Caught in a web of murder and vengeance, Theo must outsmart the Spylady to save her new friends.
Imprisoned in a male appearance, can Nand survive deportation without losing herself?
Forced to leave Eridan after her mental battle with Keith of Rain Forest, Theo travels to Earth Metropolis with SpaceSS agent Jack Finch. When Jack is arrested for murdering his husband, Farren, Theo’s plans for a new future collapse.
To impress Declan, Nand face-changes into her cousin’s appearance on the day of the Face Changer Assembly. But her moment of triumph turns into a nightmare when Keith launches an attack against the Face Changers.
Deported to Gambling Nova, the federal prison, with Ashta and a few Face Changers, will Declan be strong enough to overcome his guilt in order to help Nand keep her male appearance and safeguard Eridan’s future?
Convinced that Farren is still alive, Theo must outsmart the Spylady if she wants to get Jack released from the penitentiary and find Farren’s whereabouts. Yet when Sheer, the Savalwomen leader, orders her to rescue the Face Changers, Theo faces a new challenge: is she ready to return to Gambling Nova? And risk her life?
Jennie Dorny was born in 1960 in Newton, Massachusetts. She lives and works in Paris with her three cats. She is both French and American. She studied American literature and civilization, Italian and history of art at three Parisian universities. She wrote her Master’s thesis about contemporary Irish poetry after spending a year in Dublin. She loves words and languages, and she can spend hours exploring a thesaurus. Over the years, she has studied Spanish, Japanese, Hindi and sign language, and recently took up Italian again. She has published in French Gambling Nova (1999), Eridan (2002) and Les Cupidons sont tombés sur la tête (Mischievous Cupids gone Crazy, 2007). Gambling Nova and Eridan are partial, earlier versions of Hybrids; science-fiction novels that in many ways deal with the question of gender.
I received a copy of this book from Aria via NetGalley in return for an honest review.
Beth Chamberlain is a likeable, realistic character. Dedicated to her career, despite the problems in her personal life. As a family liaison officer, she needs great people skills and well-disguised investigative talent. She is uniquely placed to discover family tensions, and gain the trust of the victims’ relatives and find out the true story.
A historical suicide, a deliberate hit and run, which results in a man’s death. Emotions and suspense build, as the investigation proceeds. Further crimes, throw up more questions, than answers. The relentless investigation, finally finds the answers, leading to a devastating conclusion.
The story explores the concept of trial by social media, and the consequences, both personal and establishment, of this contemporary trend. The wife of the murdered man, who has stood by him, shows her strength of character in the face of public antagonism, against her late husband and her family.
The connection between the various crimes is cleverly interwoven. The police investigation is authentically portrayed. The domestic noir and suspense build gradually, giving the plot added depth and adding the ending’s impact.
Dark crime, complex characters and relatable police investigation team, make this addictive reading. Looking forward to the next one.
Author Interview – Jane Issacs – ‘For Better For Worst’ Blog Tour
Thank you so much for inviting me onto your blog, Jane. I’m thrilled to be here!
Is there a particular event or person who inspired ‘For Better, For Worse’?
Ooh, I can’t say there was a particular event or person that inspired this story, more a combination of things I’ve read and watched in crime news and documentaries over the years. I was particularly struck with someone wrongly accused – or were they? Also, the challenge of being married to someone who holds a dark secret and when that secret is uncovered, the fallout of how they deal with it and ultimately how it affects the family unit.
The idea of a wife standing by her husband and the whole debate of did he/didn’t he seemed such an enticing project to work with.
What comes first in your story creation process, character, plot or setting? Why do think this is?
I think it’s a combination of things that come in stages, like building blocks, and form the foundation of the story. Often one element influences another. For Better, For Worse is the second title in the DC Beth Chamberlain, Family Liaison Officer, series. Beth’s detective character and the setting of Northamptonshire were already established for the series, although I did have to research particular locations and site the new family. As the plot unravelled in my mind, I realised we needed another point of view in Gina Ingram (the councillor’s wife) and built her character into the story.
Do you find dialogue easy to write? How do you create authentic-sounding dialogue in your novels?
I think dialogue can be very tricky to get right. I often imagine speaking it as I write and draft it without speech marks initially to avoid slowing myself down, then tidy it up later.
How do make you protagonists’ responses to a traumatic event believable?
