Posted in Book Review, Family Drama, Historical Fiction, Historical Romance, Saga

The Rector’s Daughter Jean Fullerton 5* #Review @CorvusBooks @JeanFullerton_ @rararesources #BlogTour #PublicationDay #HistoricalFiction #RomanticSaga #RegencyLondon #1825 #Engineering #FamilyDrama #Poverty

#TheRectorsDaughter

Charlotte, daughter of Reverend Percival Hatton, has been content to follow the path laid out for her. Charlotte has an understanding with Captain Nicolas Paget – every inch the gentleman – who she expects someday to marry. But then she meets Josiah Martyn and everything changes…

A driven and ambitious Cornish mining engineer, and the complete opposite to Captain Nicholas, Josiah has come to London to help build the first tunnel under the river Thames. When unpredictable events occur at the inauguration of the project, Josiah and Charlotte are suddenly thrown into an unexpected intimacy.

 But not everyone is happy with Charlotte and Josiah growing closer. As friends turn to foes, will they be able to rewrite the stars and find their happy ever after, although all odds seem to be stacked against them…?

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I received a copy of this book from the author and Corvus Books in return for an honest review.

My Thoughts…

Set in 1825, this romantic family saga explores the engineering feat of building the first underwater tunnel in London, by Brunel. The vision of this late Regency event comes across well in this story, but so does the human cost, of such a dangerous undertaking.

Charlotte is the Rector’s daughter, who since her mother’s untimely death has fulfilled the parish duties expected of a Rector’s wife. She is compassionate, clever and courageous, and does what she can to help the parish’s poor and unfortunate. The Rector is judgemental about his poorer parishioners. He is the antithesis of his daughter and prepared to put his material needs above his pastoral duties.

Charlotte meets Josiah, an engineer working for Brunel on the tunnel when he averts a near-tragic accident for her. The attraction although immediate and powerful builds through friendship when they meet on many occasions, through Charlotte’s parish duties and mutual acquaintances. Their romance appears ill-fated, when her father’s desire to maintain his reputation overrides the needs and wishes of his daughter, leading to an angst-ridden emotional climax to this story.

The historical background is well researched and written in a vivid real-time way that allows the reader to experience some of the events of the era. The characters are complex. Many are disagreeable but add to the story. All act in a way that fits with this exciting historical period. The social class divide is marked, but the evidence of change that the future Victorian era witnessed is seen here.

An absorbing plot, with vividly written characters, historical events, and a believable but utterly romantic love story, makes this the perfect book to curl up with on a cold winter’s afternoon.

#JeanFullerton

Jean Fullerton is the author of thirteen novels all set in East London where she was born. She also a retired district nurse and university lecturer.  She won the Harry Bowling Prize in 2006 and after initially signing for two East London historical series with Orion she moved to Corvus, part of Atlantic Publishing and is halfway through her WW2 East London series featuring the Brogan family.

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#TheRectorsDaughter
Posted in Blog Tour, Book Review, Christmas Read, Family Drama, Festive Read, Historical Fiction, Historical Romance, Mystery, Saga

Christmas at Pennington’s Rachel Brimble 5*#Review @Aria_Fiction @HoZ_Books @RachelBrimble #HistoricalFiction #HistoricalRomance #Saga #Mystery #BlogTour @rararesources #BookReview #Festive #Christmas1911

#ChristmasatPenningtons

Gripping drama as Pennington’s department store prepares for a glittering Christmas in 1911, but a killer stalks the women of Bath.

Christmas sees Pennington’s at its most glorious, thronged with shoppers, its grand staircase and balcony adorned with holly, mistletoe, tinsel and lights. It should be the happiest time, but dramas are seething beneath the surface.

For Cornelia Culford, in charge of jewellery, a divorce hearing looms, where she could lose custody of her young sons to her overbearing and unfaithful husband.

For Stephen Gower, being head of security at Pennington’s is the perfect refuge from a tragic past at Scotland Yard. But soon the past will call him back, as Joseph Carter and Elizabeth Pennington beg him to help solve the murder of Joseph’s first wife, now that it seems as if the killer has struck again.

For Joseph and Elizabeth, their marriage depends on exorcising the past. But can it ever be laid to rest?

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I received a copy of this book from the author in return for an honest review.

