One chance encounter, one street side murder, will change everything…
The extraordinary new Ridpath crime thriller Manchester has been at peace for twenty years. Not any more.
DI Ridpath is in the process of getting his life back together when everything goes wrong.
Driving to meet his daughter, he is caught in a horrific motorway accident, in which a near-naked man is run down by a lorry while fleeing from a lone gunman. As Ridpath closes Manchester’s road network in search of the assailant, one question remains: why did nobody else see him?
Ridpath’s investigations, which at first seem to follow protocol, soon unearth a number of inconsistencies, which pulls the police force itself into question and hint at something sinister to come…
For Manchester is on the brink of a fresh surge of violence, unlike anything it has seen in decades. As Ridpath battles this unprecedented conflict, he must battle his own demons. One thing is for sure. There will be blood on the streets…
I received a copy of this book from Canelo via NetGalley in return for an honest review.
Fast-paced, believable, complex characters, an authentic, recognisable setting and a likeable detective; four of the reasons, the DI Ridpath series is a favourite of mine.
Ridpath is a conflicted man, driven by his role in the Murder Investigation Team (MIT), he neglects his wife and daughter who he loves dearly, the situation implodes when he becomes dangerously ill. In remission and reassigned, he finds his detective skills are in constant demand, and maybe he can rebuild his family life too, as a policeman attached to the Coroner’s office.
The first chapter of this second story in the series is adrenaline-fueled and suspenseful, the writing is full of visual imagery, and it’s easy to imagine what’s happening. It would make a great TV series.
The plot is layered, with new surprises and dramatic irony, where the reader learns information that the main protagonist doesn’t know.
Ridpath’s work life balance is a constant source of conflict as he tries to rebuild both his career and his family life, this doesn’t impair his detection skill, which is insightful and tenacious.
This is an intelligent thriller, not relying on graphic images to draw the reader in. You turn the pages because you want to know if he will outsmart the criminals, his doubting colleagues and still manage to salvage his personal life.
Brother and sister Peter and Adele Robinson never stood a chance. Dragged up by an alcoholic, violent father, and a weak, beaten mother, their childhood in Manchester only prepared them for a life of crime and struggle. But Adele is determined to break the mould. She studies hard at school and, inspired by her beloved grandmother Joyce, she finally makes a successful life for herself on her own.
Peter is not so lucky. Getting more and more immersed in the murky world of crime and gangs, his close bonds with Adele gradually loosen until they look set to break altogether.
But old habits die hard, and one devastating night, Adele is forced to confront her violent past. Dragged back into her worst nightmares, there’s only one person she can turn to when her life is on the line – her brother Peter. After all, blood is thicker than water…
I received a copy of this book from Head of Zeus – Aria in return for an honest review.
‘Born Bad’ is the first book in the ‘Manchester Trilogy’ series, a gritty gangland crime story set in Manchester. I have read this book after reading the other two later books, and so I knew what to expect. It was good to meet Adele and Peter in the early stages of their life, the abuse and lack of care they receive make the people they become in later life.
It’s interesting that different personalities react in diverse ways to their nurturing, or lack of it and the events in this book pave the way for the further books in the series with some surprising twists.
This is a harrowing story. Domestic abuse, neglect and violence are prominent, this is hard to read, but an essential component of this genre. The story is good and well-paced. The characters are complex, flawed and realistic.
If you are looking for a British based, organised crime series, focused on the family, this is a book and series worth reading.
Guest Post – Heather Burnside
One of the themes that feature in Born Bad is mental health. The topic of nature vs nurture interests me and I, therefore, decided to reflect this in the book. Currently, there is a lot of focus in the media on looking after our mental health so I thought it would be an opportune time to explore this issue in Born Bad.
My protagonist, Adele, is affected by mental health in many
ways. To start with we hear Adele’s grandmother, Joyce, talking about Adele’s
father, Tommy’s, side of the family and their mental health issues. She tells
Adele’s mother that Tommy comes from bad blood (hence the title Born Bad) and that he had a mad great-uncle
who was always fighting and who ended up in an asylum.
Joyce also worries that Adele’s brother, Peter, might take after Tommy’s side of the family. Joyce is quite insensitive when she refers to the issue of mental health but, when you bear in mind that this was the seventies, her view was typical at that time. Fortunately, the perception of mental health issues has changed a lot since then.
