into literature is relatable. A flawed, pioneering woman, Anna highlights the forgotten in society insightfully.
This historically based novel is intrinsically interesting and thought-provoking.
Originally from England, Sue worked in university libraries until taking early retirement in 2008 to concentrate on creative writing. Since then she has written short stories, articles, poetry, a short TV drama script and six novels:
Sannah and the Pilgrim, first in a trilogy of a future dystopian Australia focusing on climate change and the harsh treatment of refugees from drowned Pacific islands. Odyssey Books, 2014. Commended in the FAW Christina Stead Award, 2014.
Pia and the Skyman, Odyssey Books, 2016. Commended in the FAW Christina Stead Award, 2016.
The Sky-Lines Alliance, Odyssey Books, 2016.
Chrysalis, the story of a perceptive girl growing up in a Quaker family in swinging sixties’ Britain. Morning Star Press, 2017
Re-Navigation recounts a life turned upside down when forty-year-old Julia journeys from the sanctuary of middle-class Australian suburbia to undertake a retreat at a college located on an isolated Welsh island. Creativia Publishing, 2019.
Feed Thy Enemy, based on her father’s experiences, is an account of courage and compassion in the face of trauma as a British airman embarks on a plan that risks all to feed a starving, war-stricken family. Creativia Publishing, 2019.
A Question of Country explores the migrant experience through the protagonist’s lifelong search for meaningful identity. Next Chapter (formerly Creativia Publishing), 2020.
Sue’s current project, working title: Twenty-eight Days, first in The Doorkeeper series,isset in Southern Australia in 2100. It deals with overpopulation and extended life expectancy in an increasingly climate-challenged world and the inhumane solutions adopted by a government determined to rid Australia of unproductive citizens.
Passionate about peace and social justice issues, Sue’s goal as a fiction writer is to continue writing novels that address topics such as climate change, the effects of war, the treatment of refugees, feminism and racism. Sue intends to keep on writing for as long as possible, believing the extensive life experiences of older writers can be employed to engage readers of all ages.