Posted in Author Interview, Blog Tour, Crime, Extract, Fantasy, Mystery, New Books, Noir, Political Thriller, Science Fiction

Million Eyes 11 C.R.Berry Q&A with @CRBerry1 @elsewhenpress #BlogTour #SFF #SpeculativeFiction #Conspiracy #thriller #Author #Interview #MillionEyes11

TIME IS THE ULTIMATE SAVIOUR

Following an impossible discovery in East London, archaeologist Dr Samantha Lester joins forces with software developer Adam Bryant to investigate the events that led to the disappearance of his best friend, Jennifer, and to bring down the people responsible – Million Eyes.

Before long, Lester and Adam are drawn into a tangled conspiratorial web involving dinosaurs, the Gunpowder Plot, Jesus, the Bermuda Triangle, and a mysterious history-hopping individual called the Unraveller, who is determined to wipe Million Eyes off the temporal map.

But as the secrets of Million Eyes’ past are revealed, picking a side in this fight might not be so easy.

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Q&A with C.R. Berry

How would you describe your books? What genre(s) do they encompass?

I would describe the Million Eyes trilogy as conspiracy thrillers, first and foremost. However, they’re also science fiction books and historical fiction books too. The premise of the series is this: what if certain events in our history weren’t supposed to happen? What if things like Princess Diana’s death, the disappearance of the Princes in the Tower and even the extinction of the dinosaurs only happened because of time travellers? The books incorporate themes such as destiny, power, faith, reason and the greater good. 

Time travel, alternative history and conspiracy theories all feature in your stories. What interests you about these themes?

Time travel has always fascinated me. I love the idea of being able to go back and see how things were or go forwards and see how things turn out. You can tell bigger stories with time travel.

My love of history and conspiracy theories sort of go hand in hand. History is full of mysteries, and conspiracy theories are used to try and solve them. I think my interest in conspiracy theories could be traced back to Year 8 History when we learned about the shooting of William II in the New Forest and all the people who may have been involved in a plot to have him offed. I loved learning about that, which is how it made its way into the first Million Eyes.

How do you create your stories? Do you begin with the characters, theme, or setting? Why is this?

I begin with the plot—always. I start with a story I want to tell, and then I choose the best characters I can think of to help me tell it. In the case of Million Eyes, it was a story about a corporation using consumer technology to hide the fact that it was secretly tweaking the timeline. And it was about offering fun, alternative explanations for who Jesus was, what lies in the Bermuda Triangle, why Princess Diana was killed, and so on. I then created characters who are just everyday folk that get dragged into a perilous quest for the truth.

I guess I do it this way round because when it comes to selecting a TV series, movie, or book, it’s the plot I’m most interested in. I can’t stand character-driven stories where there’s zero plot progression.

Which part of the writing process is the most difficult for you? Why?

The historical research! I don’t even want to imagine the number of hours I’ve spent reading about how 1st-century Nazareth might’ve looked, or scrutinising architectural plans of the Tower of London in three different time frames, or the fashions of the Middle Ages and the Iron Age and Victorian times. Historical research has, of course, been necessary to help make the trilogy as authentic as possible, but it has also made the writing process a lot longer and more arduous. 

What is the best and worst part of being a writer?

The best part is when I complete a chapter that I think is great—most likely a dialogue scene where my main protagonist or antagonist is unleashing some serious sass. The worst part is when I have a serious block. There’s been a few of those while crafting Million Eyes, which is why there’s not going to be a shred of time travel in my next book!

What’s next, another book in this series or something different?

I’m two-thirds of the way through the final book in the Million Eyes trilogy, Million Eyes III: Ouroboros. This one is going to spend more time in the future than the past, and it’s also going to reveal the origins of the titular “Unraveller” in the second book. They’ll be a showdown between my protagonists and Million Eyes, and all the loose ends will get tied up with a timey wimey bow.

After that, I’m going to be working on a conspiracy horror called The Puddle Bumps. I want to write something with lots of blood and gunk (well, alright, Million Eyes has some of that, but The Puddle Bumps will have more).

C.R. Berry

C.R. Berry started out in police stations and courtrooms—ahem, as a lawyer, not a defendant—before taking up writing full-time. He’s currently head of content for a software developer and writes fiction about conspiracies and time travel.

Berry was published in Best of British Science Fiction 2020 from Newcon Press with a Million Eyes short story. He’s also been published in magazines and anthologies such as Storgy and Dark Tales, and in 2018 was shortlisted in the Grindstone Literary International Novel Competition. 