Ooh, good question! Lots of research, talking to people who have been in the situation and reading in and around a similar event in the news or in books. Plus, I like to imagine myself in their shoes, if possible and see how I would react. Even after I’ve drafted a scene, I’ll come back to it and rewrite it several times before I’m completely happy.
Do you enjoy, or have time to read? What are your favourite genres?
Yes, I love to read and do so as much as I can. Crime fiction will always be my first love – I revel in the twists and turns of a good mystery, and love a page-turning psychological thriller. I recently read The Lying Room by Nicci French and couldn’t put it down!
That said, I do like to intersect my thrillers with other books. I’m currently reading The Secret Life of Bees by Sue Monk Kidd which is a beautifully written and uplifting literary novel.
Are there any other genres you would like to write in? If so, what are they, and why do they interest you?
I think the idea of creating your own fantasy world would be really interesting. I loved the Discworld novels by Terry Pratchett, though I’ve no plans to move at present!
Jane Isaac is married to a serving detective and they live in rural Northamptonshire UK with their daughter, and dog, Bollo. Jane loves to hear from readers and writers.
Sign up to her book club at http://eepurl.com/1a2uT for book recommendations and details of new releases, events and giveaways.
Gemma is about to risk it all for the man she loves. Will she survive entering into a life of crime?
Gemma has always been there for Nathan. He’s the love of her life and she made a commitment to him, one she’d never consider breaking… until smooth-talking gangster Alfie Watson comes into their lives and changes everything.
Alfie doesn’t care about true love – he wants Gemma, and the gangster always gets what he wants. When Nathan ends up owing him money, Alfie gets payback by recruiting Gemma to carry out a jewellery heist. To everyone’s surprise, she’s a natural. Until Alfie forgives Nathan’s debt, she has no choice but to accompany the gangster on more and more daring heists – even though one slip-up could cost her everything.
Nathan might have fallen under Alfie’s spell, but it doesn’t take long for him to realise that he needs to save Gemma from his own mistakes if their marriage is to have any chance of surviving. But when that means taking on the East End’s most notorious gangster at his own game, will he find himself up to the challenge?
I received a copy of this book from Aria via NetGalley in return for an honest review.
Fast-paced and detailed, this ganglit novel follows Gemma and Nathan’s fall into crime. Is it because of Nathan’s mistake? Or does, gangland boss Alfie have a sinister agenda?
The violence is mostly implied, rather than implicit in this book, which is unusual for this genre. The underlying menace is always there, as the couple’s enforced stealing spree, takes in Europe’s most glamorous cities. Told, from the three main characters points of view, you gain insight into each characters’ motivations.
Gemma follows her heart, she gave up a lot for Nathan and continues to do so. She’s intelligent and you may wonder why she sticks with such a selfish man. Love makes fools of all of us, and Nathan is Gemma’s weakness.
Nathan is irritating. He says, he loves Gemma, but he continues to drag her down and lacks the insight, to see what he is doing. Seeing the events unfold from his point of view, you do understand why he behaves as he does, but he is weak, and hard to empathise.
Alfie is the archetypical hard guy. His agenda is the reason Gemma’s life is in turmoil, but she proves to be a challenge, which leads to some unexpected outcomes for him.
An interesting read, which opens the door for more stories of Gemma, Nathan and Alfie.
Author Interview: Stephanie Harte – Risking It All
What inspired you to write ‘Risking It All?
My inspiration for the novel came from an article I’d read about a man who lost everything, including his wife and children, when his gambling addiction took over his life. I love to travel and have a huge interest in gangland crime, so I wanted to create a story that incorporated those elements as well.
When you begin a new story, what is the first thing you develop; characters, plot or setting? Why is this?
I develop a rough plot first. I like to know where the story is going before I create my characters. But when I start to write, the plot occasionally changes course along the way as the characters sometimes take it on a path I hadn’t originally planned.
What is the unique selling point of your story? What do you hope will make it stand out in the gang-lit genre?
In Risking It All, my heroine is forced to become a jewel thief to clear her husband’s debt. I hope the fact that I’ve written the story from the viewpoint of the three main characters will make it stand out in the gang-lit genre.
Do you find it easy or difficult to write dialogue? How do you make it sound natural and believable?
I like writing dialogue. I try to give each character their own distinct voice, to match their personality, to make the dialogue sound natural and believable.
