Angela keeps a roof over her head, albeit a leaking one, by writing romance novels. But, Angela’s never really believed in the traditional happily ever after ending. So, she begins writing the story of Grace, who has recently been diagnosed with cancer shortly after finding out her husband Rick is having an affair. Again.
As she writes the story to dispel the myth of happily ever after, Angela begins a relationship with Mark, the contractor who comes to fix her leaking roof, and ironically, it looks like she may be on the way to her own happy ending. But Angela’s had a difficult past and has a cynical outlook, while Mark’s life has just gotten messy. Angela wonders if this is all going to work out.
Grace lies in bed at night, wondering if what Rick wants to give her, and what he is capable of giving her, are two different things. She asks Rick to move out temporarily, while they try to assess their marriage. She wonders how she can get such comfort and security from a man who cheated on her.
I received a copy of this book from the author in return for an honest review.
As with her previous novel ‘ A Path to the Lake’, the author delivers an original plot, believable characters and a story with a unique charm. ‘Full of Grace’ is told from two points of view. Angela, a romance writer, never seems to find the ‘happily ever after’ she writes in her romances, and Grace, the character created by Angela as a conduit of her new writing style.
Through writing Grace’s story as she searches for her new purpose in life, Angela finds challenges in her own life, which make her realise that romance is possible in the real world too.
This is an engaging read, the characters are easy to empathise and you become invested in their lives. The pacing is perfect and the story easy to read. This is a story of ordinary people facing life’s mercurial challenges. It is the strength of the characters and the relatability of the plot that makes it such an enjoyable read.
Dr Claire Peters flees her unfaithful husband, James, to work for The World Health Organisation in post-war Kosovo. Her husband follows, hoping for reconciliation. Both take lovers, she a French Captain in KFOR (Kosovo Force), part of UNMIK (United Nations Mission in Kosovo) he a beautiful Kosovar, wife of a senior member of the KLA (Kosova Liberation Army), catapulting both into a mix of Kosovo politics and criminality. Intimidation and murder in the mountains and then threats on the life of Claire climax in the capital, Pristina.
This book is a novel. It is a love story and a mystery. All the characters are fictitious but the description of war-torn Kosovo as seen through their eyes and the background to the events described are true. Robert Hedley was recruited by the World Health Organisation as a consultant on medical education and health service development in 2000. For ten years before the war, Albanian Kosovars were treated as second-class citizens, encouraged to emigrate, denied access to the University for Law, Medicine and other careers. In Medicine, a ‘Parallel System’ was established where Albanian Kosovar students were taught Medicine in private houses with no access to the University Medical School. WHO fast-tracked a new medical education system, upgrading the training of Kosovar doctors, including medical education techniques to train future doctors, using experienced doctors from across Europe and other parts of the world. A new system of Primary Care was developed with a new curriculum for Family Doctors as well as a new curriculum for some Secondary Care Specialists at undergraduate and postgraduate level. Eventually, several years later, The Royal College of General Practitioners in London recognised the postgraduate training and examination for Family Doctors in Kosovo as equivalent to the diploma of MRCGP INTERNATIONAL.
I received a paperback copy of this book from the author in return for an honest review.
This story scores highly for originality and factual detail. It’s clear from reading this book that the author has first-hand knowledge of the political climate at the time, the setting and the ethos of Kosovo. This is an atmospheric, tense novel with vivid but not overly graphic imagery.
It’s a tale of two doctors, married but estranged through the actions of the husband. When his wife decides to leave the country and make a new start, he follows. His motivations for this are not entirely clear since he professes to love her but starts an affair whilst in Kosovo. Claire is easier to empathise, but neither character’s emotional states and motivation are fully explored.
The story is suspenseful and there are some passionate moments, but this story’s strength is in the authentic, detailed setting, action scenes and realistic plot.
When Scarlett falls
asleep on a Caribbean beach she awakes to her worst nightmare – Katie is gone.
With all fingers pointed to her Scarlett must risk everything to clear her
As Scarlett begins to
unravel the complicated past of Katie’s mother she begins to think there’s more
to Katie’s disappearance than meets the eye. But who would want to steal a
child? And how did no-one see anything on the small island?
I received a copy of this book from Aria Fiction via NetGalley in return for an honest review.
This is not what I expected. The first few chapters make you think certain events have occurred, and following on from this, the list of suspects is few, but then you are transported back to 1997, and what you discover there changes your perception of what happened on the beach.