My Thoughts…

This is my first trip to Pennington’s and what a delight it is. Set in historic Bath, this historical romantic saga, with a mystery to solve, is full of contrasts. The glamour, and tasteful glitz of the elegant department store, in contrast to darkness enveloping Bath as a murderer, add their menacing presence.

This is the third book in the Pennington’s historical saga but reads well as a standalone. However, the writing, style, the author’s attention to detail and the vividly portrayed characters make me want to read the first two book in the series too.

There are a number of stories in this book. The lead story features Cornelia and Stephen, both employees of the illustrious store. Cornelia is facing an acrimonious divorce hearing from her abusive and adulterous husband. She is the sole carer for her two children and fears he may use this against her to gain full custody. She has information that may help her case, but is she prepared for the damage it may do to her and her offspring?

Stephen is a policeman from Scotland Yard with a tragic past. As head of security, he hopes this simpler role will give him time to heal and decide how to move on with his life, which is blighted by guilt. However, a murder and a connection to a past cold case draws him in and forces him to face his demons. He finds an ally in Cornelia, and a willing partner as they try to solve the mystery of their employer’s first wife.

An absorbing family drama, with a beautifully described historical setting. Lies, secrets, fear and mystery lie beneath the Christmas glamour and glitz, and a lovely romance fights for life in the midst of all the drama.

Christmas at Pennington’s has something for everyone, drama, love, mystery and romance in a year of social and political change.

#RachelBrimble

In January 2018, she signed a four-book deal with Aria Fiction for a new Edwardian series set in Bath’s finest department store. The Mistress of Pennington’s released July 2018, A Rebel At Pennington’s February 2019 and Christmas At Pennington’s September 2019.

Rachel is a member of the Romantic Novelists Association and Romance Writers of America and has thousands of social media followers all over the world. To sign up for her quarterly and new release newsletter, click here to go to her website: https://rachelbrimble.com/

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Posted in Author Interview, Blog Tour, Book Review, Extract, Family Drama, Friendship, Romance, Saga

Good Girls Amanda Brookfield 5*#Review @BoldwoodBooks @ABrookfield1 #BlogTour #Author #Interview #Extract #FamilyDrama #ComingofAge #Sisters #Secrets #Romance #Saga

GOOD GIRLS NEVER TELL TALES…

Everyone that meets Kat Keating is mesmerised. Beautiful, smart and charming, she is everything a good girl should be.

Her sister Eleanor, on the other hand, knows she can’t compete with Kat. On the awkward side of tall, clever enough to be bullied, and full of the responsibilities only an older sibling can understand, Eleanor grows up knowing she’s not a good girl.

This is the story of the Keating sisters – through a childhood fraught with secrets, adolescent rivalries, and on into adulthood with all its complexities and misunderstandings.  Until a terrible truth brings the sisters crashing together and finally, Eleanor begins to uncover just how good Kat really was.

Good Girls is a love story, a coming-of-age story, a mystery and a tear-jerker. But most of all it’s a reminder of who to keep close and who to trust with your darkest secrets. 

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I received a copy of this book from Boldwood Books via NetGalley in return for an honest review.

My Thoughts…

Two sisters, once close, but who have become estranged as they grew older. Eleanor, the older has her own reasons, but she’s never understood her sister Kat’s. Drawn together again, by a cruel stroke of fate, is it too late to reconnect?

This is an excellent family drama, with dark family secrets that devastate the once close sisterly bond. The story begins with Eleanor rushing to be with her sister, and them drifts back in time to the mid-1980s when they were young girls, and then the early 1990s, when Eleanor left for university.

The historical events slowly illuminate the present discord and misunderstanding, but all is not revealed until it is in some ways, too late to make amends. Serendipity plays a part in this story, as it often does in reality, and Eleanor gradually comes to terms with her past and the possibility of a hopeful future.

The cast of characters resonate, they all play a part in Eleanor’s life but have their own motivations and flaws, which makes them real. The story is realistically peppered with laughter, sadness, anger and despair. It is a poignant reminder that you cannot sometimes trust those closest to you, and of the rollercoaster nature of life.

An emotional family drama, with a realistic plot and memorable characters.

Author Interview – Amanda Brookfield – Good Girls

What inspired you to write ‘Good Girls’?