What is the best thing about being a writer? Are there any negatives?
I like being able to work from home. It’s a big bonus as I get to spend all day with my dog while I’m doing something that I love. I haven’t encountered any negatives so far. In my experience, the writing community have been very supportive.
Do you enjoy reading? What are you reading at the moment?
I love reading. I’m currently reading Queenie by Kimberley Chambers.
What are currently writing?
I’m currently writing the third book in the series.
Stephanie Hart is a debut author writing in the ganglit genre. She lives in London with her family. Twitter
Outside the Hope & Glory pub, a man has been left to die. A victim of extraordinary violence, he will never walk or speak again. He remains in hospital for months, until criminal defence lawyer Sarah Kellerman walks onto his ward.
Sarah barely recognises the man she once worked with – he was honourable and kind – what was he involved in? Who wanted him dead? But in her race to uncover the truth, Sarah comes to realise there are two men in her life that she never really knew at all…
From one of crime fiction’s most compelling voices, One Dark, Two Light is where the personal and criminal collide, as Sarah works to bring dark secrets into the light.
I received a copy of this book from Head of Zeus via NetGalley in return for an honest review.
You’re invested in this story from the first page. The relatable characters are easy to empathise. Drama, twists and intensity keep you absorbed and turning the pages, right until the end.Cleverly written the story, unfolds like a Pandora’s box of betrayal and lies. There are three main plot lines, two of which converge as the story progresses. The world-building is authentic, underscored by obvious knowledge, and research of the criminal and legal world and how they interact.
Character-driven, the main protagonist Sarah, a dedicated defence lawyer becomes personally involved in a case, which is prejudiced by a chance encounter. Sarah is easy to like, she’s emotional, impulsive and tenacious, good news for her clients, but she often risks her safety. Her home life is complex when her ex returns and her boyfriend is gravely ill. She is someone you want in your corner if you need help.
Fast-paced the story has disturbing, sinister undertones. The ending brings the plot strands to a believable, if unexpected conclusion, which is perfect for this addictive read.
Author Interview: Ruth Mancini– ‘One Dark, Two Light’ Blog Tour
One Dark, Two Light’, is dark crime fiction, what are the inspirations behind it?
My characters usually just appear in my head. I can’t deny that I draw, to some degree, on people I know or have read about or have seen on TV, even if it’s just a case of borrowing their name or looking at a photo and then mixing them up with someone else and then developing them from there. It’s probably like creating your own recipe when you’re cooking. A little bit of this. Taste it. A bit more of that…and then they start grow as ‘real’ people as the story progresses and as you write.
What comes first in your creative writing process, the characters, plot or setting? Why do you think this is? Is it the same for every story?
All of it comes together simultaneously for me. But I plot it first. I’m not a ‘pantser’, as we know it in the business – that’s the name writers give themselves when they write by the seat of their pants and hope it goes in the right direction! I’m sure many amazing works of fiction have been written that way and I doubt Dostoevsky plotted Crime and Punishment out first, but I find a little cold, calculated premeditation works for me!
What interests you about dark crime fiction? Do you enjoy reading books in this genre?
I enjoy reading books that have psychological depth. I don’t mind whether they’re dark, light, crime or something else, so long as I enjoy the characters and want to spend time in their world with them.
How do you research your novels?
On the internet and by approaching professionals who can talk to me about their day job. I do a lot of research. I’ve been known to spend a day or longer researching one sentence! I probably need to cut that down a little …
Ruth Mancini is a criminal defence lawyer, author and freelance writer. She lives in Oxfordshire with her husband and two children.
In her stunning debut thriller, Death In Vermilion (The Cape Mysteries Book 1), acclaimed author Barbara Elle paints a clever and twisted picture of women and sisters, whose lives are entwined by a brutal murder in a Cape Cod town. Who can you trust?
Now, Death In Smoke (The Cape Mysteries Book 2) asks what’s the connection between a bloodied body buried in a snow bank on a remote island off the Cape and a cold case in Kansas? Can artist and amateur sleuth Leila Goodfriend solve this new mystery?
Barbara Elle fell in love with books and writing at a young age, honing her writing chops as a copywriter at major publishers publishers and as a freelance journalist.
Growing up in Boston, but she became a New Yorker as an adult. Her writing draws on people and places she remembers, setting The Cape Mysteries on Cape Cod, a place of memories.
