Posted in Author Interview, Blog Tour, Book Review, Crime, Family Drama

The Bad Place M.K.Hill 4*#Review @markhillwriter @HoZ_Books @Aria_Fiction #PoliceProcedural #DISashaDawson #Author Interview #CrimeFiction #Essex #BookReview

The newspapers called it The Bad Place. A remote farm out on the Thames estuary, where six children were held captive for two weeks. Five of them got out alive.

That was twenty years ago. Now, adults, they meet up annually to hold a candlelit vigil for their friend who died. The only rule is that no-one can talk about what happened the night they escaped. But at this year’s event, one of them witnesses a kidnapping. A young girl, Sammi, is bundled into a van in front of their eyes.

Is history repeating itself? Is one of them responsible? Or is someone sending them a twisted message?

DI Sasha Dawson, of Essex Police, is certain that the key to finding Sammi lies in finding out the truth about The Bad Place. But she also knows that with every second she spends trying to unlock the past, the clock ticks down for the missing girl…

Amazon Kobo iBooks Google Play

#BlogTour

I received a copy of this book from Head of Zeus Books in return for an honest review.

My Thoughts…

The recent trend in police procedurals, is towards female detectives, with a family. This reflects twenty-first-century policing and is a welcome change from the hard-boiled male detectives, who often come across as cliched and stereotypical. DI Sasha Dawson has reached her rank, by dedication, intelligence, sacrifice and tenacity. She is a mother and a wife, and like most professional women suffers from the constant guilt of juggling her home and work life.

The story plays out in dual timelines, one historic, which provides the story with its dramatic beginning. It introduces Sasha Dawson, as a probationary police officer. The second, present-day timeline, brings the survivors of a traumatic event together in an annual ritual. One witnesses an abduction, reminiscent of what happened to them, and the plot begins its shocks and twists to an unexpected conclusion.

This is a good police procedural, which allows the reader glimpses into the lives of the suspects, police and victims. This coupled with its flawed and realistic characters gives the story its authentic feel. DI Dawson is a compassionate woman who wants to make a positive difference, and this reflects in the story’s ethos.

A great start, to what promises to be an addictive series.

#MKHill

It’s nice to see you here, thanks for coming. 

I’ve been a journalist and an award-winning music radio producer. I worked for about five minutes in PR. But I write the Drake and Crowley thriller series now, which is just as well because I love writing. It’s my dream job.

If you enjoyed His First Lie or It Was Her, do get in touch. There are plenty of ways to do it! 

It’s nice to see you here, thanks for coming. 

I’ve been a journalist and an award-winning music radio producer. I worked for about five minutes in PR. But I write the Drake and Crowley thriller series now, which is just as well because I love writing. It’s my dream job.

If you enjoyed His First Lie or It Was Her, do get in touch. There are plenty of ways to do it!  Facebook Twitter Instagram

 Interview with – M.K. Hill- The Bad Place

Is this story inspired by a real event or an imaginative creation?

The Bad Place is all made up! I’m afraid my mind tends towards the dark and twisted. I wanted to write about a group of characters who went through a very traumatic experience together and who came out the other side, but who may – or may not – be responsible for the death of one of their own.

This story is the first in your DI Sasha Dawson series, what characteristics are important to include to make your detective memorable? Do they need to be likeable too?

My first priority when I sat down to write The Bad Place was to make Sasha likeable. A lot of police novels make their protagonists interesting by giving them a dark secret or addictions, or to make them driven and obsessed, and I really wanted to write about someone who was just, you know – nice. I love a dark protag myself, I’ve got my own maverick detective in DI Ray Drake, who has so far appeared in my novels His First Lie and It Was Her. But I really wanted to go in the opposite direction with Sasha and make her optimistic, friendly and respected by her team. Of course, Sasha isn’t perfect, she’s often distracted by her chaotic home life and her timekeeping ain’t so good. But she’s quietly determined and wants the best for people, she’s someone you’d really want on your side in a fix. We’re all attracted to compelling characters, but I don’t think nice people in detective fiction have to be boring, and Sasha (I hope) is proof of that.