My original idea was to write about two sisters who are driven apart and then re-connected by the same man, deciding to get in touch by email after twenty years.  But then the story took off in a hundred other directions, as stories do!

What interests you about family drama? Why are stories about sisters so absorbing?

We all come from families of one kind or another – our upbringings forge us, whether we like it or not – and I love looking at the myriad ways we try to deal with that.  Sisters are a prime and rich example (I have two of my own!), being a relationship that is full of rivalries and ups and downs.  But there are also, always, the ties of love and loyalty that continue to bind us as siblings, long after we have gone our separate ways in the adult world.  This is a fascinating seam to explore as a novelist.

Dialogue is very important in a family drama story.  How do you make your dialogue realistic?

You can have the most gripping plot, but if the voices of the characters do no ring true then it will fall flat.  The way I work is to hear my characters speak inside my head.  In fact, often snatches of dialogue – of how my characters would communicate – arrive at unexpected moments when I am away from my desk, driving the car say, or walking the dog.  I have learnt to trust these snatches and write them down – it is my imagination working overtime, and 9 times out of 10 it is absolutely right.  I guess it is like being an actor, trying to get inside the psyche of a protagonist.

How do you create your characters?  What makes them believable and real?

Constructing a character is a bit like doing a jigsaw.  You decide what they look like, and where they live; what age they are and what they do for a living.  You give them hopes, hobbies and fears.  Then you throw events at them and see what they do!  If there is enough substance to your creations, enough humanity, the the way they behave under pressure will feel real and credible for the reader.

What sort of books do you enjoy reading and why?

I read as widely as possible – mostly fiction, but also memoir, travel and some history.  I love being surprised by what I find on the page and always have my antennae up to learn new things, both creatively and factually.  If someone recommends a book to me passionately enough, then I will always give it a go!  I also try to avoid reading books that I think might be similar to whatever I am working on – I hate the idea of being influenced or feeling that someone has already gone where I am trying to go.

What are you currently writing?

I am halfway through a novel about a woman plucking the courage to leave her abusive husband – one of those subtle monsters that no one else knows about.  I am writing the story from my heroine’s point of view, so it has an intensity that feels new and exciting.  It is important for me to feel that each new writing project is stretching the boundaries of what I have done before.

Extract from ‘Good Girls’ – Amanda Brookfield
CHAPTER ONE
January 2013

Eleanor decided to take a taxi from the station, even though she knew it would cost ten precious pounds and mean a wait. Being so rural, only a handful of cars served the area, but she didn’t want to be a bother to Howard, her brother-in-law. She texted both him and Kat to say she would be there within the hour and stayed as warm as she could in the small arched station entrance. It was a cold, dank morning, not raining for once but with air like icy metal against her skin.

The taxi driver who pulled up some twenty minutes later exuded an attitude of reluctance that made Eleanor disinclined to make conversation. When they hit a tail-back, thanks to a loop round the old Roman bridge, still not fixed from the heavy flooding over the New Year, he thumped his steering wheel. ‘A bloody joke. We can land men on the moon and still it takes three weeks to fix a few old stones.’ Eleanor murmured agreement but found that she didn’t mind much. The fields on either side of the road were still visibly waterlogged. After the grimy mêlée of south London, it was a visual feast – ethereal, shimmering silver bands engraved with the black reflections of leafless trees and smudgy January clouds.

The usual criss-cross of feelings was stirring at being back in such proximity to the landscape of her childhood. Just twenty miles away, her father was a resident in a small care home called The Bressingham, which he had once included in his rounds as a parish priest, days long since lost to him through the fog of dementia. Howard and Kat’s substantial Georgian house was ten miles in the opposite direction, on the fringes of a town called Fairfield. They had moved from Holland Park seven years before, a year after the birth of their third child, Evie. At the time, Eleanor had been surprised to get the change of address card. She had always regarded her little sister and husband as life-long townies, Kat with her posh quirky dress-making commissions to private clients and Howard with his big-banker job. It was because they saw the house in a magazine and fell in love with it, Kat had explained at one of their rare subsequent encounters, in the manner of one long used to plucking things she wanted out of life, like fruits off a tree.

