To be ruthless is to be powerful, at least it is on the Battersea streets…
Georgina Garrett was born to be ruthless and she’s about to earn her reputation.
As World War One is announced a baby girl is born. Little do people know that she’s going to grow up to rule the streets of Battersea. From a family steeped in poverty the only way to survive is with street smarts.
With a father who steals for a living, a grandmother who’s a woman of the night and a mother long dead, Georgina was never in for an easy life. But after a tragic event left her father shaken he makes a decision that will change the course of all their lives – to raise Georgina as George, ensuring her safety but marking the start of her life of crime…
I received a copy of this book from Aria via NetGalley in return for an honest review.
Set in the early 20th-century ‘Trickster’ follows the fortunes of Georgina Garrett from her birth in 1914 when England declared war on Germany. Georgina knows tragedy from her first breath, she is no stranger to loss and falls foul of the depravity she is born into, despite the love and protection of her family.
This historical crime saga is characterised by well-researched historical detail, which brings the story to life. It’s easy to imagine the poverty, depravity and violence of the London slums. The writing is full of vivid imagery and dialogue which gives it an authentic feel.
The characters are believable and even though many of them are criminals, they are easy to empathise. Many are victims of circumstance, they commit crimes and act violently to survive. The strong family bond essential for gangland crime fiction is evident in this story, and it is this that makes it such an absorbing read.
The abuse, language and violence are graphic, but not gratuitous. They make this story an authentic reading experience, but there will be times when you will cringe or want to look away.
The plot is well- written and has many twists, that shape Georgina Garrett and her future self. The underlying theme of the story is based on a misnomer, which gives this story a refreshing uniqueness. This is an accomplished debut story and I look forward to reading book two.
Q&A with Sam Michaels – TricksterI
Sagas are popular in romantic fiction, but your story is a crime-based saga, what inspired you to write this? Are all the stories historically based?
I’ve always enjoyed sagas, been interested in early 20th- century history and fascinated with the criminal underworld. So, it made sense for me to combine the three, hence, Trickster was born. It’s been a good outlet for my ghastly imagination!
The stories in the Georgina Garrett series of books are historically based, though as they progress, the last one will end in the ’60s and ’70s.
When you write, what comes first, the characters, the plot or the setting? Why do you think this is?
My main character always comes first, along with a small scenario which sets the scene for the rest of the book. I think the character comes first as I believe this is the most important part of the story. Good, strong characters make good stories!
Do you draw your characters from real life, your imagination, or are they a mix of both? How do you make your characters realistic?
My characters are mostly from my imagination although I do bring in aspects of real-life people I know. To make them realistic, I find myself acting out each character’s point of view – their voices, facial expressions and sometimes even their body movements. Obviously, I do all this in my head as I don’t want my husband to think I’m a lunatic!
What sort of books do you enjoy reading and why?
I’m a fan of true stories, especially tales of triumph over hardship or really gory crime. I’ve recently discovered Bill Bryson books which are not my normal ilk but I’m finding them very amusing and interesting.
When did you start writing? What’s the best thing about being a writer and the worst?
I’ve been writing for the past few years since I moved from the UK to Spain. The best thing about being a writer is knowing that your work is bringing pleasure to someone, and that could be anywhere in the world. The worst thing is being sat indoors in front of my computer when the sun is shining outside.
What are you currently writing?
I’m nearing the end of writing the first draft of the next book in the Georgina Garrett series. It’s been wonderful to dip back into the first book and bring out some of the lesser characters and give them a more prominent role in this story.
Sam Michaels lives in Spain with her family and a plethora of animals. Having been writing for years Trickster is her debut novel.
Extract from Trickster – Book 1 – Georgina Garrett series – Sam Michaels
‘I dunno what to do, Mum. She needs a feed…’
Dulcie chewed her lower lip as her mind turned but then struck by an idea she said, ‘Don’t worry, Jack, I know someone who might be able to help. There’s a jug of ale in the kitchen. Go and pour yourself a glass. I’ll be back as soon as I can.’
Dulcie left her house and hurried along the narrow street with the wailing baby in her arms. She could ill afford to feed Percy and herself, let alone this poor little mite, and a wet nurse didn’t come cheap. However, if her idea panned out, she wouldn’t have to part with a penny.
Fifteen minutes later Dulcie was in the roughest part of town. This was an area where no person of good virtue would dare to frequent. Women hung out of windows with their bosoms on display, vying for business, while others were drunk, vomiting openly in the filthy streets. In a dark corner behind a cart, Dulcie glimpsed a woman bent over with her skirt up, a punter behind her, trousers round his ankles as he pounded hard for his pleasure.
This wasn’t the sort of place where Dulcie felt comfortable carrying a small baby. She held her granddaughter protectively close to her and tried to muffle the child’s screams in the hope of avoiding any unwanted attention.
The sun was still high in the sky. Dulcie was grateful, as she would have been worried if it had been dark. A short, skinny man with bare feet and a bent back walked towards her. His leering eyes unnerved Dulcie and she could see he was trying to peer at the child she held. He stood ominously in front of her, blocking her path. If she hadn’t had been carrying Georgina, she wouldn’t have given a second thought to kneeing him in the crotch.
With an evil sneer, he licked his lips, nodded towards the baby and then asked, ‘How much?’
‘This child is not for sale,’ Dulcie said firmly, then sidestepped the man and marched on. It was no secret that in these streets, any desire could be bought for the right price, but it turned Dulcie’s stomach. It wasn’t unusual for a prostitute to fall with an unwanted pregnancy, then sell the child on, no questions asked. Dulcie didn’t believe it was something any woman wanted to do, but the desperation of poverty forced them into it. Gawd knows where those helpless babies ended up, or what they went through, Dulcie thought and shuddered. She reckoned the women would be better off killing their babies – something she suspected her friend Ruby had recently resorted to.
She had seen many young women turn to drugs or booze to numb the pain and block out the memories of what they’d done. Some went out of their minds and ended up in institutions, a fate worse than death, and it was something she didn’t want to see happen to Ruby. The girl was only sixteen, with bright ginger hair and a sprinkling of freckles across her nose. Her fair skin was the colour of porcelain, so when she’d turned up on the streets one day her purple and yellow bruises had really stood out.
Dulcie had taken her under her wing and learned that Ruby was homeless after running away from her abusive father. Her mother had died when Ruby was seven, and her father had forced her into his bed to fulfil the role of his wife. When he’d filled her belly with a child, he’d beaten her until she miscarried, then thrown her out to fend for herself.
Dulcie did her best to protect the girl and would steer her away from the customers she knew had a liking for wanting to rough up the women, but it hadn’t been long before she’d noticed that Ruby was trying to hide a growing bump in her stomach. She’d had a quiet word with her and found that Ruby was distraught, fearing her secret would be discovered and she’d be sent to the workhouse. Dulcie felt sorry for the girl but, struggling herself to make enough money to live on, she could only offer a shoulder to cry on.
Less than a week ago and well into her pregnancy, Ruby disappeared, but then she’d turned up again two days ago, her stomach flat. She refused to discuss the fate of the baby, but Dulcie noticed her demeanour had changed. Where once she’d been a chatty young woman with a wicked sense of humour, she was now mostly silent, her eyes veiled in a darkness that Dulcie couldn’t penetrate.
Ruby lived in the basement of a shared house at the end of the street. It was decrepit, with the roof caved in and the stairs to the upper level broken. Dulcie thought the whole house looked unsound and had never been inside, but she had to speak to Ruby and hoped to find her in. She took a deep breath and braced herself for what she may find, then slowly walked down the stairs that led to the basement door. It was open, so with trepidation, she stepped inside.