Police have ruled out suspicious circumstances in the investigation into the death of Elizabeth Sinclair, wife of charismatic entrepreneur Harry Sinclair, found drowned in the lake of the family’s holiday park.
been two years since the Sinclair case closed but when reporter Steph Durham
receives a tipoff that could give her the scoop of the year, she’s drawn deeper
and deeper into the secretive Sinclair family.
Elizabeth’s death wasn’t a tragic accident. And the truth will come at a deadly price…
I received a copy of this book from Harper Collins UK – Harper Fiction in return for an honest review.
You are thrown into the deep end from the beginning of this book, as you witness a personal tragedy. These scenes engender your empathy towards the victim. Is she as innocent as she seems?
Steph is the PR and journalist for a travel company based in the South of England. She has always wanted to be an investigative journalist, since her days of cub reporting in the North West, but things didn’t work out. The opportunity to review a new leisure venture in her home town is viewed with mixed emotions, but she needs the money. Her friend suggests she uses social media, to advertise her latest job, with a view to gaining further work. The interest she attracts is unexpected and leads her into a role she has always wanted, but at what cost?
The Lake District setting is always good for fiction. The beauty and danger of the landscape, the perfect foil for accidents, or even murder. The Sinclair family, practically own the town, and you are immediately wondering if their influence could cover up a murder? Steph’s estranged mother ran the initial police investigation and her deceased father worked for the Sinclairs, something that puts her at risk, even before she starts her investigation.
The suspense increases with every chapter, and the dual timeline, of Steph’s present-day investigation of Elizabeth’s death, and the historic revelations of Elizabeth’s life up to her demise, work well.
Only Steph and widower Harry are characters that you can empathise, even Elizabeth has her own agenda, and is not really likeable. The other two brothers Dominic and Owen are not attractive humans. One the dominant bully, the other weak, but manipulative. The clues are well hidden in the plot, disguised by the misinformation, but they are there. The ending is well-written, as the suspense reaches breaking-point.
This story keeps you on tenterhooks throughout, with authentic characters, a twisty plot and an unexpected end, it is an excellent domestic thriller.
Sue Fortin is an award-winning USA Today and an Amazon best-selling author, an international bestseller and has reached #1 in the Amazon UK Kindle chart. Sue writes mystery, suspense and romance, sometimes combining all three.
Sue was born in Hertfordshire but had a nomadic childhood, moving often with her family, before eventually settling in West Sussex where she now lives with her husband, children and grandchildren. Facebook PageTwitter InstagramWebsite
Faye Townsend has planned the perfect summer trip for her family. But returning to the small seaside town her husband grew up in does not go to plan, the rain pours and the long days become stifling. And then the unthinkable happens…
Her husband Jake and her six-year-old son Dylan go for an early morning walk along the beautiful, windswept clifftops. They don’t come back.
As the hours tick by, Dylan’s red baseball cap is found on the beach and Faye finds herself being questioned by the police. They want to know everything about the man she married – is Faye ready to face her husband’s dark past? Or will she have to confront her own secrets first?
And just how far will a mother go to save her only child?
I received a copy of this book from Bookouture via NetGalley in return for an honest review.
The suspense builds quietly, from the first line and ends abruptly, leaving you wanting more, what happens next? Then you’re in the midst of a family holiday, a surprise that seems to be missing the mark?
The family scene that the author describes, from Faye’s point of view, seems familiar, ordinary, even relatable, but the house is creepy, and everyone is tense, and Faye sees someone outside. You are on tenterhooks waiting for something to happen.When it does, it seems straightforward, but it isn’t, and then you’re gripped, and it’s impossible to put down.
The characters are complex, they have so many layers, They all have secrets. There is an unidentified male point of view, that draws your thoughts in one direction, but then the plot twists, and you’re no longer sure.
The twists are subtle but believable, it’s like walking in a maze. I loved how the plot gradually revealed salient details, using flashbacks to Lainey and Jake’s past, but is the point of view reliable?
What you suppose is the final twist, poses a moral dilemma, but from my point of view is satisfying, but then there is a further revelation that ends this riveting story in an unforgettable way.