But recently life had not been so cooperative. A small tumour had been removed from Kat’s bowel and she was in bed recovering. Howard had reported the event earlier in the week, by email, and when Eleanor had got on the phone, as he must have known she would, he had said that the operation had gone well and that Kat was adamant that she didn’t need sisterly visits. No further treatment was required. She would be up and about in a matter of days. Their regular babysitter, Hannah, was increasing her hours to plug gaps with the children and he was taking a week off from his daily commute into the City. ‘But I am her sister,’ Eleanor had insisted, hurt, in spite of knowing better. ‘I’d just like to see her. Surely she can understand that.’ Howard had said he would get back to her, but then Kat had phoned back herself, saying why didn’t Eleanor pop down on Saturday afternoon.

‘Nice,’ said the driver, following Eleanor’s instructions to turn between the laburnums that masked the handsome red-brick walls and gleaming white sash windows and pulling up behind the two family cars, both black, one a tank-sized station wagon, the other an estate. He fiddled with his satnav while Eleanor dug into her purse for the right money. I am not the rich one, she wanted to cry, seeing the visible sag of disappointment on his sheeny unshaven face at the sight of her twenty-pence tip; I am merely the visiting elder sister who rents a flat by a Clapham railway line, who tutors slow or lazy kids to pay her bills and who has recently agreed to write an old actor’s memoirs for a sum that will barely see off her overdraft.

Howard answered the door, taking long enough to compound Eleanor’s apprehensions about having pushed for the visit. He was in a Barbour and carrying three brightly coloured backpacks, clearly on the way out of the house. ‘Good of you to come.’ Brandishing the backpacks, he kissed her perfunctorily on both cheeks. ‘Brownies, go-carting and a riding lesson – pick-ups in that order. Then two birthday parties and a bowling alley. God help me. See you later maybe. She’s upstairs,’ he added, somewhat unnecessarily. ‘

‘The Big Sister arrives,’ Kat called out before Eleanor had even crossed the landing. ‘Could you tug that curtain wider?’ she added as Eleanor entered the bedroom. ‘I want as much light as possible.’

‘So, how are you?’ Eleanor asked, adjusting the offending drape en route to kissing Kat’s cheek, knowing it was no moment to take offence at the Big Sister thing, in spite of the reflex of deep, instinctive certainty that Kat had said it to annoy. At thirty-eight she was the big sister, by three years. She was also almost six-foot, with the heavy-limbed, dark-haired, brown-eyed features that were such echoes of their father, while Kat, as had been pointed out as far back as either of them could remember, had inherited an uncanny replication of their mother’s striking looks, from the lithe elfin frame and flinty-blue feline eyes to the extraordinary eye-catching tumble of white-blonde curls. ‘You look so well,’ Eleanor exclaimed, happiness at the truth of this observation making her voice bounce, while inwardly she marvelled at her sibling’s insouciant beauty, utterly undiminished by the recent surgery. Her skin was like porcelain, faintly freckled; her hair in flames across the pillow.

‘Well, thank you, and thank goodness, because I feel extremely well,’ Kat retorted. ‘So please don’t start telling me off again for not having kept you better informed. As I said on the phone, the fucking thing was small and isolated. They have removed it – snip-snip,’ she merrily scissored two fingers in the air. ‘So I am not going to need any further treatment, which is a relief frankly since I would hate to lose this lot.’ She yanked at one of the flames. ‘Shallow, I know, but there it is.’

‘It’s not shallow,’ Eleanor assured her quietly, experiencing one of the sharp twists of longing for the distant days when they had been little enough and innocent enough to take each other’s affections for granted. They had been like strangers for years now in comparison, shouting across an invisible abyss.

#AmandaBrookfield

Amanda Brookfield is the bestselling author of 15 novels including Relative Love and Before I Knew You, and a memoir, For the Love of a Dog starring her Golden Doodle Mabel.  She lives in London and is currently a Visiting Fellow at Univ College Oxford. Her first book with Boldwood, Good Girls, will be published on 8th October 2019.

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Posted in Blog Tour, Book Review, Family Drama, Friendship, Historical Fiction, Saga

A Ration Book Childhood Jean Fullerton 4*#Review @AtlanticBooks @CorvusBooks @JeanFullerton_ #HistoricalFiction #WW2 #EastEnd #London #1941 #LondonBlitz #BlogTour #saga #Family #Forgiveness #Friendship #Rationing #RationBookSeries

#ARationBookChildhood

In the darkest days of the Blitz, family is more important than ever.

