Born in 1973 to a Greenlandic mother and an English-Explorer father, Malik has always been something of a misfit. He has one black eye and one blue. As a child, his mother’s people refused to touch him and now his own baby daughter’s family feel the same way.
On his own now, Malik’s only companion is a guiding spirit no-one else can see, but one day a white man with a nose like a beak and a shadow like a seagull appears on his doorstep and invites him to England.
Martha has had enough of living with domestic abuse. She compares bruises with her friend Neil, who regularly suffers homophobic attacks. With Martha’s baby, they go on the run to Shetland, where Martha has happy childhood memories of summers spent with her aunt.
On their way up north in a camper van, they come across a dejected Malik, alone again after a brief reconciliation with his father’s family.
They arrive safely together in the Shetland Isles, but Malik still needs answers to the identity of the beak-nosed man who casts a shadow over his life, and must now embark on a further journey of his own.
The Seagull’s Laughter is an immersive read, intertwined with nature and the magic of Greenlandic folk tales.
I received a copy of this book from Wildpressed Books in return for an honest review.
I love the colourful cover of this book. It makes you want to pick it up and read it, but what lies within, is even more enticing.
An original tale of differing cultures, family, friendship, magic, myths, prejudice and self-realisation. Set in the 1970s, with flashbacks to the late 1940s, it has so many layers. Each one has a purpose, and all it demands from the reader is time to absorb and enjoy it.
To begin with, this is Malik’s story, he lives in Greenland in the early 1970s. His life isn’t easy, but he accepts it, even though his people, don’t embrace him. You realise early on that he has a differing set of beliefs to an urbanised man. He has a spirit guide, and it is his importance that leads Malik on a journey that covers many miles geographically, culturally and spiritually.
Mythical quests are never easy, and neither is Malik’s journey of self-discovery, he encounters misunderstanding and prejudice. Emotionally raw, he meets two similarly, damaged people Martha and Neil, who share part of his journey and make him appreciate true friendship. He realises that family is sometimes not only those you share blood with.
The appearance of a strange man who resembles a seagull plagues Malik. The last part of his journey is solitary and demands the most courage. The descriptions of the cultures, settings and time periods are vivid and illuminate Malik’s story. The ending is powerful and uplifting.
Holly grew up in Derbyshire but has always been drawn to the sea. She has written from a young age. Her love affair with island landscapes was kick-started on a brief visit to the Faroe Islands at the age of eighteen, en route to Iceland. She was immediately captivated by the landscape, weather, and way of life and it was here that she conceived the idea for her first novel, The Eagle and The Oystercatcher.
Holly studied Icelandic, Norwegian and Old Norse at University College London. She also studied as an exchange student at The University of Iceland (Háskóli Íslands) and spent a memorable summer working in a museum in South Greenland.
She decided to start a family young and now has three small children. Holly helps run Life & Loom, a social and therapeutic weaving studio in Hull. She likes to escape from the busyness of her life by working on her novels and knitting Icelandic wool jumpers.
The Seagull’s Laughter will be published in November 2019.