The flashbacks are in a series of photographs which trigger a specific set of memories of the unknown narrator. The introduction of new characters seemingly unrelated to the event on the Carribean island, and initially cause confusion for the reader, but gradually the connections can be made and the puzzle starts to form a coherent picture.
Scarlett is an unreliable protagonist, she has past secrets, which reinforce her unreliability. She is also immature and easily swayed by the stronger, more mature personalities she comes into contact with. Costa is an unconventional investigator, they make an unusual but effective investigating team.
The characters are complex and all are flawed, keeping secrets, behaving instinctively, rather than with caution. Can the reader trust any of them for a truthful account?
The plot is intriguing, there are plenty of clues but these are countered by misinformation, so when you think you know what happened you don’t.
Surprisingly, I did work out the ending but this didn’t detract from the story.
A compulsive, psychological thriller, with well-crafted suspense and some clever twists, and an overriding poignant ethos, worth reading.
Claire S. Lewis – Author Interview
What inspired you to write this story?
She’s Mine started as a little exercise that I wrote on ‘setting’ for a beginner’s online creative writing course. I chose a beach setting because I thought that would be a good way of using all the five senses – sight, sound, taste, touch and smell – in the description. You’re usually very engaged with your senses when lying on a beach! To make it more interesting, I added the plot element of a nanny falling asleep on the sand and waking up to find that the little girl she was supposed to be looking after had disappeared. When I later took the Faber Academy course on writing a novel, I used this piece as the opening chapter for my novel draft which became She’s Mine.
What is the first thing you decide when writing a story, the setting, the plot or characters? Why do you think this is?
When starting a story, the first thing that gets me writing is the plot. Sometimes a conversation or a news item or something I hear on the radio makes me think, ‘that would be a great starting point for a novel’, or ‘if you put that into a novel nobody would believe it’, and from that scene or idea, I develop a plot. Next, I imagine which characters would act out that plot and how they would interact with each other. And then I think about what would be an interesting or enticing setting or stage for those characters – usually, I like to pick locations that I know well and that I know I would love bringing to life in descriptions. So, in She’s Mine, much of the backstory is set in Oxford because I was a student there and it is a beautiful and atmospheric city that is still very vivid in my memory. I can easily wind back the clock and put myself in the place of my characters and imagine myself there, seeing and feeling it from inside their heads.
think the plot interests me the most because I like the idea of setting up a
puzzle and then gradually letting the readers into the mystery. The characters
are there to act out the plot. I am also really interested in exploring devices
such as the ‘unreliable narrator’ – like the nanny, Scarlett, in She’s Mine.
In addition, I enjoy playing around with changing narrative viewpoints so that
the reader sees parts of the puzzle or mystery through one character’s eyes but
has to read between the lines to work out the ‘truth’ that is eventually
revealed when the narrative perspective changes to another character. I use
this device a lot in my second novel. The plot is the starting point for all
Do you draw your characters from real life or are they purely a product of your imagination?
My characters are mostly imaginary – which is lucky because they tend to be quite dark and complicated! Of course, in some cases, I draw on certain personality traits of people I know in real life, or perhaps not so much personality traits but ways of speaking and interacting with other people. After reading the first draft of She’s Mine, my teenage daughter said to me, ‘So Scarlett’s basically me!’ I wasn’t conscious of writing this (and they certainly don’t have the same characters!), but she recognised herself in Scarlett’s narrative voice! So far all of my male characters have been flawed – weak, vain, untrustworthy, and the like. I wouldn’t say this is a reflection of the men in my life! In She’s Mine, my anti-hero Damien was in part inspired by a particularly unpleasant man I spoke to very briefly at an event some years ago! Sometimes it doesn’t take much to light the spark of a character…
What sort of books do you enjoy reading and why?
love reading all sorts of fiction books as long as they are not too heavy or
slow moving! Particular authors/books that I have loved since I was a teenager
include Evelyn Waugh (Brideshead Revisited), Scott Fitzgerald (The Great
Gatsby/Tender is the Night), Graham Greene (The Confidential Agent/The Power
and The Glory), Nancy Mitford (Love in a Cold Climate) and Patricia Highsmith (The
Talented Mr Ripley). I think these books are brilliant because they are so beautifully
written with such intriguing stories, charismatic characters and entrancing
settings. I also love modern psychological thrillers such as Gone Girl, Girl on
the Train, The Cry and You. My all-time favourite novel is Gone With The Wind
which I devoured when I was growing up.