In 2021, he bought his first house with his girlfriend, Katherine, in Clanfield, Hampshire, discovering whole new levels of stress renovating it (not helped by a rogue builder running off with most of their budget). The couple are now in the fun stage, going full-on nerd and theming all the rooms—their bedroom is a spaceship, their kitchen a 50s diner.  

Now that the dust is settling, Berry is refocusing on the final book in the Million Eyes trilogy and getting back to writing his first collaborative novel with Katherine: a space-set adventure with aliens, terrorists, a mysterious wall that surrounds the universe and—of course—conspiracies.  

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Million Eyes: Extra Time is available for FREE download

Extract from Million Eyes 11 C.R. Berry

[Excerpt taken from Chapter 1 – the two main characters in this chapter are Edward and Richard, the Princes in the Tower]

66 Million Years Ago

“So how do we get back to 1483?”

Edward thought about this for a moment. He remembered the first time they travelled in time. He remembered being in the realm of ghosts, after swallowing the pills, feeling like he was floating. Their bedchamber was suddenly filled with strangely dressed people—transparent people—walking through, literally through, one another. He could see through the walls, through the furniture, through the floor to the room below. He could see beyond the Tower to the river. Everything and everyone were eerily ethereal and blurred together in front of his eyes. And Edward remembered that when he concentrated on one thing amid the haze, it sharpened into focus, all the other ghosts falling away. There was a painting. A painting that looked like it was of him and his brother. It was transparent at first, like everything else. But as Edward stared at it, it became clear, and everything else started to fade. A moment later, they were back in their bedchamber and all the ghosts had gone, but it was four hundred years later.

Things happened in much the same way when they ate the second pill only minutes ago, standing on the streets of London in 1888. Edward remembered returning to the realm of ghosts, the streets filled with shiny horse-less carriages, people in eccentric clothes and giant structures all around. All transparent of course. Ghosts, like before.

Only Edward couldn’t remember fixing on anything that time. He couldn’t remember seeing anything shift into focus while the rest fell away.

So how did they get here?

He told his brother his theory on how they ended up in 1888, that his focusing on one thing in particular seemed to pull them out of whatever it was they were actually in and into a specific period in time. But he admitted he couldn’t remember what he had focused on before they arrived here.

“That’s because it wasn’t you,” said Richard after a moment’s thought.

“What?” said Edward.

“It was me. I looked at something. I focused on it. It became clear, like you said. Everything else—all the ghosts—started fading away. We were holding hands at the time. A moment later, we were here.”

It was presumptuous of Edward to think that he was the only one with the ability to plot their journey, as though time itself was only going to respond to him. Richard had brought them here.

“So what did you see?” said Edward. “What was it you focused on?”

It was like two tiny flames went out in Richard’s eyes. His face paled and his throat bulged with a swallow. An aura of fear had come over him like a deep shadow.

“What’s wrong?” said Edward.

“I saw… a monster,” replied Richard, looking down at his feet. “It was coming towards me. Charging at me like a bull. I was terrified. Did you not see it?”

“I saw creatures. I saw a lot of things. None could see me, though. What did the monster look like?”

Richard sighed, raised his head and looked at Edward. He opened his mouth to answer, then the direction of his gaze shifted slightly and his whole face dropped.

“That,” he whispered, rigid.

Edward spun round, following his gaze.

Lord have mercy.

Not far from where they stood, standing partly shaded beneath a cycad and trampling a large patch of hornworts, was a creature three times as tall as them, with dark green, brown-flecked skin that was scaly like a snake. Dangling from its bulbous middle were two small arms with three-fingered hands ending in sickle-shaped claws. Its two legs and feet were similar, only much larger and longer, and along its back was a row of tall, bony spines linked by skin. It waved a long tail that was as thick as a tree at the base and tapered to a point, and looked like it could propel a carriage into the air with a single whack. Its long head bore two horns and a tapered jaw, the hot sun gleaming off multiple, tightly packed rows of ravenous-looking teeth.

Edward’s heart was pounding as they watched the creature lean forwards, its two eyes—like yellow billiard balls—staring straight at them.

Neither boy moved. Richard whispered, “What do we do?”

Edward swallowed hard. He plunged his hand into his satchel and pulled out the pot of red pills.

“We have to—” started Edward.

“Edward!” his brother screamed.

The creature stooped low and launched into a run.

“Run!”