Barbara Elle continues collecting characters and plots, often travelling the world with her touring musician husband, bass player and musical director for rock and roll icon Cyndi Lauper. In her travels, Barbara has explored Buddhist temples in Beijing, crypts in Vienna and Kabuki Theater in Tokyo.
Lucie Smith is a respected midwife who is married to Jacob, the town apothecary. They live happily together at the shop with the sign of the Three Doves. But sixteen-sixty-five proves a troublesome year for the couple. Lucie is called to a birth at the local Manor House and Jacob objects to her involvement with their former opponents in the English Civil Wars. Their only-surviving son Simon flees plague-ridden London for his country hometown, only to argue with his father. Lucie also has to manage her husband’s fury at the news of their loyal housemaid’s unplanned pregnancy and its repercussions.
The year draws to a close with the first-ever accusation of malpractice against Lucie, which could see her lose her midwifery licence, or even face ex-communication.
Dr Sara Read is a lecturer in English at Loughborough University. Her research is in the cultural representations of women, bodies and health in the early modern era.
She has published widely in this area with her first book Menstruation and the Female Body in Early Modern England being published by Palgrave Macmillan in 2013. She is a member of the organising committee of the Women’s Studies Group, 1558-1837 and recently co-edited a special collection produced to celebrate the group’s 30th anniversary.
She is also the co-editor of the popular Early Modern Medicine blog. With founding editor Dr Jennifer Evans, Sara wrote a book about health and disease in this era Maladies and Medicine: Exploring Health and Healing, 1540-1740 (Pen and Sword 2017).
Sara regularly writes for history magazines such as Discover Your Ancestors and History Today. In 2017 she published an article ‘My Ancestor was a Midwife’ tracing the history of the midwifery profession for Who Do You Think You Are? magazine in 2017. She has appeared on BBC Radio 3’s Freethinking programme and is often to be heard on BBC Radio Leicester and BBC Radio WM.
Her husband says it’s suicide. The police say it’s murder.
Liam Buckley was a married man with two teenage children when he moved out of the family home to start a new life with his lover. His wife Jennifer never forgave him, but now she needs him to come back: she’s been diagnosed with a terminal illness, and the kids can’t cope alone.
One day after Liam moves home, Jennifer is found dead. Liam thinks it’s suicide. But the police, led by DS Louise Kennedy, are convinced it’s murder.
Liam hires a retired detective to help prove his innocence, but it’s no easy task. The children are distraught, and Jennifer’s best friend, Sarah, is waging a campaign against Liam, determined to expose him for a liar and a cheat.
As secrets surface from the complex web of Buckley family life, DS Kennedy must decide. Did Jennifer Buckley end her own life, or did Liam take it from her? The answer, when it comes, will shock them all…
I received a copy of this book from Aria via NetGalley in return for an honest review.
Emotive, intense, thought-provoking family drama, draws Detective Kennedy and Private Investigator Kelly into another dark investigation. Jenny, a terminally ill patient dies suddenly. Was it assisted suicide? Murder? Or suicide? How far is her estranged husband Liam, just returned to the family home, implicated?
Told from multi-points of view, in the past and present, the story unfolds, revealing clues and unexpected events. Sharing the emotional journey of the children, ex-husband, and others connected to Jenny. The emotional damage terminal illness causes to the family, friends and wider network is explored.
The sense of confusion is reiterated by the differing viewpoints and the dual time perspectives. The investigation is not the main focus of the story, but Kennedy and Kelly are intrinsic to the mystery’s resolution.
The ending is realistic, and the epilogue demonstrates human resilience and optimism.
Guest Post – Adele o’Neill -Bringing Emotion to the Page
For me, the measure of a good story is how much it makes me feel and as most writers will agree, a character that evokes an empathetic response is a character that a reader will invest in. As a writer of issue-based fiction, it’s heart-warming to hear that a reader was crying at a scene that made you cry when you wrote it and while scene-setting and plot progression are important it’s in finding the correct balance of emotion in a sub-text that can make all the difference in an authentic character and how they carry the story to a satisfying conclusion.
How do you do that, you say when you couldn’t possibly have experienced everything that your characters have experienced, or have you?