With her family struggling amidst the nightly bombing raids in London’s East End, Ida Brogan is doing her very best to keep their spirits up. The Blitz has hit the Brogans hard, and rationing is more challenging than ever, but they are doing all they can to help the war effort.

When Ida’s oldest friend Ellen returns to town, sick and in dire need of help, it is to Ida that she turns. But Ellen carries a secret, one that threatens not only Ida’s marriage but the entire foundation of the Brogan family. Can Ida let go of the past and see a way to forgive her friend? And can she overcome her sadness to find a place in her heart for a little boy, one who will need a mother more than ever in these dark times?

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I received a copy of this book from Atlantic Books – Corvus via NetGalley in return for an honest review.

My Thoughts…

The sense of community, family and the austerity of wartime London is conveyed well in this historical family saga. Part of the ‘Ration Book’ series, none of, which I have read, it works well as a standalone. However, the engaging characters, historical detail and sense of place, make me want to read the earlier books.

1941, London has suffered two long years of war, rationing makes living difficult, and the ever-present threat of nightly bombing means that living each day to the full, and appreciating your family is vital. Ida Brogan is a character who does this, she values her family and still loves her husband, but the return of an old friend in need makes her question everything that has gone before. The main plot focuses on her struggle to come to terms with this unwanted knowledge, and how it affects the family she holds so dearly.

There are many subplots interwoven into the story that gives it authenticity, depth and variety, which keeps the reader turning the pages. Outstanding characters are Ida, Jeremiah and Queenie. They are complex and believably flawed. The plot is well-paced and gives enough detail for you to appreciate the ambience of London’s EastEnd in WW2, without slowing the pace. The relationships, rationing and sense of community are beautifully conveyed and relatable. They made me recall my grandparents’ and parents’ wartime experiences, retold on numerous occasions during my childhood.

A lovely blend of family drama and history, with a realistic balance of humour and poignancy.

#JeanFullerton

Jean Fullerton is the author of twelve novels all set in East London where she was born. She also a retired district nurse and university lecturer.  She won the Harry Bowling Prize in 2006 and after initially signing for two East London historical series with Orion she moved to Corvus, part of Atlantic Publishing and is halfway through her WW2 East London series featuring the Brogan family.

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#ARationBookChildhood
Posted in Blog Tour, Book Review, Extract, Family Drama, Historical Crime Fiction, Historical Fiction, Saga

The Orphan Daughter Sheila Riley 5*#Review @BoldwoodBooks @1sheilariley #HistoricalFiction #Saga #Liverpool #ReckonersRow #crimefiction #familydrama #BlogTour #extract

WINTER, LIVERPOOL 1947. 

Evie Kilgaren is a fighter. Abandoned by her mother and with her father long gone, she is left to raise her siblings in dockside Liverpool, as they battle against the coldest winter on record. But she is determined to make a life for herself and create a happy home for what’s left of her family.

Desperate for work, Evie takes a job at the Tram Tavern under the kindly watch of pub landlady, and pillar of the community, Connie Sharp. But Connie has problems of her own when her quiet life of spinsterhood is upturned with the arrival of a mysterious undercover detective from out of town.

When melting ice reveals a body in the canal, things take a turn for the worst for the residents of Reckoner’s Row. Who could be responsible for such a brutal attack? And can Evie keep her family safe before they strike again?

A gritty, historical family drama, full of laughter and tears from the author of Annie Groves’ bestsellers including Child of the Mersey and Christmas on the Mersey.

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I received a copy of this book from Boldwood Books via NetGalley in return for an honest review.

My Thoughts…

I love reading a book that you become absorbed in from the first page. ‘The Orphan Daughter’, has this quality, and it’s an enthralling story, with historically authentic characters, whose lives you feel part of, especially the two main female protagonists Connie and Evie.

The historical period for this book, the post WW2 era, and the terrible winter of 1947 is a time I often heard my grandparents and parents talk about. The historic details are believable, and the setting and characters portrayed using vivid imagery, which brings the book to life.