We’re spies,’ said Lamb. ‘All kinds of outlandish shit goes on.’
Like the ringing of a dead man’s phone, or an unwelcome guest at a funeral . . .
In Slough House memories are stirring, all of them bad. Catherine Standish is buying booze again, Louisa Guy is raking over the ashes of lost love, and new recruit Lech Wicinski, whose sins make him outcast even among the slow horses, is determined to discover who destroyed his career, even if he tears his life apart in the process.
And with winter taking its grip Jackson Lamb would sooner be left brooding in peace, but even he can’t ignore the dried blood on his carpets. So when the man responsible breaks cover, at last, Lamb sends the slow horses out to even the score.
I received a copy of this book from John Murray via NetGalley in return for an honest review.
‘Joe Country’, is book six, of the ‘Jackson Lamb’ series, and the first that I’ve read. The character relationships are complex, and clearly, they have a lot of history. The thriller is standalone, and after a few chapters, it is easy to understand what the occupants of ‘Slough House’, are. Then relax, and enjoy a well written, political thriller, with satirical humour, flawed, quirky characters and an exciting twisty plot.
‘Slough House’, is the stable for the ‘Slow Horses’, disgraced intelligent operatives that have been put out to grass. Whether their misdemeanours are contrived or real, is not always apparent, but they are remarkably active in the field. Often preventing more incidents, and solving more crimes, than their ‘Regent’s Park’ officially sanctioned counterparts (Joes’)
The prologue to this story intrigues and is described in a particularly evocative, graphic way. The incident in Wales is significant as the plot progresses, and the seemingly disparate threads are melded together.
A new promotion at ‘Regent’s Park, the death of an old spy, a new recruit at ‘Slough House’, and the mysterious disappearance of a deceased ‘Slow Horse’s’ son, are all elements of this complex mystery. Each story is interspersed with the others, although it is not until the book has progressed that the dots to join up in Wales, of course, and the excitement begins.
‘Jackson Lamb’, whose name graces the series, is ‘old school’, politically incorrect, offensive to everyone he encounters, but also canny and clever, and an eminently efficient spymaster, despite his appearance and demeanour.
Action-packed adventures, believable, characters, clever plotting, dark, politically astute humour all make this an addictive, enjoyable book to escape with for an hour or two.
If you can read the series from the beginning to fully appreciate the political astuteness, relationships and setting of this quintessentially, British espionage thriller series.
I received a copy of this book from Penguin UK Books – Michael Joseph Publishing via NetGalley in return for an honest review.
A curious medley of a creepy, suspenseful thriller and poignant sadness are my impressions of this complex, multi-layered story.
A little boy is missing, and the disapperance has echoes of serial killings years before, but ‘The Whisper Man was caught, so who has taken the little boy?
There are so many facets to this story, a crime to be investigated, a little boy who hears voices and talks to imaginary people. A troubled father and son relationship, in the wake of a family tragedy, and a policeman haunted by his past both personal and work.
The plot slips effortlessly between points of view and different genres. The police procedural is authentic and helps you keep past events and what is currently known in mind. The sadness experienced by Tom and Jake is profound and you empathise with their grief and loss. The killer is damaged and dangerous and the level of menace pervades the entire story. Finally, there is a supernatural element, hinted at, leaving the reader to decide if it is really there or not.
Everything is fused together cleverly, making this a suspenseful, shocking and often sad story. The ending is fast-paced and breathtaking and written packed with vivid imagery. You can see the events unfolding in your mind as you read.
A page-turning, absorbing read that makes this thriller stand out above the rest.
Claire Westcott tries to be the perfect wife to Byron but fears she will never measure up to his ex, Colleen. After all, it’s hard to compete with the dead.
Colleen went missing eight years ago. Her body was never found but the police ruled it a suicide. So when Claire receives a phone call from a woman she believes is Colleen, it sparks a million terrifying questions.
Claire discovers the couple weren’t as happy as they would have people believe. And now she’s worried Byron has been lying to her.
There are secrets in every marriage, but sometimes those secrets are deadly.
I received a copy of this book from Hodder and Stoughton UK – Mulholland Books UK via NetGalley in return for an honest review.