What made you decide to become a writer and why does this genre appeal to you?
I had children, I was an aviation lawyer for Virgin Atlantic, but I’ve always
loved reading and books, and always dreamt of writing a novel. So after having been at home with the
children for a few years, I finally took the plunge and signed up for some
creative writing courses – both novel and screenwriting – to see if I could do
it – then I got hooked. I love writing fiction because of the freedom it gives
you to escape and get lost in other worlds. And I love psychological suspense
because I find the psychological part fascinating – imagining what’s going on
in other people’s minds – and the suspense part is so much fun to create because
it’s what keeps us reading – the ‘what if?’ and ‘what next’ that makes us want
to keep turning the page!
What are you currently writing?
I’m currently writing another story in the genre of psychological suspense about a beautiful young florist with a tragedy in her past. It’s wonderful to write because I’m researching the world of floristry and flowers (as well as getting to grips with the workings of dating apps such as Tinder which I’ve never looked at before!). The plot revolves around stalking (no pun intended!) but it’s not clear who is the predator and who is the victim…
you so much, Jane, for giving me the opportunity to write for your lovely blog,
Jane Hunt Writer!
the truth, but not the whole truth. What I don’t reveal to her is an incident
that took place in Christina’s bedroom the week before we flew out to the
British Leeward Isles. I don’t disclose it because the incident doesn’t put me
in a good light either! On Tuesdays, Katie does a full day at kindergarten so I
have a little time to myself. I’ve got into the habit of using Christina’s
en-suite, luxurious, walk-in power shower and expensive beauty products
following the weekly hot yoga class that I go to after dropping off Katie. So
last Tuesday, I had just finished my shower and wrapped myself in Christina’s
bathrobe when I heard her bedroom door opening and then the sound of her
antique roll top desk being unlocked.
thought she must have come back early from work for some reason. There was
nothing else for it but to come clean (literally!) and apologise for taking the
liberty of using her bathroom without asking first. So I took off her bathrobe,
draped a towel around me and opened the door. But it wasn’t Christina. It was
Damien with his back to me, checking the contents of the desk. Caught in the
act. Hearing the catch he started and turned in alarm. He reddened but quickly
composed himself and went on the offensive.
a vision of beauty!’ he sneered as I stood there, my wet hair dripping onto the
carpet. ‘I didn’t realise you and Christina were so intimate.’
didn’t realise you made a habit of going through her private papers!’ I snapped
back. I know very well that the desk, an old family heirloom shipped over from
the UK, is a strictly no-go area that she keeps locked at all times. He just
laughed and then cool as a cucumber, he slipped some documents into a green
cardboard file under his arm, locked the desk, pocketed the key and marched out
of the room.
mind your own business and keep out of our affairs. Or you’ll be going the same
way as the previous nanny,’ was his parting shot.
understood this was no idle threat. Christina’s so possessive and distrustful
that I knew if she got wind of this brush with Damien, she would imagine the
worst and I’d be out of a job. So I said nothing to Christina in New York and I
say nothing to the police officer now as she converses with me in the hotel
to keep my suspicions about Damien to myself – for now.
that was supposed to have been a ‘friendly chat’ the questioning is intense.
After asking about my relations with Christina and Damien she embarks on a list
of questions clearly aimed at working out a timeline for my movements this
afternoon. What time did I arrive at the beach with Katie? Did I speak to
anyone? Did anyone approach me or Katie? Did I notice anyone watching her? What
time did I fall asleep? What time did I wake up? When did I become aware Katie
was missing? What did I do next? Did I see anyone on the beach when I was
looking for her? How long did I spend searching the beach before raising the
alarm? What time did I tell Christina her little girl was missing?
is pounding and I feel like a criminal by the time the family liaison officer
finally puts her notepad away.
‘These questions are nothing to worry about,’ she assures me. ‘We just need to establish the timeline for the disappearance of the little girl.’ She ends the conversation by encouraging me to contact her ‘any time, any place’ if I need support or if I ‘remember’ anything else that may be relevant to the investigation. I half expect her to clap me in handcuffs and announce that she’s putting me under arrest when at last she says that I’m at liberty to go.
In a waking
nightmare, we struggle on through the grief-stricken hours of the day making
calls, badgering the search team for any new scrap of information and giving
interviews to reporters in the belief that getting Katie’s story out there
might somehow help in her rescue.
worst moment comes just after midnight when the operation is called to a halt.