Evie’s hardships are all too common during this time, the euphoria of the ending of war recedes, leaving the bombed cities, damaged infrastructure and relentless poverty for many. Life is hard in Reckoner’s Row, although the community is tight, it is wary of outsiders and unforgiving to those who break the unwritten laws. Evie wants to get out and make something of her life, but love and responsibility draw her back, into the world she longs to leave. This is an emotional family drama, where women are important, they keep families together, and have to subjugate their ambitions.

Angus is an outsider, there to investigate. He and Connie have an attraction, but she is loath to risk her heart and reputation on a fling. There is a mystery element, in this story, which adds to the family saga theme. The air of menace increases as the story progresses. Connie and Evie find that their daily hardship is not the only danger they face.

‘The Orphan Daughter’ has an authentic historical setting, complex characters, with intriguing elements of crime and mystery cleverly woven into the story. An enticing start to the ‘Reckoner’s Row’ series.

Extract from The Orphan Daughter – Sheila Riley

CHAPTER 1
SUMMER 1946
Nineteen-year-old Evie Kilgaren gathered her mane of honey-coloured hair into a loop of knicker elastic before taking a vase of heavy-scented lilies and freesias into the kitchen. The flowers were barely faded when she rescued them from the churchyard
bin that morning.

Placing them in the centre of the table, she hoped their heady scent would mask the smell of damp that riddled every dwelling in the row of terraced houses opposite the canal and add a bit of joy to the place.

‘Who’s dead?’ her mother, Rene, asked. Her scornful retort was proof she had already been at the gin and Evie’s heart sank. She had wanted today to be special.

Surely her dead father’s birthday warranted a few flowers. Even if they were knockoffs from the church – at least she had made an effort, which was more than her mother had.

‘I got them for Dad’s…’ Evie was silenced by the warning flash in her mother’s dark eyes. A warning she had seen many times before. Rene gave a hefty sniff, her eyes squinting to focus, her brow wrinkled, and her olive skin flushed. Evie knew that when
her mother had drunk enough ‘mother’s ruin’, she could be the life and soul of any party or, by contrast, one over could make her contrary and argumentative.
‘I thought they’d look nice on the table,’ Evie answered lightly, quickly changing her answer to try and keep the peace. She should have known better than to mention her father in front of Leo Darnel, who’d moved in as their lodger six months ago and
taken no time at all getting his feet under her mother’s eiderdown. ‘I found a vase in…’ Her voice trailed off. Her mother wasn’t listening. As usual, she’d disappeared into the parlour to darken her finely shaped eyebrows with soot from the unlit grate – make-up was still on ration – dolling herself up for her shift behind the bar of the Tram Tavern. The tavern was barely a stone’s throw away on the other side of the narrow alleyway running alongside their house, so why her mother felt the need to dress to the nines
was anybody’s guess.

Out of the corner of her eye, Evie noticed a sudden movement from their lodger, who was standing near the range, which she had black-leaded that morning. Leo Darnel didn’t like her and that was fine, because she didn’t like him either.

He was a jumped-up spiv who tried to pass himself off as a respectable businessman. Respectable? He didn’t know the meaning of the word, she thought, her eyes taking in the polished leather Chesterfield suite that cluttered the room and seemed out of place in a small backstreet terraced house.

‘None of your utility stuff,’ he’d said, pushing out his blubbery chest like a strutting pigeon. All the time he had a wonky eye on the bedroom door. He would do anything to keep her mother sweet and made it obvious every chance he got to show Evie she was in the way.

He’d been very quiet for the last few minutes, Evie realised. That wasn’t like Darnel. He was up to something, she could tell. He hadn’t interrupted with a sarcastic comment as he usually did when she and her mother were having a tit-for-tat. His elfsatisfied
smirk stretched mean across thin lips as he hunched inside a crisp white shirt and peered at her.

His beady eyes looked her up and down as he chewed a spent matchstick at the corner of his mouth before turning back to the grate. His piggy eyes were engrossed in the rising flames of something he had thrown onto the fire. Her attention darted to the
blaze casting dancing flares of light across the room.

‘No!’ Evie heard the gasp of horror and disbelief coming from her own lips. How could he be so callous? How could he? As he stepped back with arms outstretched like he was showing off a new sofa, Evie could see exactly what he had done.