When you write, what comes first, the characters, the plot or the setting? Why do you think this is?

I think it’s a combination of both. You need a good hook for a book – adult survivors of an abduction fear the kidnappings have started again – but if you’re writing a series you also need a cast of recurring characters that people can get to know over time. And because Sasha has more of a sunny disposition, it felt right to place her in a sunny place, which is why she and her team solve crime on the Thames estuary. That part of Essex has huge potential for lots of crime fictiony fun. Sasha’s second investigation will feature my version of a certain TV reality show phenomenon…

What made you decide to become a writer and why does this genre appeal to you?

I love my life as an author and I wouldn’t change it for the world. I grew up reading genre fiction  – crime, fantasy and science-fiction – and always wanted to write a series of my own. It’s such a thrill – and frankly a relief – to be able to say I’ve delivered three crime books, with another one on the way. I write crime fiction because it’s the perfect way of setting a fire under the bottoms of my characters, getting them into massive trouble and then – sometimes, if they’re lucky – getting them out of it.

What sort of books do you enjoy reading and why?

I’ll read anything, really. I’ll always have a book or a device on me. I read a lot of crime, obviously, but I try to change it up. Recent reads include books by Lisa Jewell, Blake Crouch, Kate Atkinson, Rosie Walsh, Taylor Jenkins Reid and Jonathan Coe.

What’s the best thing about being a writer and the worst?

There are so many good things about being a writer. You can write what you want, where you want. You can drink a lot of coffee – the cafes in my local area have made a mint out of me. It’s fun and cathartic to send your characters to some very bad places. But you also have an important responsibility to your book. You carry it around in your head for a year or so, and at inopportune moments it will transmit to you from a deep place inside of you. And when it wants your attention, it will not be ignored, so prepared to get very distracted at all times of the day and night. In the middle of a conversation, say, or a movie or an important meeting.

Posted in Author Interview, Blog Tour, Book Review, Domestic Thriller, Psychological Thriller, Suspense

Forget My Name – J.S. Monroe – #BlogTour – 5* #Review @HoZ_Books @Aria_Fiction @JSThrillers #Paperback #PsychologicalThriller #Author #Interview

You are outside your front door. There are strangers in your house. Then you realise… You can’t remember your name.

She arrived at the train station after a difficult week at work. Her bag had been stolen, and with it, her identity. Her whole life was in there – passport, wallet, house key. When she tried to report the theft, she couldn’t remember her own name. All she knew was her own address.

Now she’s outside Tony and Laura’s front door. She says she lives in their home. They say they have never met her before.

One of them is lying.

Amazon

iBooks

Kobo

GooglePlay

Waterstones

Interview Questions – J S Monroe

What inspired you to write this story?

Two things, really: the fear of forgetting, and how identity is bound up with our memories. Forget My Name begins with a woman who arrives off the train in a Wiltshire village not dissimilar to where I live. She is unable to remember her own name and is without any form of identification, having lost her bag at the airport. Passport, bank cards, mobile phone – all gone. The only thing she has is a train ticket and a vague sense that she lives in the village. How did she get there? And who is she? When she approaches the house that she thinks is hers, she peers in through the window and sees a young couple preparing dinner. I was haunted by such an image when I was commuting from my own village in Wiltshire to London. It was a stressful time in my life. I had a young family and the trains were always delayed. When I returned late, I often wondered what it would be like if I glanced through the window of my own house, only to see another family preparing for bed.

What makes your story different in this popular genre?

A character suffering from amnesia is a popular trope in psychological thrillers. S.J.Watson explored it brilliantly in Before I Go to Sleep. I have tried to push it even further, taking the genre into what I hope is new territory. By its very nature, amnesia has a lot in common with unreliability, another popular theme in psychological thrillers, and I’ve explored this too in a dark and unexpected way.