Posted in Blog Blitz, Book Review, Noir, Psychological Thriller, Science Fiction, Suspense, Thriller

Sleepless Louise Mumford 4*#Review @louise_mumford @HQStories @rararesources #BookReview #AudiobookReview #Sleepless #psychological #suspense #dystopian #thriller #Insomnia #BlogTour #PublicationDayPush

Don’t close your eyes. Don’t fall asleep. Don’t let them in.

Thea is an insomniac; she hasn’t slept more than three hours a night for years.

So when an ad for a sleep trial that promises to change her life pops up on her phone, Thea knows this is her last chance at finding any kind of normal life.

Soon Thea’s sleeping for longer than she has in a decade, and awakes feeling transformed. So much so that at first she’s willing to overlook the oddities of the trial – the lack of any phone signal; the way she can’t leave her bedroom without permission; the fact that all her personal possessions are locked away, even her shoes.

But it soon becomes clear that the trial doesn’t just want to help Thea sleep. It wants to control her sleep…An unputdownable, gripping psychological thriller

I received a copy of this book/audiobook from HQ via NetGalley in return for an honest review.

My Thoughts…

This story gets full marks for originality. The theme of insomnia is a relatable one and the author’s interpretation an interesting balance of imagination and reality. I also listened to the audiobook edition of this. The excellent narration makes the story come alive, creating a claustrophobic and immersive story.

It begins with Thea’s desperation to sleep, which makes her apply for a scientific trial that uses new techniques. She ends up on a creepy island with a medley of different characters. The first part of the story is atmospheric and disturbing, the people running the programme are they trustworthy? Thea’s sense of what is real is impaired, as is her judgement. The author creates a believably, frightening world.

There’s nail-biting drama and then the story twist into something else. After dramatic events, the story becomes more like a science-fiction, dystopian drama, but with the same characters.

The characters are vivid, and the events described using sensory imagery that draws the reader into the story. There’s something for everyone in this mix of genres. This is a unique and disturbing story, with an eerie ending.

Louise Mumford

Louise was born and lives in South Wales. From a young age she loved books and dancing, but hated having to go to sleep, convinced that she might miss out on something interesting happening in the world whilst she dozed – much to her mother’s frustration! Insomnia has been a part of her life ever since.

She studied English Literature at university and graduated with first class honours. As a teacher she tried to pass on her love of reading to her students (and discovered that the secret to successful teaching is… stickers! She is aware that that is, essentially, bribery.)

In the summer of 2019 Louise experienced a once-in-a-lifetime moment: she was discovered as a new writer by her publisher at the Primadonna Festival. Everything has been a bit of a whirlwind since then.

Louise lives in Cardiff with her husband and spends her time trying to get down on paper all the marvellous and frightening things that happen in her head.

Her debut thriller, SLEEPLESS, will be published by HQ on 11th Dec 2020.

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Posted in Blog Tour, Book Review, Contemporary Fiction, Friendship, Mystery, Science Fiction, Suspense, Thriller

Nine Rachelle Dekker 4*#Review @RachelleDekker @RevellBooks #thriller #SCFI #Friendship @lovebooksgroup #lovebookstours #Ninetour #BookTour #BookReview

Zoe Johnson spent most of her life living in the shadows, never drawing attention to herself, never investing in people or places. But when a wide-eyed, bedraggled teenager with no memory walks into the diner where Zoe works, everything changes. Now, against her better judgment, Zoe, who has been trying to outrun her own painful memories of the past, finds herself attempting to help a girl who doesn’t seem to have any past at all. The girl knows only one thing: she must reach a woman in Corpus Christi, Texas, hundreds of miles away, before the government agents who are searching for her catch up to them.

Award-winning author Rachelle Dekker throws you into the middle of the action and keeps the pressure on in this page-turning story that, asks Are we who the world says we are–or can we change our story and be something more?

Amazon UK

I received a copy of this book from Revell in return for an honest review.

My Thoughts…

The action and suspense begin from the first pages, which set the scene for a fast-paced disturbing novel. The multi-viewpoint plot alternates between intimate insight and an omnipotent view of proceedings.

The plot is a fusion of conspiracy, crime, mystery and sci-fi delivering a compelling and unsettling thriller. Some of the concepts are familiar, but the author gives them an original slant and ramps up the suspense with a layered plot reveal.

Lucy and Zoe’s emotional and physical journey is conflicted and violent, but their friendship nurtures positive change in both. A satisfying ending leaves some questions unanswered.