Adele and Peter have a very traumatic childhood and, as the
novel progresses, they both behave in a way that wouldn’t be considered normal
or rational. Peter’s odd behaviour is first displayed when he is lining up
caterpillars and thrashing them with a whip, taking great delight in seeing
their damaged bodies.
As he gets older Peter becomes involved in criminal
activities in which he doesn’t appear to have a conscience where his victims
are concerned. Is this because of his troubled upbringing, because of genetic mental
health issues or perhaps a combination of the two?
Adele, on the other hand, does have a conscience and she tries
to do the right thing but she is affected by forces that seem to be beyond her
control. Again, she could have been driven by an inherent condition or she
could be so severely affected by her troubled childhood that she reaches
breaking point. Research has shown that both genetics and upbringing can affect
a person’s mental health.
Adele’s mother, Shirley, also has her own problems and
relies on a diet of pills to get her through each day. However, rather than
being seen as a hereditary illness, her mental health issues stem from the
stress of being married to a drunken, violent and unfeeling man. Adele sees her
as weak but, like her grandmother, her point of view could be the result of
poor awareness in the 1970s regarding mental health issues.
Mental health covers a wide spectrum of illnesses with
varying levels of severity. The UK mental health charity, Mind, estimates that
one in four people in the UK each year experiences a mental health problem. Anxiety
and depression are amongst the most common mental health conditions, and while
some of these conditions are manageable, they also vary in severity. There are
some very serious and debilitating mental health conditions too which can greatly
affect a person’s quality of life.
I think we have come a long way in highlighting mental health issues and breaking down the taboos which have previously surrounded the subject. However, we still have some way to go both in educating people about mental health and in providing greater levels of care to those affected.
Extract From Born Bad – Heather Burnside
to Deborah’s agonised screams, Adele continued to kick as rage overtook her. It
was only the sight of the dinner lady running towards her that brought her to
as she thought about the incident, she felt remorseful. If only Debby hadn’t
decided to do something so daft. If only she could have persuaded her to stop
without losing her temper. But Debby hadn’t stopped. She shouted at her a few
times, and she still didn’t stop. That’s what she would say in her defence. She
had to pull her legs away; it was her only chance.
did she have to kick her?
was feeling desperate. Oh God, it’s no good, she thought, I’m gonna be in trouble no matter
thought about what her father’s reaction would be if he found out. She dreaded
that even more than she dreaded being summoned to see the head teacher.
sound of the bell interrupted her thoughts. It was the end of the lunch period
and Adele entered the school building in a state of trepidation, to the sound
gonna be in trouble, Adele Robinson, for what you did to Debby.’
‘Yeah,’ added another girl, ‘Miss Goody Two Shoes is gonna get done, haha.’
Mr Parry announced that she and Debby were to see the head teacher
straightaway, Adele felt her stomach sink.
Mr Parry led the two girls down the long corridor towards the head teacher’s office and told them to wait outside while he knocked on the door. After he had been inside for a few minutes, he came back out and asked Debby to go inside. He then lowered his eyes towards Adele and told her to wait there until she was called for. She noticed the look of disappointment on his face and felt ashamed. Then, with nothing further to say, he left her standing outside the head teacher’s office, trembling with fear.
After what seemed like an endless wait, Debby came out of the office and looked away from Adele as she walked past her.
shouted Miss Marchant.
was already in tears by the time she entered the office and presented herself
at the other side of the head teacher’s large desk.
then, what have you been up to?’ asked Miss Marchant.
I didn’t mean it,’ muttered Adele.
mean what? And for heaven’s sake, speak up, young lady.’
didn’t mean to hurt Debby,’ Adele sobbed.
from what I’ve been told, you’ve got a bit of a temper, haven’t you young
by now very tearful, nodded in response.
can’t hear you!’ thundered Miss Marchant.
was so worked up that she thought she would vomit at any minute. To her
surprise, just when she reached the point where she felt she might faint, the
head teacher seemed to relent.
Miss Robinson, although I don’t condone your behaviour in the playground, I
have received glowing reports from your class teacher. So, I’m going to let the
matter rest on this occasion. However, I would suggest that in future you keep
that temper of yours well under wraps.’
Miss,’ answered Adele.
quickly made for the door, feeling a mixture of relief and shame, but before
she could get to the other side, she was stopped by Miss Marchant’s stern
if I ever hear of any repeat of this behaviour, you will be punished severely!’