The short answer is no… but like any short answer, it doesn’t really reflect the reality. I have and I haven’t. Let me explain…
The first idea for a novel or the story concept begins very simply for me. Its usually with an issue that piques my curiosity, either professionally or personally, and has potential for layers and layers of complexity to be added in at a later date. In ‘When the Time Comes’, it was the issue of assisted suicide that pulled me into exploring the impossible choices that someone with a terminal illness is faced with. It is another character-driven story of survival, dark secrets and love, just like life and the consequences of that complexity posed many more questions than I could answer and presented an inherent sense of conflict that I wanted to explore and that’s where the concept for the story came from.
Having written three novels, I’d come to understand that simple plot mechanics are important but not nearly enough to truly engage readers and I’m a firm believer that the best stories, the stories that stay with you long after the last page is turned, are not just about the issue that they say they’re about. They are about so much more; the character’s inner conflict, the human experience, the inherent dilemma, the psychological and emotional fallout of choices and the way in which the characters’ circumstances resonate with the reader. So the question still stands, can I, if I haven’t experienced the situation in real life, write my character’s emotions authentically?
The short answer is, yes, because I do know what it feels like. We all do. Let me explain…
I know what pain feels like, what it looks like, what it smells like. I can tell you how emotion overwhelms you when you stand in triumph, conversely too when you cower in fear. I can describe the temperature of tears on my face or the blush of my cheeks and I can tell you the depth of lines around my eyes. Some of them carved from happiness some etched from worry, the deep ones excavated through a deep sorrow that will never leave me. I know what it feels like to laugh contentedly but equally, I know what it feels like to cry in desperation. I can recall all my moments of grace and wisdom and likewise, I can remember what it feels like to be ridiculous (these occasions are more frequent than I would like).
This is what life is for all of us, a series of emotional responses to human experiences that are riddled with happiness, joy, grief, sorrow and fear. And while everyone experiences emotions in their own inimitable way, this collection of personal life experiences and human stories allow me as a writer, to inform the emotional reaction of a character in an authentic way to the set of circumstances that has been written into the scene. Without this realness, the reader wouldn’t engage emotionally so, the next time you come across that common assumption that writers write from personal experience, it’s not the circumstances of the scene or the event that has a biographical element but the emotions and empathy that are represented in our characters. (Otherwise I think a few writers in the crime writing ranks have a few questions to answer!)
Adele is a writer from Co. Wicklow who lives with her husband Alan and her two teenage daughters. Influenced by writers across all genres she has a particular fondness for fiction that is relatable and realistic. Her debut novel was awarded The Annie McHale Debut Novel Award for 2017 and is a character driven story of survival, dark family secrets and sibling loyalty, just like life. Her second novel Behind A Closed Door is another emotionally harrowing tale of impossible choices, loyalty and friendship. Adele writes overlooking the Irish Sea, which she credits for the tumultuous dynamics in the relationships and lives of her unsuspecting characters in her third novel, When The Time Comes, another dark tale that tests the lengths we go to protect the ones we love.
The final thriller in the million-copy-selling Katie Maguire series.
In the driver’s seat of a Jaguar, on a country road, a good man burns.
Justice Garrett Quinn should have been at a sentencing. He was one of the good ones, fighting for order in a lawless world. In a burned-out car, on the outskirts of Cork, DS Katie Maguire finds what’s left of him.
But this is only the beginning. The judge’s death sparks a gang war fought with bullets and bombs, and civilians are caught in the crossfire. As the city spirals deeper into violence, Ireland’s most fearless detective must find the courage to fight for her hometown one last time.
Katie Maguire is no stranger to sacrifice – but she has lost so much already. Facing new horrors each day, Katie must decide: can she do her duty when she has nothing left to give?
I received a copy of this book from the author in return for an honest review.
An action-orientated, crime thriller set in Cork. ‘The Last Drop of Blood is a mix of ganglit, police procedural and political thriller with a distinctive Irish ethos.
Detective Superintendent Katie Maguire battles against establishment misogyny, warring crime gangs and an indiscriminate murderer. Recently bereaved, her personal and professional lives clash. Despite this, her survival instinct keeps her moving forward, steadily solving the complex web of crimes and outwitting those who would prefer her to fail.
It’s addictive reading and leaves you in no doubt about the evil lurking on the streets of Cork. The dialogue draws you into an Irish world, and gives the story it’s engaging authenticity. The characters are complex and easy to visualise. You see the world as they see it, and sometimes it’s a scary place to be. The violence is vividly portrayed as are the episodes of domestic abuse. Sex is shown to be both a weapon and a solace for the characters in this story.