Rachelle Dekker

Rachelle Dekker is the Christy Award-winning author of The Choosing, The Calling, and The Returning in the Seer series. The oldest daughter of New York Times bestselling author Ted Dekker and coauthor with him of The Girl behind the Red Rope, Rachelle was inspired early on to discover truth through the avenue of storytelling. She writes full-time from her home in Nashville, where she lives with her husband, Daniel, and their son, Jack. Connect with Rachelle at www.rachelledekker.com.

Posted in Blog Blitz, Science Fiction

Dead Moon Keith Crawford #BookTour @keithcrawford77 @lovebooksgroup #lovebookstours #DeadMoon #excerpt

Humanity will be extinguished in less than seven days.

Wing Commander Jude Styles is a Starfighter Pilot trying to get pregnant before the world ends. Her wingman, Hamid Ashkami, just wants to block the spam messages he is receiving from someone claiming to be his dead ex-husband.

Instead, they are locked in a media tour, shown off as the heroes that stopped the alien invasion by destroying the massive mothership known as the “Dead Moon”, persuading the masses that all will be fine if they keep calm and carry on.

Trapped telling the same lies, driven over the edge by post-traumatic stress and the constant flow of alcohol, it is only a matter of time before Jude and Hamid break down – and the fragments of the Dead Moon have already begun to fall from the sky.

Amazon UK

Excerpt from Dead Moon – Keith Crawford.

—Hamid…

—I’m concentrating.

—Hamid, we’ve got visitors.

—Still concentrating.

The Ferals had downgraded from vans to pickup trucks, which were about as appropriate to Yorkshire weather as Bermuda shorts and nice pink snorkels. The figures in the back were wrapped up in as many layers they could manage, looking miserable under hoods that didn’t keep out the rains, and failing to protect their weapons from the drizzle. Still, it wasn’t accuracy of fire that would kill Jude and Hamid. Mere weight would do.

—It’s okay. Just our Feral friends. I’ll go deal with them.

—Jude, please don’t kill anybody.

I’m going to hell anyway. I fought in the Indies. I helped nuke Mars. I’ve killed a lot of people. I mean, if there is a God in heaven, then there’s no forgiveness for people like me.

—I don’t think killing Ferals counts, Jude said out loud. —They’re hardly alive to begin with.

—Nice, Jude, stay classy. Get me time! Oh, and maybe, while you’re at it, take one alive.

—Why would I…? No. No way.

—Come on, Hamid said with a grin. —Desperate times call for desperate measures.

—That’s low, even for you. I’m not going to kidnap and rape a Feral.

—Technically it’s not…

—Quiet time now, Hamid. I thought you were supposed to be concentrating.

The last pickup pulled up. A man in a white parka climbed out through the passenger window to stand on the roof of the van. To Jude’s mind, he may as well have had a target on his chest. He was carrying a shotgun, the same sort of weapon that had killed the two soldiers, and a loudspeaker.

—Attention, intruders! Give us the one of you who killed John-lad, and the rest of you can go free.

—How the f**k are we supposed to know which one was John-lad? Jude muttered. The boy with the dreadlocks? One of the idiots who had tried to ambush them in the layby? Clearly, amongst their recent casualties was someone the w**ker with a loudspeaker cared about enough to round up a posse. How thoroughly un-British, she thought, with a tinge of damaged national pride.

—Hamid, if they notice your speeder, they’ll shoot it up.

—We’ll take another.

—We are not losing your dream speeder to these pricks.

Hamid came swiftly away from the screen, glanced out of the window, counted the Ferals in a flash, then went straight back to the computer.

—Okay. We can’t risk any shots coming up here and damaging the equipment. I need you to create us a nice big distraction so I can get the data and we can get out of here.

—What data… no, doesn’t matter. Nice big distraction coming up.

There was a sudden rattle of gunfire from outside. One of the Ferals had spotted Hamid in the window, gotten overexcited, and managed to put half a magazine through the side of his pickup. Another Feral was beating the first’s head in with the butt of his rifle. The Feral leader, still trying to sound like he was in control, quickly covered.

—That was just a warning. You’ve got five minutes to come out or I’m blowing up the whole damned building.

—With what, harsh language? Jude glanced through the corner of the window. It was all well and good saying she would make a distraction, but that meant she had to come up with one.

The Feral leader opened a case in the back of his pickup and took out a shoulder-mounted Rocket Propelled Grenade launcher.

—Oh shit, Jude said.

The Feral squeezed the trigger.