I collapse onto a chair in a quivering heap. All the strength has gone from my
legs. Christina appears distraught, begging members of the police and emergency
services to go on searching.
nothing more we can do tonight. We’ll resume at dawn. You should get some
sleep,’ says the commander sternly. Holding our despair at bay and unable to
contemplate the thought of sleep, we pace the beaches and the rocky headland
for the next two hours, tripping over stones in the darkness, our steps lit
only by the moon and stars in the cloudless black sky and the light from our
lightheaded with exhaustion by the time I accompany Christina to her room in
the early hours of the morning. We sit out on the balcony mesmerised by the
sound of waves rolling on to sand. We are too tired to speak. I make tea and
give her three sleeping tablets from a packet I find in her wash bag. Once the
tablets take effect, I steer her to bed, her expression vacant and confused, as
she lets me pull the covers over her. It’s not until I shut Christina’s door
and go down the corridor to the room I’m sharing with Katie that it strikes me
again. Where the fuck is Damien? I haven’t seen him all day, not since he
handed me the cocktail at the pool.
open the door, there is Katie’s blue bunny, propped up on her newly-made bed.
The tears stream down my face. The bedtime story I was reading to her last
night is still open at the page we got to when her eyes finally closed. It’s a
beautifully illustrated copy of Peter Pan that Christina discovered in a
quaint little bookshop called the Book Cellar, one of her favourite haunts for
second-hand books. I glance down at the page. ‘The Mermaids’ Lagoon’ – Katie’s
favourite chapter. She loves the colour illustrations of the mermaids diving in
the waves. The doors to the balcony are open. I shiver in the sea breeze and
step out through billowing curtains.
stand there for a few moments still clutching Katie’s bucket.
Claire Simone Lewis studied philosophy, French literature and international relations at the universities of Oxford and Cambridge before starting her career in aviation law with a City law firm and later as an in-house lawyer at Virgin Atlantic Airways. More recently, she turned to writing psychological suspense, taking courses at the Faber Academy. She’s Mine is her first novel. Born in Paris, she’s bilingual and lives in Surrey with her family. Twitter Facebook
DI Kelly Porter is back, but so is an old foe and this time he won’t back down…
When a teenage girl flings herself off a cliff in pursuit of a gruesome death, DI Kelly Porter is left asking why. Ruled a suicide, there’s no official reason for Kelly to chase answers, but as several of her team’s cases converge on the girl’s school, a new, darker story emerges. One which will bring Kelly face-to-face with an old foe determined to take back what is rightfully his – no matter the cost.
Mired in her pursuit of justice for the growing list of victims, Kelly finds security in Johnny, her family and the father she has only just discovered. But just as she draws close to unearthing the dark truth at the heart of her investigation, a single moment on a cold winter’s night shatters the notion that anything in Kelly’s world can ever truly be safe.
Guest Post – Rachel Lynch Will DI Kelly Porter always stay in the Lake District?
With Kelly’s experience, it’s always possible that someone like her would be seconded or invited to join or help out elsewhere. Constabularies regularly share resources, and of course, crime is often national and even international (like in Dark Game). I can see Kelly going back to London, and I can also picture her further afield. Her reputation has grown over four books and continues to do so.
The settings so far have created a credible, dark and
mysterious world of crime that is different to that found in cities, but Kelly
will find herself in demand elsewhere in the future, that is certain. She is
eminently capable of helping other agencies too, such as government departments
and the military. Police procedural theory is always developing, as crime- and
criminals- become more daring and complex to evade ever tightening laws and
methods to catch them. Kelly loves catching criminals, who invariably think
themselves cleverer than the system. She also champions the families of the
victims, who suffer much longer after a crime has been solved.
The crime genre is a fluid one, and the illegal activity
contained within doesn’t have to always be the most shocking and depraved acts-
it can be about issues such as domestic abuse, school bullying, drug taking,
theft, embezzlement or arson. It’s the interplay between the protagonist and
the antagonists that is important to me. The criminal always sees themselves as
one step ahead of Kelly, but their confidence always quickly unravels as she
identifies even the smallest of mistakes. Like any human undertaking: crime
isn’t an exact science, and there are too many variables to go wrong:
technology, forensics, traitors, money trails, accidents and witnesses.