The illusion of a perfect marriage is a popular trope for psychological thrillers. but this one has enough originality to make it addictive. Told from two points of view, Claire, Byron’s second wife, and an unknown younger woman, it uncovers a web of lies. Claire is an unreliable protagonist, she drinks and is obsessive. She is hard to empathise, even though she appears to be the victim. The other point of view is also obsessive and appears to present a threat to Byron and Claire’s marriage.
The pace and length of the story are perfect, no unnecessary detail, to detract from the character insights and the events, past and present that the plot reveals.This is a complex story, with many twists, the reader deviates between Claire, Byron and the mystery point of view, who is the victim and who is the antagonist?
It’s a story that demands concentration, you can’t dip in and out, the clues are there, and are more obvious as the story heads towards its conclusion, but they are easy to miss, or misconstrue.
The ending fits well with what has gone before and is a satisfactory conclusion of this cleverly plotted, page-turning, psychological thriller.
You are outside your front door. There are strangers in your house. Then you realise… You can’t remember your name.
She arrived at the train station after a difficult week at work.
Her bag had been stolen, and with it, her identity. Her whole life was in there
– passport, wallet, house key. When she tried to report the theft, she couldn’t
remember her own name. All she knew was her own address.
Now she’s outside Tony and Laura’s front door. She says she
lives in their home. They say they have never met her before.
Two things, really: the fear of forgetting, and how identity is bound up with our memories. Forget My Name begins with a woman who arrives off the train in a Wiltshire village not dissimilar to where I live. She is unable to remember her own name and is without any form of identification, having lost her bag at the airport. Passport, bank cards, mobile phone – all gone. The only thing she has is a train ticket and a vague sense that she lives in the village. How did she get there? And who is she? When she approaches the house that she thinks is hers, she peers in through the window and sees a young couple preparing dinner. I was haunted by such an image when I was commuting from my own village in Wiltshire to London. It was a stressful time in my life. I had a young family and the trains were always delayed. When I returned late, I often wondered what it would be like if I glanced through the window of my own house, only to see another family preparing for bed.
What makes your story different in this popular genre?
A character suffering from amnesia is a popular trope in psychological thrillers. S.J.Watson explored it brilliantly in Before I Go to Sleep. I have tried to push it even further, taking the genre into what I hope is new territory. By its very nature, amnesia has a lot in common with unreliability, another popular theme in psychological thrillers, and I’ve explored this too in a dark and unexpected way.
Do you draw your characters from real life, your imagination, or are they a mix of both? How do you make your characters realistic?
I think any author who says they don’t base their characters on people they know is lying! That’s not to say that they are transposed from life to page without any changes. I tend to be a bit of a magpie, picking traits from different people and merging them into a new character. Friends are always asking me, ‘Am I in it?’ and it’s a difficult question to answer. “Bits of you might be’ isn’t quite the answer they’re looking for.
When you write, what comes first, the characters, the plot or the setting? Why do you think this is?
Place plays a very important part in my books and I knew that I wanted to write about a Wiltshire village in Forget My Name. I also wanted to write about a woman who has survived a hideous trauma of some sort but is definitely not a passive victim. So place and the lead character were uppermost in my mind when I started to work out what that trauma might have been and the effects it’s had on her life. I was also keen to explore popular neuroscience, in this case, the role that the hippocampus – a seahorse-shaped part of the brain – plays in human memory.
What made you decide to become a writer, and why does this genre appeal to you?
I was asked this question the other day by a close friend and I couldn’t really answer it. I’m not sure you actively choose to become a writer – it’s just something that happens. I’d read English at university and was a freelance journalist for ten years before I wrote my first novel, The Riot Act, in 1997, so I clearly enjoyed working with words. Writing at greater length than a magazine article was a natural progression. As for psychological thrillers, I used to write spy novels – I’ve had five espionage thrillers and a novella published under my own name, Jon Stock – until I switched names and genres in 2017. I had done all I wanted to do with the world of spies and had become increasingly interested in popular neuroscience. In Find Me, my first psychological thriller, and now Forget My Name, I’ve been able to explore themes of memory and identity through a new and exciting lens.