Keith Crawford

Dr Keith Crawford is a retired naval officer, disabled veteran and qualified barrister with a PhD in Law and Economics. After years of crazy adventures, from speedboats and aircraft to theatre and lecturing at Sciences Po, my French wife and I decided it was time to properly settle in Paris and have babies. Being the good feminist I try to be, I quit my job to look after the kids, support my wife’s career and write books. Each time I get offered a job my wife says “stop looking at jobs and get back to writing books.” Which shows, with marriage as with everything else, it is better to be lucky than good! Dead Moon is my second novel. The first, Vile, a science-fantasy about toxic-patriarchy, the evils of aristocracy and swordfights, is available on Amazon.

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Posted in Blog Blitz, Science Fiction

Dead Moon Keith Crawford #BlogBlitz @keithcrawford77 @lovebooksgroup #lovebookstours #DeadMoon

Humanity will be extinguished in less than seven days.

Wing Commander Jude Styles is a Starfighter Pilot trying to get pregnant before the world ends. Her wingman, Hamid Ashkami, just wants to block the spam messages he is receiving from someone claiming to be his dead ex-husband.

Instead, they are locked in a media tour, shown off as the heroes that stopped the alien invasion by destroying the massive mothership known as the “Dead Moon”, persuading the masses that all will be fine if they keep calm and carry on.

Trapped telling the same lies, driven over the edge by post-traumatic stress and the constant flow of alcohol, it is only a matter of time before Jude and Hamid break down – and the fragments of the Dead Moon have already begun to fall from the sky.

Amazon UK

Keith Crawford

Dr Keith Crawford is a retired naval officer, disabled veteran and qualified barrister with a PhD in Law and Economics. After years of crazy adventures, from speedboats and aircraft to theatre and lecturing at Sciences Po, my French wife and I decided it was time to properly settle in Paris and have babies. Being the good feminist I try to be, I quit my job to look after the kids, support my wife’s career and write books. Each time I get offered a job my wife says “stop looking at jobs and get back to writing books.” Which shows, with marriage as with everything else, it is better to be lucky than good! Dead Moon is my second novel. The first, Vile, a science-fantasy about toxic-patriarchy, the evils of aristocracy and swordfights, is available on Amazon.

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Posted in Blog Tour, Book Spotlight, Childrens Books, Fantasy, Magic, Science Fiction

Starchild Book Three: The Healing Stone Vacen Taylor @VacenTaylor @rararesources #promo #BookSpotlight #fantasy #friendship #adventure #quest #kidlit #ChildrensBooks #TheHealingStone #Starchild #BookBloggers #RachelsRandomResources

A riveting ice adventure full of incredible challenges, bravery and friendship.

When they escape the attacking forces, Mai, Akra, Kalin know they must find a way to purge the evil of the dark peddle that has consumed Long.  But as the news of the Underworld king spreads, gloom and fear begin to sweep over the lands.

The children must face a dangerous adventure across the ice to reach the healing stone. Once they reach the stone they must face the truth.

Have they made the journey in time to save Long ⸺ or is he lost to the Underworld forever?

#Starchild #TheHealingstone #BlogTour

Amazon UK Amazon Odyssey Books

Vacen Taylor

Vacen Taylor is a children’s author with a portfolio of screenwriting and stage play achievements.  A selection of her poetry has been published in Art and Literature Journals. One of her plays was selected to be part of the Playwrights Program 2017 and then directed and performed as a performance reading at HOTA (previously the Gold Coast Arts Centre).

Her feature film script received a special commendation for Best Unproduced Screenplay titled Grandfathers at the British Independent Film Festival in 2018.  The logline can be found under Special Commendations for Unproduced Screenplays here.

Her TV pilot for a series (teleplay) was selected as a semi-finalist in the Hollywood Just4Shorts Film and Screenplay Competition in Los Angeles, CA. This pilot was listed in the top 50 for the Cinequest Screenwriting Competition in 2018.

She presented the first mental health panel at OZ Comic-Con in 2017. This panel was a fantastic opportunity to discuss openly and honestly about artists and their mental health to help support wellbeing, foster connectivity and provide a culture of support.

In 2018 she presented the panel, ‘An artist’s guide to creative happiness: How to strengthen your creative performance’ at Oz Comic-Con in Brisbane. Her panels are extraordinary opportunities to explore ideas with people who are currently working in the industry. She aims to discuss subjects like individualism, the community, mental health, wellbeing, happiness, creativity, co-creating and self-awareness which often leads to interesting questions from the audience.