This is reputed to be the last in the series, but it is the first Katie Maguire crime thriller, I’ve read. There are many characters, but the story focuses on Katie’s point of view for the most part, with other characters offering theirs at pertinent moments. There is sufficient backstory to read this as a standalone, I was hooked from the beginning and the plot layers and reveals kept me turning the pages.
The crime detection is believable, and the clues are commensurate with the progression of the police investigation. The ending is powerful and leaves the door open.
Author Interview with Graham Masterton – ‘The Last Drop of Blood’ Blog Tour
What inspired you to write the Katie Maguire thrillers?
In 1999, my late wife Wiescka and I moved to Cork for a while, attracted (a) by a change of scenery since our three sons had all grown up and left home; and (b) by the fact that the Republic of Ireland does not charge authors income tax. We found a huge old Victorian house to rent in Montenotte, high above the River Lee, so that we could see the tankers and the pleasure boats passing to and fro from our upstairs windows.
Cork is an extraordinary and interesting city, with a very varied and colourful history because it is the second deepest harbour in the world after Sydney and over the centuries has seen the arrival of Vikings, Spaniards, as well as Sir Francis Drake and his fleet. It was the last port of call for the Titanic before she set sail across the Atlantic. Because of that, it has a slang all its own and an accent quite distinct from the smooth Dublin Irish. People still say ‘take a sconce to that’ when they mean ‘take a look at it’ — in other words, hold up a candle to it. Shopping is ‘the messages’ and ‘benjy’ means a bad smell like BO, and ‘langered’ means drunk.
I was fascinated by the city and its heritage…especially as the centre of the Irish struggle for independence in the 1920s. The British Army burned down the shopping centre of St Patrick Street in December of 1920 in revenge for an ambush of British Auxiliary Forces, and Cork is still known as the ‘Rebel County.’ I realised that very few thrillers had been set in Cork, if any, and that’s what inspired me to write the first novel about Detective Superintendent Katie Maguire.
I also wanted to write about a woman who has been promoted to a high position in a male-dominated environment, and how she copes with resentment and misogyny from her male colleagues…as well as solving crimes and having a very tangled love life. My closest friends have always been women and even though a man will never be able to think like a woman 100 per cent, those friends have given me understanding and empathy with female thinking.
At the moment one of those close friends Dawn G Harris and I are writing short horror stories together and I have never known two creative minds click together like ours.
‘The Last Drop of Blood’, is the last in the series, are you sad to say goodbye to the character? How did you know the series was at an end?
To be honest, it was my publishers who suggested that after 11 Katie Maguire novels it might be time to take a break. They say it’s the last and maybe it will be, but it won’t be a spoiler to tell you that Katie survives and may live to fight crime another day.
How do you create your characters? Are your characters, based partly on real-life individuals?
My characters seem to come to life spontaneously! Of course, they are based on close observation of real people, particularly the way they talk and dress and react to stressful situations. But it’s amazing how they seem to be born fully-fleshed and with a personal history and a personality of their own…sometimes a personality that I wasn’t expecting and which causes problems in developing the story. I was trained as a newspaper reporter and so I was taught to notice everything about the way in which people behave, and this is tremendously useful in developing fictional characters.
How do you create authentic-sounding dialogue in your novels?
If you were to write dialogue verbatim, in the way that people really speak, it would be either boring or incomprehensible (especially in the case of Corkinese) or both. So I have to write dialogue that ‘sounds’ real, even though it is more like film dialogue. I studied Cork slang and use quite a lot of it in the Katie Maguire thrillers to make them sound realistic, but if I had quoted it in the way that it is actually spoken, none of my readers would have been able to understand a word of it. Such as ‘he’s the bulb off your man in that thing’ = ‘he looks exactly like the actor in that other film that I can’t remember the name of’.’ and ‘the place was jointed’ = the club was so crowded it was difficult to push your way through and ‘that 3-in-1 gave me the gawks’ = that curry rice and chips made me puke. Every sentence has the word ‘like’ in it somewhere, and almost every sentence ends with ‘d’ya know what I mean, like?’
Do you enjoy reading crime fiction? If so, what attracts you to this genre? Or, do you prefer to read other genres?