As long as Kelly Porter investigates serious crime, she’ll
take on cases large and small, because that’s what stokes the fire in her
belly. She’s seen too many devastated relatives, friends, brothers, mothers and
children to let any criminal get the better of her.
And she can do it anywhere!
Thank you for reading
I received a copy of this book from Canelo via NetGalley in return for an honest review.
Starting with a tragic event, the reader is still reeling, when a young child faces danger at a fairground. This story deals with every parent’s worst nightmares.
The Lake District setting and weather is an important part of the story as three seemingly unconnected events, form part of the puzzle Kelly Porter has to solve.
The police and forensic procedure is an interesting part of the fast-paced plot, which is full of twists, clues, action, and emotional angst. The crime is contemporary and demonstrates the worrying infiltration of organised crime into rural areas.
Kelly Porter continues to be a great character, clever, and finally coming to terms with her personal demons. The police team and her family provide believable supporting roles and the antagonists are convincingly immoral and driven by money at the expense of human life.
I can’t wait to see where this series goes next.
Rachel Lynch grew up in Cumbria and the lakes and fells are never far away from her. London pulled her away to teach History and marry an Army Officer, whom she followed around the globe for thirteen years. A change of career after children led to personal training and sports therapy, but writing was always the overwhelming force driving the future. The human capacity for compassion as well as its descent into the brutal and murky world of crime are fundamental to her work. Twitter: @r_lynchcrime
Wedding bells ring out in Budbury as the Comfort Food Café and its cosy community of regulars are gearing up for a big celebration…
But Auburn Longville doesn’t have time for that! Between caring for her poorly mum, moving in with her sister and running the local pharmacy, life is busy enough – and it’s about to get busier. Chaos arrives in the form of a figure from her past putting her quaint village life and new relationship with gorgeous Finn Jensen in jeopardy. It’s time for Auburn to face up to some life-changing decisions.
Settle in for a slice of wedding cake at the Comfort Food Café – a place where friendships are made for life and nobody ever wants to leave.
I received a copy of this book from Harper Impulse via NetGalley in return for an honest review.
The Comfort Food Cafe has been a favourite read, since its inception. There is so much to love, with its quirky characters looking for someone to love them and give them a second chance. Cake to die for, and a wonderful sense of community and friendship that symbolises the ethos of these heartwarming, humorous and ultimately happy stories.
The final book in the series has a very special wedding. Laura was our first introduction to the cafe and her story is still one of my favourites. It made me cry, laugh out loud and empathise will her trials and tribulations. Auburn is our narrator for this final book in the series, and even though she fits right into the Budbury and the cafe community, she is keeping secrets and somehow feels she doesn’t deserve the friends, lover and life she currently enjoys.
The wedding is a delight and colourful, typically amongst the fun, love and romance there is conflict, thankfully not for the bride, but Auburn has to face her past. Even in this last book, there’s more to learn about the characters, and they continue to baffle and delight in equal measure. The ending is romantic and rightfully quirky. Even though we have read the last line, you can imagine the antics, hear the laughter and tears and almost taste the cake as the cafe’s comfort lives on.
‘I see it all again: the silver moon swimming beneath the water and the golden gown billowing out about her…’
1765: Lady Isabella Gerard asks her maid to take her new golden gown and destroy it. Its shimmering beauty has been tainted by the actions of her husband the night before.
Three months later: Lord Eustace Gerard stands beside the lake looking down at the woman in the golden gown. As the body slowly rolls over to reveal her face, it’s clear this is not his intended victim…
1996: Fenella Brightwell steals a stunning gown from a stately home. Twenty years later and reeling from the end of an abusive marriage, she wonders if it has cursed her all this time. Now she’s determined to discover the history behind the beautiful golden dress…
I received a copy of this book from HQ via NetGalley in return for an honest review.
Domestic abuse is the dark theme of this timeslip novel. Another central element is the mystical influence of a golden gown, the reader finds characters linked over time, both victims of abusive partners.
The historical detail and setting for the eighteenth century part of the novel are atmospheric and absorbing. Lady Isabella is perhaps the easiest of the characters to empathise, as she suffers her husband’s mental and physical abuse.
Fenella suffers a similar fate in the present day, and its effects force her into the role of an unreliable protagonist. You are not sure of her true motives and whether she really sees what she says she does.
The characters are complex and well written. The story has a supernatural element, which could be explained away as the psychological impact of the women’s abuse but there is always an element of doubt that keeps the reader guessing.
Well-paced with a layered plot, the book keeps you enthralled until the end.