What sort of books do you enjoy reading and why?
In terms of fiction, I tend to read anything but thrillers when I’m writing, usually more literary fiction by authors such as Eimear McBride. I don’t want to be distracted or envious! I read a lot of non-fiction books when I’m writing, most recently Into the Grey Zone, by Dr Adrian Owen, who explores the relationship between brain, mind and consciousness and the penumbral world between life and death. I re-read John Fowles’s The Magus on holiday in Greece last summer, which remains a mind-blowing piece of storytelling, and I’m looking forward to reading Ian McEwan’s new one, Machines Like Me.
What are you currently writing?
I’m just putting the finishing touches on the first draft of my new novel, which gives a modern, high-tech spin on the Gothic trope of doppelgängers. In this digital age of social media and selfies, it’s surprisingly easy to find – or be found by – someone who looks identical to you…
I received a copy of this book from Head of Zeus Books in return for an honest review.
Losing your identity and turning up in a place that you vaguely recognise, the house you think is yours, but someone else is living there, and they don’t know you are, is the idea behind #ForgetMyName, a classy, well researched psychological thriller.
This thriller works, because this type of crisis is a fear for many people. We are grounded by familiarity, we feel safe, and not being able to fall back on things we recognise, is a shattering concept, for most people.
The everyday setting, makes the woman’s situation more frightening, she wants to fit in, remember, but she can’t. Is she running from something terrible? Something she’s done or been done to her? Do others know more about her situation than she does? Why are they keeping secrets? Do they really want to help her? All these questions make this a believable, twisty thriller. It has the ambience of a gothic style plot. Creepy, evil, lies, secrets and the main protagonist who doesn’t know who to trust, and whether she can even trust herself.
Chilling, compulsive reading, with realistic characters, hard to spot clues, and a relentless pace make this an addictive book that you read with the fervent hope you never forget who you are.
J.S. Monroe read English at Cambridge, worked as a foreign correspondent in Delhi, and was Weekend editor of the Daily Telegraph in London before becoming a full-time writer. Monroe is the author of six novels, including the international bestseller, Find Me.
On the surface, Anna Witherall personifies everything the aspirational magazine she works for represents. Married to her university boyfriend David, she has a beautiful home and gorgeous three-year-old twin daughters, Stella and Rose. But beneath the veneer of success and happiness, Anna is hiding a dark secret, one that threatens to unravel everything she has worked so hard to create.
As Anna finds herself drawn into the dark and highly controlled world of secret intelligence, she is forced to question her family’s safety, and her own. Only one thing is certain: in order to protect her children, she must leave them, forever.
And someone is watching. Someone she thought she could trust. Someone who is determined to make them all pay.
I received a copy of this book from Harper Collins UK – Harper Fiction – The Borough Press via NetGalley in return for an honest review.
A complex fusion of psychological and spy thriller with domestic suspense makes ‘The Most Difficult Thing’ an intriguing, poignant, riveting read.
Anna is leaving her children, her husband, her successful career because she has no choice, but does she? Told from Anna and later Maria’s points of view, the story moves between the present and the past exploring how Anna finds herself with such a terrible choice.
Anna is an unreliable protagonist, emotionally damaged from a tragic accident in her past, and her parents’ reaction to it, she seeks anonymity at university, changing her name, family background and meeting Meg and David. Her choices are always questionable once she leaves university. Ripe for manipulation, and craving acceptance and love, her life is tangled in a web of deceit and dangerous secrets that threaten her life and her sanity.
Maria is out for revenge and finds the opportunity for it in a fatalistic way.
The story is detailed, with many timeline changes. The menacing ethos of the plot is disturbing, the evil of rich, politically connected individuals, uses the protagonists as pawns in a chess game. The sense of hopelessness and loss is profound, but there is enlightenment in unexpected places and a glimmer of a chance of justice for the victims.
There are many twists in this story, some expected, some not. Particularly in the closing chapters, the story is challenging, you need to concentrate, otherwise, you will miss the clues to discover the true state of events. The book ends with a question, about Anna’s future, which could go either way.