I read almost no fiction at all of any genre. When you have been writing fiction all day it would be like being a chef and spending the evening cooking. Also I am highly critical of my own writing and just as critical of other writers and if I come across a poorly-developed plot or an awkward sentence, it totally suspends my disbelief. Almost all of my reading is non-fiction, especially historical books, for research.
Are writing another crime fiction series? If so, can you share a little about it here?
In parallel to Katie Maguire I have written two crime novels set in the 1750s in both London and America – SCARLET WIDOW and THE COVEN. The heroine is Beatrice Scarlet, who is the daughter of an apothecary. Her childhood training from her father in chemicals gives her the qualifications to be something of an 18th-century CSI. I am planning to write more about Beatrice but I also have ideas for another major crime series, but it is a little too early in its development to share it at the moment. I promise you, though, it will be very unusual. And of course I continue to write horror fiction….the Horror Writers Association gave me a Lifetime Achievement Award last year so it would be churlish not to!
Graham Masterton trained as a newspaper reporter before beginning a career as an author. After twenty-five years writing horror and thrillers, Graham turned his talent to crime writing.
The first book in the Katie Maguire series, ‘White Bones’, was published by Head of Zeus in 2012 and became a top-ten bestseller. The series was inspired by Graham’s five-year stay in County Cork.
Esther’s life isn’t perfect (whose is?) – but she’s happy enough living in her little flat with her boyfriend, Josh.
But that’s about to change.
Bored out of her mind in work, she wishes that something, anything, would happen to liven her life up.
Unfortunately, her wish comes true when Josh calls her from the airport to tell her he’s going to work in a bar in Spain, and she’s not invited, Esther is devastated, and her unhappiness is compounded when she discovers she can actually view the bar via a webcam link and watch him chatting up other girls.
But when she inadvertently clicks on a link to another webcam which shows a pretty cottage and the rather hunky man who lives in it, her interest is piqued and she wishes she could get to know him.
Liz Davies writes feel-good, light-hearted stories with a hefty dose of romance, a smattering of humour, and a great deal of love.
She’s married to her best friend, has one grown-up daughter, and when she isn’t scribbling away in the notepad she carries with her everywhere (just in case inspiration strikes), you’ll find her searching for that perfect pair of shoes. She loves to cook but isn’t very good at it, and loves to eat – she’s much better at that! Liz also enjoys walking (preferably on the flat), cycling (also on the flat), and lots of sitting around in the garden on warm, sunny days.
She currently lives with her family in Wales, but would ideally love to buy a camper van and travel the world in it. TwitterFacebook
December 14 2019 is publication day for Mrs Ps Book of Secrets (UK) and The Book Ghost (US). I reviewed this original literary fiction novel on Wednesday, as the first stop on the #30DaysofBookBlogs Tour. Read my review here
Today I have an author interview with Lorna Gray to share…
Author interview with Lorna Gray
Mrs P’s Book of Secrets (UK) / The Book Ghost (US)
What are the inspirations behind your latest story?
Mrs P’s Book of Secrets explores several themes, such as loss, returning home, belonging and family. But as you probably don’t want an essay from me, I’ll just describe the first idea I had for this book – where it all began.
The opening lines in the book speak about Lucy’s mother and grandmother performing a rather unusual war service. They were spiritualists and throughout WWII they regularly held séances in an attempt to guide the wandering souls of poor lost soldiers out of the filthy quagmire of war into the peace of the hereafter.
Those few lines in the book are autobiographical. Only in my case, it was my grandmother and great-grandmother. They acted on the principle that some of the war dead might be so shocked by their sudden end that their souls wouldn’t quite know how to move on. My great-grandmother believed she was playing a vital role in reaching out a kindly hand to them through the medium of a séance. She certainly gave comfort to their families at home who had received awful news.
Mrs P’s Book of Secrets grew from that little piece of history. It is in part a ghost story, although this definitely isn’t a novel about wartime spiritualism. What those women did was done in the spirit of giving. I didn’t want to turn the dead into a speaking part for Lucy, my heroine, where she might simply move a marker around a table to instantly demand answers to her questions.
Instead, her story is more about being sensitive to the echoes that are left behind when someone has passed. Have you ever gone into the library of an old house or a quiet garden and felt a sense of the people who have gone before? Do you ever go somewhere and find that your mind can strip away the modern layer from the scene to leave you with an idea of its history?