Do you draw your characters from real life, your imagination, or are they a mix of both? How do you make your characters realistic?

I think any author who says they don’t base their characters on people they know is lying! That’s not to say that they are transposed from life to page without any changes. I tend to be a bit of a magpie, picking traits from different people and merging them into a new character. Friends are always asking me, ‘Am I in it?’ and it’s a difficult question to answer. “Bits of you might be’ isn’t quite the answer they’re looking for.

When you write, what comes first, the characters, the plot or the setting? Why do you think this is?

Place plays a very important part in my books and I knew that I wanted to write about a Wiltshire village in Forget My Name. I also wanted to write about a woman who has survived a hideous trauma of some sort but is definitely not a passive victim. So place and the lead character were uppermost in my mind when I started to work out what that trauma might have been and the effects it’s had on her life. I was also keen to explore popular neuroscience, in this case, the role that the hippocampus – a seahorse-shaped part of the brain – plays in human memory.

What made you decide to become a writer, and why does this genre appeal to you?

I was asked this question the other day by a close friend and I couldn’t really answer it. I’m not sure you actively choose to become a writer – it’s just something that happens. I’d read English at university and was a freelance journalist for ten years before I wrote my first novel, The Riot Act, in 1997, so I clearly enjoyed working with words. Writing at greater length than a magazine article was a natural progression. As for psychological thrillers, I used to write spy novels – I’ve had five espionage thrillers and a novella published under my own name, Jon Stock – until I switched names and genres in 2017. I had done all I wanted to do with the world of spies and had become increasingly interested in popular neuroscience. In Find Me, my first psychological thriller, and now Forget My Name, I’ve been able to explore themes of memory and identity through a new and exciting lens.

What sort of books do you enjoy reading and why?

In terms of fiction, I tend to read anything but thrillers when I’m writing, usually more literary fiction by authors such as Eimear McBride. I don’t want to be distracted or envious! I read a lot of non-fiction books when I’m writing, most recently Into the Grey Zone, by Dr Adrian Owen, who explores the relationship between brain, mind and consciousness and the penumbral world between life and death. I re-read John Fowles’s The Magus on holiday in Greece last summer, which remains a mind-blowing piece of storytelling, and I’m looking forward to reading Ian McEwan’s new one, Machines Like Me.

 What are you currently writing?

I’m just putting the finishing touches on the first draft of my new novel, which gives a modern, high-tech spin on the Gothic trope of doppelgängers. In this digital age of social media and selfies, it’s surprisingly easy to find – or be found by – someone who looks identical to you…

Forget My Name – Back Cover

I received a copy of this book from Head of Zeus Books in return for an honest review.

My Thoughts…

Losing your identity and turning up in a place that you vaguely recognise, the house you think is yours, but someone else is living there, and they don’t know you are, is the idea behind #ForgetMyName, a classy, well researched psychological thriller.

This thriller works, because this type of crisis is a fear for many people. We are grounded by familiarity, we feel safe, and not being able to fall back on things we recognise, is a shattering concept, for most people.

The everyday setting, makes the woman’s situation more frightening, she wants to fit in, remember, but she can’t. Is she running from something terrible? Something she’s done or been done to her? Do others know more about her situation than she does? Why are they keeping secrets? Do they really want to help her? All these questions make this a believable, twisty thriller. It has the ambience of a gothic style plot. Creepy, evil, lies, secrets and the main protagonist who doesn’t know who to trust, and whether she can even trust herself.

Chilling, compulsive reading, with realistic characters, hard to spot clues, and a relentless pace make this an addictive book that you read with the fervent hope you never forget who you are.

J.S. Monroe read English at Cambridge, worked as a foreign correspondent in Delhi, and was Weekend editor of the Daily Telegraph in London before becoming a full-time writer. Monroe is the author of six novels, including the international bestseller, Find Me.

Twitter

Facebook