Miss,’ Adele replied as she dashed from the office.
to be away from the head teacher’s office as soon as possible, Adele rushed
down the corridor and into her classroom.
Parry raised his eyes from the papers on his desk and abruptly ordered Adele to
sit down in the vacant seat next to Tony Lord, who had a reputation for being
the best fighter in the school.
Adele felt everyone’s eyes on her, a tear escaped from her eye. She was greeted
by a barrage of questions from the other children sitting at the table. Adele’s
feelings of guilt and shame made her shy away from their questions, even though
she could tell they were impressed that she’d beaten Debby up.
are you crying if you won the fight?’ asked Tony, puzzled.
‘Don’t know,’ muttered Adele, dipping her head.
Read my reviews of Blood Ties and Vendetta, the other books in the series.
Heather Burnside spent her teenage years on one of the toughest estates in Manchester and she draws heavily on this background as the setting for many of her novels. After taking a career break to raise two children Heather enrolled on a creative writing course. Heather now works full-time on her novels from her home in Manchester, which she shares with her two grown-up children. Twitter Facebook
ruthless is to be powerful, at least it is on the Battersea streets…
Georgina Garrett was
born to be ruthless and she’s about to earn her reputation.
As World War One is
announced a baby girl is born. Little do people know that she’s going to grow
up to rule the streets of Battersea. From a family steeped in poverty the only
way to survive is with street smarts.
With a father who steals
for a living, a grandmother who’s a woman of the night and a mother long dead,
Georgina was never in for an easy life. But after a tragic event left her
father shaken he makes a decision that will change the course of all their
lives – to raise Georgina as George, ensuring her safety but marking the start
of her life of crime…
I received a copy of this book from Aria via NetGalley in return for an honest review.
Set in the early 20th-century ‘Trickster’ follows the fortunes of Georgina Garrett from her birth in 1914 when England declared war on Germany. Georgina knows tragedy from her first breath, she is no stranger to loss and falls foul of the depravity she is born into, despite the love and protection of her family.
This historical crime saga is characterised by well-researched historical detail, which brings the story to life. It’s easy to imagine the poverty, depravity and violence of the London slums. The writing is full of vivid imagery and dialogue which gives it an authentic feel.
The characters are believable and even though many of them are criminals, they are easy to empathise. Many are victims of circumstance, they commit crimes and act violently to survive. The strong family bond essential for gangland crime fiction is evident in this story, and it is this that makes it such an absorbing read.
The abuse, language and violence are graphic, but not gratuitous. They make this story an authentic reading experience, but there will be times when you will cringe or want to look away.
The plot is well- written and has many twists, that shape Georgina Garrett and her future self. The underlying theme of the story is based on a misnomer, which gives this story a refreshing uniqueness. This is an accomplished debut story and I look forward to reading book two.
Q&A with Sam Michaels – TricksterI
Sagas are popular in romantic fiction, but your story is a crime-based saga, what inspired you to write this? Are all the stories historically based?
I’ve always enjoyed sagas, been interested in early 20th- century history and fascinated with the criminal underworld. So, it made sense for me to combine the three, hence, Trickster was born. It’s been a good outlet for my ghastly imagination!
The stories in the Georgina Garrett series of books are historically based, though as they progress, the last one will end in the ’60s and ’70s.
When you write, what comes first, the characters, the plot or the setting? Why do you think this is?
My main character always comes first, along with a small scenario which sets the scene for the rest of the book. I think the character comes first as I believe this is the most important part of the story. Good, strong characters make good stories!
Do you draw your characters from real life, your imagination, or are they a mix of both? How do you make your characters realistic?
My characters are mostly from my imagination although I do bring in aspects of real-life people I know. To make them realistic, I find myself acting out each character’s point of view – their voices, facial expressions and sometimes even their body movements. Obviously, I do all this in my head as I don’t want my husband to think I’m a lunatic!
What sort of books do you enjoy reading and why?
I’m a fan of true stories, especially tales of triumph over hardship or really gory crime. I’ve recently discovered Bill Bryson books which are not my normal ilk but I’m finding them very amusing and interesting.
When did you start writing? What’s the best thing about being a writer and the worst?
I’ve been writing for the past few years since I moved from the UK to Spain. The best thing about being a writer is knowing that your work is bringing pleasure to someone, and that could be anywhere in the world. The worst thing is being sat indoors in front of my computer when the sun is shining outside.
What are you currently writing?
