THE TWINS ARE CRYING.
THE TWINS ARE HUNGRY.
LAUREN IS CRYING.
LAUREN IS EXHAUSTED.
Behind the hospital curtain, someone is waiting . . .
Lauren is alone on the maternity ward with her new-born twins when a terrifying encounter in the middle of the night leaves her convinced someone is trying to steal her children. Lauren, desperate with fear, locks herself and her sons in the bathroom until the police arrive to investigate.
When DS Joanna Harper picks up the list of overnight incidents that have been reported, she expects the usual calls from drunks and wrong numbers. But then a report of an attempted abduction catches her eye. The only thing is that it was flagged as a false alarm just fifteen minutes later.
Harper’s superior officer tells her there’s no case here, but Harper can’t let it go so she visits the hospital anyway. There’s nothing on the CCTV. No one believes this woman was ever there. And yet, Lauren claims that she keeps seeing the woman and that her babies are in danger, and soon Harper is sucked into Lauren’s spiral of fear. But how far will they go to save children who may not even be in danger?
Little Darlings – Blog Tour – Interview Questions – Melanie Golding
What inspired you to write this story?
I began with a re-telling of an obscure folktale which features in the book, A Brewery of Eggshells. After a while, I started thinking about who thought it up in the first place and why. I thought maybe it was actually about postpartum depression and psychosis. Either that or fairies were real….
Do you draw your characters from real life, your imagination, or are they a mix of both? How do you make your characters realistic?
Characters begin as amalgamations of people I know; maybe they have one or two opinions in common with someone in real life. After a while, they become real people that live in my head, with no connection to anyone outside of it apart from the few seeds I might have used to create them. Often they are or contain aspects of myself, extrapolated.
When you write, what comes first, the characters, the plot or the setting? Why do you think this is?
The story comes first, and the characters are part of that; the story wouldn’t be happening to anyone else, it’s always because of something the characters are or are involved in. The setting is very important, but it tends to grow up around the story.
What made you decide to become a writer and why does this genre appeal to you?
I think writing for many people is unavoidable. However, I did make a conscious choice to switch from writing lyrics and music to writing novels, as performing never seemed to fit around my personal life. I’m so glad I did because it turns out I’m a lot more successful, for whatever reason, at writing novels than being a singer/songwriter.
What sort of books do you enjoy reading and why?
All books! I will read anything, everything, always. If there is text in front of my eyes it gets read. In the shower, I have to turn the shampoo bottle away or I’ll keep reading the back of it, over and over.
What’s the best thing about being a writer and the worst?
Best thing: solitude
Worst thing: loneliness
I received a copy of this book from HQ in return for an honest review
Where to start with this unusual thriller. It is a curious mix of folklore and medicine, seen from Lauren’s point of view, she is acting sanely to ensure her babies are safe. Seen from a medical perspective she has mental health issues, most likely puerperal psychosis. The question is what do you believe, and even at the end of the story, I’m not sure.
This story resonates. In Victorian times any non-conformist behaviour was considered a mental aberration, many young women incarcerated in mental institutions, just because they had children out of wedlock, So perhaps, in this case, the truth lies somewhere in between the folklore and the medicine?
Intense and suspenseful, you are torn between Lauren’s anxiety and need to find her children, and the prospect that if she isn’t stopped innocents will suffer. It’s an intelligent thriller, with many layers and possibilities and a poignant ending that makes you wonder what if.
Lauren is an unreliable protagonist, but she is easy to empathise, even though part of you believes she may be dangerous. Harper is a complex character, a police detective, who is drawn to the case by her own history, and even though she finds answers she is still not sure she’s discovered the truth. The cast of supporting characters are essential and give the story depth and diversion.
Prefacing each chapter with folklore concerning Changelings, .the reader compare them with what is happening in the story, adding to its complexity.
This is a creepy, unsettling thriller, exploring the grey areas of mental health and the power of folklore, why did it originate, was it to explain why some mothers seemed to endanger their children, or is there a twisted truth, we don’t understand?
‘Little Darlings’ is disturbingly different.