This is what Lucy experiences as she is pushed by the secrets of her uncle’s publishing business into exploring the boundaries between her memories and an old mystery that ought to have nothing to do with her at all.
I wanted her to walk that very fine line between reaching out and letting go.
And while she experiences all of that, I particularly wanted her to find a new friendship with Robert, her uncle’s second editor at the Kershaw and Kathay Book Press. He is the key to the other elements of the story, which involve books, and being valued, and about putting down roots in a new place and discovering whether or not they will hold firm.
Mrs P’s Book of Secrets / The Book Ghost is set in the immediate post-war era, 1946. What made you choose this particular time?
I knew I wanted to bring Lucy home to a small old fashioned publishing business. I nearly set it in the present day. But then I uncovered a small piece of research about paper rationing in the war and post-war period.
Paper rationing had a massive impact on books and publishing in the 40s and early 50s. Did you know that during the war, one of the big London publishers – Penguin, I think – managed to get a large order to supply paperbacks to the Canadian army? They didn’t take payment in the form of money. They arranged for the Canadian government to send them a shipload of paper across the Atlantic because they were so desperate for supplies.
After discovering all that, I couldn’t wait to delve into the world of a small publishing business and its secrets in the era of paper rationing.
What is it about the post-war period that interests you?
Mrs P’s Book of Secrets is my fourth historical novel. You may not be aware that before writing this mystery, each of my previous novels has been inspired by oral history. I have always been passionate about understanding the past. The post-war period is long enough ago that for me it satisfies my urge to write about history, and yet it is modern enough that when I want to know more, I can simply ask someone to share their memories.
It makes writing and researching the period endlessly fascinating.
Do you enjoy writing stories that cross the genre boundaries? Why is this?
The way my writing seems to cross genre boundaries must come from my own reading. I don’t think I’m ever constrained by genre. I read anything from classics to modern romance and literary masterpieces and memoir.
How do you research your stories?
Everything is researched, even down to the details of the weather. Luckily, the internet is an extraordinary resource. And then I ask people to share their memories too.
When you aren’t writing, what other interests do you have?
I keep far too many animals! Some years ago, I had the idea that I might breed goats, but when it came to finding good homes for the kids (young goats), it turned out to be very hard indeed. People weren’t terribly honest about what they intended to do with them. So now my husband and I have a large and ageing herd of pets, and they give me endless hours of happiness.
When reading to relax, what kind of books do you choose? Why do they appeal to you?
I treasure any book that has many layers. Unfortunately, I am one of those people who finds it impossible to judge a book by its cover. So I always read based on recommendations by a few trusted people. I also love to return to favourite books, discovering new details each time.
An obvious example is that I’ve read Pride and Prejudice many times. I first read it when I was a teenager and I vividly remember that initially, I could only see the characters through Elizabeth’s eyes. But then I read the book again some years later, and it turned out that the evidence had been there all along that characters such as Mr Darcy really weren’t as Elizabeth believed them to be. I love that depth of detail.
Can you give us a brief insight into Mrs P’s Book of Secrets /The Book Ghost?
Look out for the accidental misspellings of Ashbrook. There are a few deliberate typos for the purpose of the plot, but the more I explored the concept of ‘an influence’, on Lucy’s search for the secret of a little girl’s abandonment, the more these errors crept in. For all my wise words about there being no tangible apparition in this book, the ghost certainly wanted to have his or her say. I asked the proofreader to leave them untouched.
There are no white shrouded spectres here, no wailing ghouls. Just the echoes of those who have passed, whispering that history is set to repeat itself.
The Cotswolds, Christmastime 1946: A young widow leaves behind the tragedy of her wartime life, and returns home to her ageing aunt and uncle. For Lucy – known as Mrs P – and the people who raised her, the books that line the walls of the family publishing business bring comfort and the promise of new beginnings.
But the kind and reserved new editor at the Kershaw and Kathay Book Press is a former prisoner of war, and he has his own shadows to bear. And when the old secrets of a little girl’s abandonment are uncovered within the pages of Robert Underhills’s latest project, Lucy must work quickly if she is to understand the truth behind his frequent trips away.
For a ghost dwells in the record of an orphan girl’s last days. And even as Lucy dares to risk her heart, the grief of her own past seems to be whispering a warning of fresh loss…