As tensions simmer in Shanghai, children go missing…
Shanghai 1932: Inspector Danilov hasn’t recovered from the death of his child… but across a Shanghai riven with communal tensions, children are going missing.
Missing, and then murdered. Who is responsible? Why have the children’s bodies been exhibited for all to see?
Just as Danilov thinks the stakes couldn’t be higher there is a new dimension, Japan, a rising power flexing its muscles. In fractious Shanghai, an explosion is long overdue. With the clock ticking can Danilov and his assistant Strachan solve the case? The fate of Shanghai may be at stake. So is Danilov’s job… And his sanity.
Back at Central Police Station, the detectives’ room was empty save for Strachan and Danilov. The rest of the squad, or what remained of them after the Shanghai Volunteers had decimated the ranks, were at lunch, on patrol or simply avoiding work with all the professionalism of the accomplished loafer.
Strachan was hunched over the missing persons file, while Danilov was busy sending smoke rings up to the kippered ceiling, where they hung floating in the air before gradually dissipating like a wastrel’s fortune.
‘Why was the ear removed, Strachan?’
The detective sergeant knew better than to speak now. Danilov was only turning the problem over in his mind; he didn’t require a response.
‘And why slash the face but leave the birthmark? If anything identifies him, it is the mark.’ Another stream of smoke rose to the ceiling. ‘We need to go back to where the body was found.’
It was Danilov’s belief that a crime scene yielded as much information about the killer as the body itself.
‘There’s no time like the present.’ He stubbed the cigarette out in the empty ashtray and adjusted the lamp over his desk so it was at exactly forty-five degrees. Anything less or more would be a distraction. ‘Have you found him yet in missing persons?’
‘Nothing so far. He might not live in the International Settlement.’
‘From the French Concession?’
‘Or any of the Chinese areas along the border: Chapei, Siccawei, Nantao, Hung Tsung.’
‘Hmm, but why risk transporting him? With all the recent tensions, the Volunteers are manning roadblocks at all the major crossing points.’ Danilov shook his head. ‘No, he came from the International Settlement. Too risky to move him around. Keep looking; you might want to check the Criminal Intelligence files too.’
‘I always thought Criminal Intelligence was the wrong name for the division. Criminals lack intelligence. That is precisely why we are able to catch them.’
‘An oxymoron, sir.’
‘A what, Strachan?’
‘A figure of speech in which apparently contradictory terms appear next to each other, like “the young couple were alone together”.’
‘You’re spending too much time with my daughter, Strachan.’
The detective sergeant smiled at the thought. ‘I’m enjoying helping her with her English literature degree. We’re reading Jane Austen at the moment. I didn’t know a—’
He was interrupted by a knock on the glass that separated the detectives’ room from the rest of the station. A small, round woman entered.
‘Inspector Danilov, the chief will see you now.’ She lowered her voice. ‘He has five minutes, fitting you in between a committee on the uniforms of Sikh policemen and a meeting about the new filing system for criminal records. I’d hurry if I were you.’
‘Thank you, Miss Cavendish. I’ll come right away.’
The inspector stood up from his chair, feeling the ache in his knees. Winters were the devil to him, bringing back old pains he thought he’d left behind.
‘The chief inspector is in a jolly good mood today. They’ve approved his proposal on overtime pay for ancillary staff.’
‘Does that mean you will receive more money, Miss Cavendish?’ asked Strachan.
‘Less, actually. He’s removing all allowances. No more overtime pay, no more travel expenses, no more meal allowances. I don’t know when these budget cuts are going to stop.’
‘It’s what President Hoover calls the Great Depression, Miss Cavendish.’
‘Another oxymoron, Strachan?’
Miss Cavendish’s right eyebrow rose. ‘An oxy what?’
‘Don’t ask. My detective sergeant will have you reading Jane Austen next.’ Danilov put on his jacket. ‘While I’m gone, Strachan, ask around the station, see if anybody has heard anything about any kidnappings recently.’
‘Kidnappings, sir? Why?’
Danilov tapped the side of his beak-like nose. ‘A hunch. Back in 1912, when I was in London… ’
‘And I was in school.’
‘Thank you, Strachan, for reminding me of your youth and inexperience. As I was saying, back in 1912, there was a gang of kidnappers operating in Poplar who encouraged the families of their victims to pay up by sending them a severed ear. It invariably concentrated their minds as they haggled over the price.’
He turned to go.
‘Did you catch them, sir?’
‘Of course. Like all criminals, they became greedy. Demanding money once too often and removing far too many ears.’
Miss Cavendish tapped her watch. ‘The chief inspector is waiting.’
‘I’ll ask around, sir.’
‘And don’t forget to chase the report. I want it on my desk by the time I’ve finished with the chief inspector.’
Danilov followed Miss Cavendish down the corridor to Chief Inspector Rock’s room.
‘I could ask around for you too, Inspector. People tell me things; I don’t know why,’ said the elderly woman over her shoulder.
‘People do it because you are an excellent listener, Miss Cavendish, with a capacity for gossip that puts Catherine the Great to shame.’
They both stopped in front of the chief inspector’s door.