‘You burned them!’ Evie cried, hurrying over to the range, pushing Darnel out of her way and grabbing the brass fire tongs from the companion set on the hearth, desperate to save at least some of the valuable night-school work.

Two years of concentrated learning to prove she was just as good as all the rest – reduced to ashes in moments. Thrusting the tongs into the flames again and again was hopeless Her valuable notes disintegrated.

‘Mam, look! Look what he’s done!’ Her blue eyes blazed as hotly as the flames licking up the chimney.

‘You are not the only one who can crawl out of the gutter? Mr High-and-mighty!’ Evie was breathless when her burst of anger erupted, watching the flames envelope her books, turning the curling pages to ash. She balled her work-worn hands, roughly red through cleaning up after other people and pummelled his chest. Why? She caught his mocking eyes turn to flint before being dealt a quick backhander that made her head spin.

Her nostrils, which only moments before had been filled with the sweet fragrance of summer freesias and Mansion polish, were now congested with blood as traitorous tears rolled down her cheek. Evie dashed them away with the pad of her hand, ashamed and angry because he was privy to her vulnerability. Her pale blue eyes dashed from the range to her mother, who was now standing in the doorway shaking painted nails.
 

#SheilaRiley

Sheila Riley wrote four #1 bestselling novels under the pseudonym Annie Groves and is now writing a new saga trilogy under her own name. She has set it around the River Mersey and its docklands near to where she spent her early years.  She still lives in Liverpool.

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Posted in Blog Tour, Book Review, Historical Fiction, Romance, Saga

The Lost Daughter Sylvia Broady 4* #Review @SylviaBroady @AllisonandBusby @rararesources #saga #romance #WW2 #BlogTour

#TheLostDaughter

Hull, 1930. A terrified woman runs through the dark, rain-lashed streets pursued by a man, desperate to reach the sanctuary of the local police station. Alice Goddard runs with one thing in her mind: her daughter. In her panic, she is hit by a car at speed and rushed to hospital. When she awakes, she has no memory of who she is, but at night she dreams of being hunted by a man, and of a little girl.

As the weeks pass and her memories gradually resurface, Alice anxiously searches for her daughter, but no one is forthcoming about the girl’s whereabouts – even her own mother is evasive. Penniless and homeless, Alice must begin again and rebuild her life, never giving up hope that one day she will be reunited with her lost daughter.

From 22nd – 29th August, The Lost Daughter will be at the bargain price of 99p.

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I received a copy of this book from the author in return for an honest review.

My Thoughts…

Beginning with a tragic event, the first part of this story has a gentle pace, as Alice discovers what she has lost, how powerless she is, and gradually begins to rebuild her life.

Exploring the institutions, and events of the 1930s and 1940s, this story has an interesting, authentic setting. Alice is a likeable character, whose character develops, through adversity, friendship and tenacity, as the story progresses.

The first part of the story does seem to be more tell than show, but as Alice matures, her emotions and motivations are dominant, making the story enthralling. It is sad and poignant, in some respects, but also shows the importance of women in World War Two and how hard they fought for, any degree of empowerment.

Easy to read, rich in historical detail, with characters whose vibrancy increases, as the story develops, this is an enjoyable read, for lovers of sagas, and historical fiction.

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Sylvia Broady was born in Kingston upon Hull and has lived in the area all her life, though she loves to travel the world. It wasn’t until she started to frequent her local library, after World War 2, that her relationship with literature truly began and her memories of war influence her writing, as does her home town.  A member of the: RNA, HNS, S of A and Beverley Writers. She has had a varied career in childcare, the NHS and East Yorkshire Council Library Services, but is now a full-time writer. Plus volunteering as a Welcomer at Beverley Minster to visitors from around the world, and raising money for local charities by singing in the choir of the Beverley Singers, both bringing colour and enrichment to her imagination and to her passion for writing.

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Posted in Author Interview, Blog Tour, Book Review, Historical Fiction, Saga

The Girl from the Corner Shop – Alrene Hughes @HoZ_Books @alrenehughes #WW2 #Manchester #BlogTour 5* #Review #AuthorInterview #WomenInWar

WW2 Manchester: Newlyweds Helen and Jim Harrison have big plans – to leave the family shop where Helen works and set up home together. But when Jim is tragically killed in an air raid, Helen is heartbroken, her life in ruins.