What else does she do? Vacen is also a creative workshop facilitator and proficient in, teaching, speaking and concept creation. Guest Speaker. Workshop Presenter. Creative Panel Facilitator. Mentor. Support Worker. Counsellor. Social Welfare Advocate.

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Giveaway to Win all 4 books of the Starchild Series by Vacen Taylor (Open INT)

Click on this Giveaway link to enter

*Terms and Conditions –Worldwide entries welcome.  Please enter using the Giveaway link above.  The winner will be selected at random via Rafflecopter from all valid entries and will be notified by Twitter and/or email. If no response is received within 7 days then Rachel’s Random Resources reserves the right to select an alternative winner. Open to all entrants aged 18 or over.  Any personal data given as part of the competition entry is used for this purpose only and will not be shared with third parties, with the exception of the winners’ information. This will be passed to the giveaway organiser and used only for the fulfilment of the prize, after which time Rachel’s Random Resources will delete the data.  I am not responsible for despatch or delivery of the prize.

#TheHealingStone #Starchild
Posted in Blog Tour, Book Review, Fantasy, Noir, Novella, Science Fiction, Short stories

The Hidden Girl and other stories Ken Liu 4* #Review @kyliu99 @HoZ_Books #TheHiddenGirl #KenLiu #BookReview #BlogTour #HeadofZeus #shortstories #scfi #fantasy #folklore #MondayBlogs #MondayThoughts #MondayMorning

From a Tang Dynasty legend of a young girl trained as an assassin with the ability to skip between dimensions on a secluded mountain sanctuary to a space colony called Nova Pacifica that reflects on a post-apocalyptic world of the American Empire and ‘Moonwalker’ Neil Armstrong, award-winning author Ken Liu’s writings are laced with depictions of silkpunk fantasy, Sci-Fi and old Chinese folklore, wrapped up in a mesmerising genre-bending collection of short stories.

Ken Liu is one of the most lauded short story writers of our time. This much-anticipated collection includes a selection of his latest science fiction and fantasy stories over the last five years – sixteen of his best – plus a new novelette. In addition to these seventeen selections, The Hidden Girl and Other Stories also features an excerpt from book three in the Dandelion Dynasty series, The Veiled Throne.

Amazon UK

I received a copy of this book from Head of Zeus in return for an honest review.

My Thoughts…

Science-fiction and fantasy are not my favourite genres. Science-fiction is often too abstract and difficult for me to engage with. Fantasy, such a personal concept. If you don’t appreciate, what the author is trying to convey, it’s hard to enjoy.

Despite, this I was asked to review this book. I enjoy reading short stories, and I am always willing to read the work of authors I am unfamiliar with, so I agreed. I didn’t read this book cover to cover, it’s a book that you can dip into when you’re looking for something different to read.

Not surprisingly, I find some of the concepts in the science-fiction stories challenging, but the underlying themes of the dangers technology present for humanity, as well as its benefits, is something I understand. The idea that if technological advance continues at the rate it grew in the late twentieth century, and this century, to date, humanity, as we know it, may be lost. Which is disturbing for anyone who values the diversity and fallibility of humans. Many of the stories are dark, they offer little hope, but when you look around the world you live in, you can see where the inspiration for these stories comes from.

The fantasy stories, of which the title story is one, were easier for me to understand. They are strange and reminiscent of stories passed down through the generations in all cultures. I like these. The quality of the writing, the imagery and the detail are beautiful, as is the physical book and cover.

This is a book that can be read many times, and the reader will see something in the text that they missed before. An interesting experience, that I will enjoy again. Recommended for lovers of fantasy and science fiction, and those, like me who like to read something original and challenging.

Ken Liu

Ken Liu is an American speculative fiction writer and the winner of the Nebula, Hugo, Locus, World Fantasy, Sidewise, and Science Fiction & Fantasy Translation Awards. The son of a pharmaceutical chemist and a computer engineer, Ken emigrated to the US with his mother and father at the age of 11. He graduated from Harvard with a degree in English Literature and Computer Science and later attended Harvard Law School.

Prior to becoming a full-time writer, Ken worked as a software engineer, corporate lawyer, and litigation consultant. His debut novel, The Grace of Kings, is the first volume in a silkpunk epic fantasy series, The Dandelion Dynasty, in which engineers play the role of wizards. His debut collection, The Paper Menagerie and Other Stories have been published in more than a dozen language and his short story Good Hunting was adapted for an episode for Netflix’s science fiction web series Love, Death and Robots.

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