Miss Cavendish played with the rope of pearls that surrounded a roll of fat on her neck. ‘You do say the nicest things, Inspector. But I’ll ask anyway.’
A loud ‘Come!’ from inside.
‘Into the dragon’s den. Good luck,’ she whispered, opening the door. ‘Inspector Danilov as you requested, Chief Inspector.’
‘Thank you, Miss Cavendish. Do come in, Danilov, and take a seat. I won’t be a moment.’
Shanghai in the 1930’s was a tinderbox, and this story captures this ethos perfectly. Japan’s annexation of Manchuria created additional tension between the Chinese and Japanese populations within Shanghai, and it’s against this setting the fourth Inspector Danilov tale takes place.
Dark and tragic crimes are the central theme of this story, and the child murders are difficult to read. Trying to solve them forces Inspector Danilov to confront his demons and personal tragedies. As this is the fourth book in the series, undoubtedly the reader has already learnt a great deal about Danilov and his colleagues and family in the previous books.
Authentic Danilov’s idiosyncrasies make him easy to like, he is the typical smart, driven detective, whose career is his life often to the detriment of his family and health. The plot has twists, and the pacing varies with the action. A little slow in the first few chapters, it gains motivation as the plot becomes convoluted.
As a standalone, read it is good, but it would be even better if you’d read the previous books in the series. This disturbing story has an evocative setting, enigmatic detective and exciting political theme, making it an absorbing read.
I received a copy of this book from Canelo via NetGalley in return for an honest review.
M J Lee has spent most of his adult life writing in one form or another. As a university researcher in history, he wrote pages of notes on reams of obscure topics. As a social worker with Vietnamese refugees, he wrote memoranda. And, as the creative director of an advertising agency, he has written print and press ads, TV commercials, short films and innumerable backs of cornflake packets and hotel websites.
He has spent 25 years of his life working outside the north of England, in London, Hong Kong, Taipei, Singapore, Bangkok and Shanghai, winning advertising awards from Cannes, One Show, D&AD, New York and the United Nations.
While working in Shanghai, he loved walking through the old quarters of that amazing city, developing the idea behind a series of crime novels featuring Inspector Pyotr Danilov, set in the 1920s.
When he’s not writing, he splits his time between the UK and Asia, taking pleasure in playing with his daughter, practising downhill ironing, single-handedly solving the problem of the French wine lake, and wishing he was George Clooney.
Louisa Reeve, the daughter of a successful British gem trader, and her husband Elliot, a charming, thrill-seeking businessman, seem like the couple who have it all. Except what they long for more than anything: a child.
While Louisa struggles with miscarriages, Elliot is increasingly absent, spending much of his time at a nearby cinnamon plantation, overlooking the Indian ocean. After his sudden death, Louisa is left alone to solve the mystery he left behind.
Revisiting the plantation at Cinnamon Hills, she finds herself unexpectedly drawn towards the owner Leo, a rugged outdoors man with a chequered past. The plantation casts a spell, but all is not as it seems. And when Elliot’s shocking betrayal is revealed, Louisa has only Leo to turn to . . .
‘The Tea Planter’s Wife‘ is the first Dinah Jefferies novel I read and I love its atmosphere, poignancy and vivid characterisation. ‘The Sapphire Widow’ also takes place in 1930s Ceylon and has all of these qualities.
Louise born in Ceylon to a prosperous gemstone merchant loses her mother at an early age but now feels she lives a charmed life, with Elliot, her successful, maverick husband. Louise regrets the loss of her children to miscarriage and stillbirth and Elliot’s mysterious and frequent disappearances, but she doesn’t realise the true extent of his deceit until a tragic accident occurs.
Louise is a strong character but the revelations that follow her husband’s death make her wonder if anything in her marriage was true and threaten her willingness to risk her heart again. Louise shows great compassion by helping people whose very existence has caused her harm. It is this selfless behaviour that endears. Thankfully her forgiving nature and good works provide the tools for her broken heart and self-esteem to heal.
Leo, the cinnamon plantation owner is the antithesis of Elliot, self-reliant, serious and loyal, he has secrets in his past but Louise comes to realise it is present actions, not past ones that are important.
The cameo appearance of Gwen from ‘The Tea Planter’s Wife’ gives the story authenticity and provides Louise with the necessary support to rebuild her life, from someone who has suffered great loss.
The plot has twists and mysteries, which are not too hard to work out but it is the characters and setting that make this story memorable, especially Louise.
I received a copy of this book from Penguin UK Viking via NetGalley in return for an honest review.
1930’s London – A backstreet saga full of hopes, dreams and the fight for survival.
Work at Price’s Candle Factory in Battersea is tedious for intelligent, seventeen-year-old Hillie Hardwick, but she knows she is lucky to have a job at all.
Her home life is no better, as she constantly battles with her exacting and bullying father in order to protect her mother and five younger siblings from his abuse.
Her only solace is her loving relationship with the chaotic Parker family and her best friend, Gert Parker.
When matters violently escalate for Hillie, smitten Jack-the-Lad Jimmy Baxter seems her only salvation.
But could this be the biggest mistake of her life, and should she be looking for protection nearer home?
Links to buy
Google Play: http://bit.ly/2HxyIMs