Battling grief and despair, Helen resolves to escape her domineering mother and rebuild her shattered world. Wartime Manchester is a dangerous place, besieged by crime and poverty. So when Helen joins the Women’s Auxiliary Police Corps, working with evacuees, the destitute and the vulnerable, she finds a renewed sense of purpose. She’s come a long way from her place behind the counter in the corner shop.

But there’s still something missing in her heart. Is Helen able to accept love and happiness and find the courage to change her life?

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Alrene Hughes – Author Interview

What are the inspirations behind this story?

I wanted to create a character – a young woman working in a corner shop – who has little belief in herself. When her circumstances change dramatically with the death of her husband, she is at her lowest ebb. The story twists when she joins the police, finding strength in helping others, especially women and children, and courage when she places herself in danger.

When you write what comes first the characters, the plot, or the setting?

I always know the wider setting, to begin with. In my first three novels, it was Belfast and my last two books have been set in Manchester. I’ve lived in both cities and I know the geography well but, more importantly, I have a sense of the atmosphere of the place and the character of the people. Almost at the same time, I focus on the main character, but it’s important as the story develops that she grows and changes with the events she experiences. As far as the plot is concerned, I don’t have a detailed story, just an idea to set it going and a possible ending with a few ideas in between. The detail comes when I’m immersed in the story. It’s almost as though the characters suggest what’s going to happen as it’s being written.

Do you draw your characters from real life, your imagination, or are they a mixture of both? How do you make your characters realistic?

They’re all bound up together, I think, but I never transfer a real person into a novel. It’s more like a Rubik’s cube, twisting a complex character into being. You aim for an authentic, believable person who is memorable, even if they only play a small part in the novel. Overall, I think dialogue is one of the best ways to make characters realistic.     

If you could live in any time period which would it be? Why?

As a writer of WW2 sagas/romances, I would love to spend a day or two in Belfast during the war, just to see the city as it was when my family lived through that period. I would have no desire to stay any longer because, through my research, I know full well the hardships they endured.

What made you decide to become a writer and why this does this genre appeal to you?

I began to write in my thirties and for over twenty years I wrote poetry and short stories. I didn’t have the time to write anything longer because I had children and I worked as an English teacher and Assistant Head. Eventually, I decided I would write a family saga set in WW2 based on the story of my mother and her sisters who were singers, like the Andrews Sisters, entertaining the troops. That novel ‘Martha’s Girls’ was a success and I went on to write a trilogy.

What sort of books do you enjoy reading and why?

I like books that are well written. If I’ve read 3-4 chapters and it hasn’t grabbed me, I don’t persevere.  I like historical novels, with elements of romance, and the occasional crime novel.

What are you currently writing?

I’m working on a third Manchester novel set in WW2. It’s the story of two sisters and their completely different experiences of war. The youngest is conscripted into the Women’s Auxiliary Air Force, where she is part of the exciting Parachute Training School. The older sister stays at home looking after their invalid mother, enduring the hardships of the home front.    

I received a copy of this book from Head of Zeus via NetGalley in return for an honest review.

My Thoughts…

This story focuses on women in WW2, how their lives changed, and how many were exposed to deprivation, uncertainty and violence. The writing is full of vivid historical details and believable characters, some you dislike passionately, but most you admire, and can empathise.

Helen is newly married, living and working at her mother’s corner shop in Manchester. After a tragedy, leaves her widowed, and she finally rebels against her controlling mother in the midst of her grief, she finds herself jobless and in a home, she can’t afford.

Offered a lifeline by her godmother, she finds that not everything is as it first appears. Her brush with the seedier side of life, makes her rethink, can she give something to society and fill her lonely hours? Joining the Women’s Auxiliary Police Corps seems an opportunity too good to miss.

Helen naivety is shortlived, and her compassion and courage make her an excellent police auxiliary. The story is interesting and full of emotion and historical insight that make this wartime saga a page-turner. The challenges for Helen and women in war are realistic and give this story its authenticity.

This is a compelling story with great characters and a lovely hesitant love story that gives the story its hope for the future.

Alrene Hughes grew up in Belfast and has lived in Manchester for most of her adult life. She worked for British Telecom and the BBC before training as an English teacher. After teaching for twenty years, she retired and now writes full-time. Facebook Twitter