I’m nearing the end of writing the first draft of the next book in the Georgina Garrett series. It’s been wonderful to dip back into the first book and bring out some of the lesser characters and give them a more prominent role in this story.
Sam Michaels lives in Spain with her family and a plethora of animals. Having been writing for years Trickster is her debut novel.
Extract from Trickster – Book 1 – Georgina Garrett series – Sam Michaels
dunno what to do, Mum. She needs a feed…’
Dulcie chewed her lower lip as her mind turned but then struck by an idea she said, ‘Don’t worry, Jack, I know someone who might be able to help. There’s a jug of ale in the kitchen. Go and pour yourself a glass. I’ll be back as soon as I can.’
left her house and hurried along the narrow street with the wailing baby in her
arms. She could ill afford to feed Percy and herself, let alone this poor
little mite, and a wet nurse didn’t come cheap. However, if her idea panned
out, she wouldn’t have to part with a penny.
minutes later Dulcie was in the roughest part of town. This was an area where
no person of good virtue would dare to frequent. Women hung out of windows with
their bosoms on display, vying for business, while others were drunk, vomiting
openly in the filthy streets. In a dark corner behind a cart, Dulcie glimpsed a
woman bent over with her skirt up, a punter behind her, trousers round his
ankles as he pounded hard for his pleasure.
wasn’t the sort of place where Dulcie felt comfortable carrying a small baby.
She held her granddaughter protectively close to her and tried to muffle the
child’s screams in the hope of avoiding any unwanted attention.
sun was still high in the sky. Dulcie was grateful, as she would have been
worried if it had been dark. A short, skinny man with bare feet and a bent back
walked towards her. His leering eyes unnerved Dulcie and she could see he was
trying to peer at the child she held. He stood ominously in front of her,
blocking her path. If she hadn’t had been carrying Georgina, she wouldn’t have
given a second thought to kneeing him in the crotch.
an evil sneer, he licked his lips, nodded towards the baby and then asked, ‘How
‘This child is not for sale,’ Dulcie said firmly, then sidestepped the man and marched on. It was no secret that in these streets, any desire could be bought for the right price, but it turned Dulcie’s stomach. It wasn’t unusual for a prostitute to fall with an unwanted pregnancy, then sell the child on, no questions asked. Dulcie didn’t believe it was something any woman wanted to do, but the desperation of poverty forced them into it. Gawd knows where those helpless babies ended up, or what they went through, Dulcie thought and shuddered. She reckoned the women would be better off killing their babies – something she suspected her friend Ruby had recently resorted to.
had seen many young women turn to drugs or booze to numb the pain and block out
the memories of what they’d done. Some went out of their minds and ended up in
institutions, a fate worse than death, and it was something she didn’t want to
see happen to Ruby. The girl was only sixteen, with bright ginger hair and a
sprinkling of freckles across her nose. Her fair skin was the colour of
porcelain, so when she’d turned up on the streets one day her purple and yellow
bruises had really stood out.
had taken her under her wing and learned that Ruby was homeless after running
away from her abusive father. Her mother had died when Ruby was seven, and her
father had forced her into his bed to fulfil the role of his wife. When he’d
filled her belly with a child, he’d beaten her until she miscarried, then
thrown her out to fend for herself.
did her best to protect the girl and would steer her away from the customers
she knew had a liking for wanting to rough up the women, but it hadn’t been
long before she’d noticed that Ruby was trying to hide a growing bump in her
stomach. She’d had a quiet word with her and found that Ruby was distraught,
fearing her secret would be discovered and she’d be sent to the workhouse.
Dulcie felt sorry for the girl but, struggling herself to make enough money to
live on, she could only offer a shoulder to cry on.
than a week ago and well into her pregnancy, Ruby disappeared, but then she’d
turned up again two days ago, her stomach flat. She refused to discuss the fate
of the baby, but Dulcie noticed her demeanour had changed. Where once she’d
been a chatty young woman with a wicked sense of humour, she was now mostly
silent, her eyes veiled in a darkness that Dulcie couldn’t penetrate.
lived in the basement of a shared house at the end of the street. It was
decrepit, with the roof caved in and the stairs to the upper level broken.
Dulcie thought the whole house looked unsound and had never been inside, but
she had to speak to Ruby and hoped to find her in. She took a deep breath and
braced herself for what she may find, then slowly walked down the stairs that
led to the basement door. It was open, so with trepidation, she stepped inside.