I received a copy of this book from HQ via NetGalley in return for an honest review.
Four old friends witness a terrible crime, individually and finally, collectively, there are numerous opportunities where they can make a difference to the outcome, but they don’t.
The story moves forward to a different group gathering when they inadvertently find out the outcome of that night. Should they have acted differently? Are they guilty? Why did they react in the way they did?
Switching between timelines and different points of view the dilemma is revealed and painstakingly unravelled This complex story is suspenseful, intense and dark. Delving into the dark secrets people keep hidden from the world, their friends, and the way we lie, even to ourselves.
There are many plot twists and the ending maintains the story’s dark ethos. Don’t expect to like the characters, they have few redeeming features. Maybe they are a reflection of a contemporary society that focuses on self and the individual whilst promoting a blame culture? It makes you think, and the question posed is what would you do?
She arrived in the village on the spring tide and hoped to be at the heart of it, knowing its secrets and weathering its storms.
It was to be a new beginning…
It’s springtime in the Cornish village of Pendruggan and as the community comes together to say a fond farewell to parish vicar, Simon, and his wife, Penny, a newcomer causes quite a stir…
Reverand Angela Whitehorn came to Cornwall to make a difference. With her husband, Robert, by her side, she sets about making changes – but it seems not everyone is happy for her to shake things up in the small parish, and soon Angela starts to receive anonymous poison pen letters.
Angela has always been one to fight back, and she has already brought a fresh wind into the village, supporting her female parishioners through good times and bad. But as the letters get increasingly more personal, Angela learns that the secrets are closer to home.
With faith and friends by your side, even the most unlikely of new beginnings is possible.
I received a copy of this book from Harper Collins UK – Harper Fiction via NetGalley in return for an honest review.
There’s a certain addictive charm about all of Fern Britton’s stories. The description of Cornwall and village life are part of this, but the uniqueness stems from her characters. She explores everyday situations and leaves behind the mundane, teasing out the courage, fear, passion and secrets, which hide behind their public face,
This story draws you in with a tragic event, before taking you back six months to the arrival of a newcomer to Pendruggan. Angela is a newly ordained vicar, Pendruggan is her first, albeit temporary parish, and she wants to succeed. You meet the village characters, some of which are familiar, and Angela’s family. Her husband is a television political correspondent, on a temporary sabbatical from a career he loves, her daughter Faith, is much loved, but unhappy to be uprooted from her friends and the life she loves, Then there’s Aunt Mamie. A wildcard, she is an important influence in Angela’s life, and her maverick nature brings laughter and excitement to the village and its inhabitants.
The plot is fast-paced and easy reading, it has the ethos of a cozy mystery, with its cast of character and a mystery to solve, but it’s more than this. The complex characters are flawed and realistic and give the story emotional depth and interest. The plot is simple but believable, and its resolution authentic. There is a lovely medley of angst, faith, humour and poignancy. It’s an emotional journey for Angela and those who care about her and she leaves the village with memories that resonate.
A lovely book that is both entertaining and sincere.
A forbidden love affair. A long-buried secret. A journey that will change everything.
Morocco, 1984. High in the Atlas Mountains, Hanane’s love for Irishman Gus is forbidden. Forced to flee her home with the man she loves, Hanane is certain she’s running towards her destiny. But she has made a decision that will haunt her family for years to come.
London, 2009. When Addy discovers a mysterious letter in her late father’s belongings, she journeys to Morocco in search of answers. But instead, she finds secrets – and is quickly pulled into a world that she doesn’t understand.
And when history starts to repeat itself, it seems her journey might just change the person she is forever
I received a copy of this book from Avon Books UK via NetGalley in return for an honest review.
Addy has survived illness and when her estranged father dies, she finds old photographs, one of which contains a happy image of her father Gus, and a woman she doesn’t know, The back of the photo is dated 1984 Morocco.
She sets off on a journey of discovery, hoping to get to know her father better. She falls in love with Morocco but finds more questions than answers and risks repeating history.
The setting for this story is beautifully described. The vivid images immerse the reader, in the culture and ethos of Morocco. I like the timeslip story best, but unfortunately, the plot doesn’t allow this to be explored to its full potential. Whilst this faithfully represents what Addy discovers, from a reader’s point of view it would have been preferable to spend more time in 1984.
The characters whilst complex and interesting are hard to empathise in most cases. The pacing is a little slow and there is perhaps too much emphasis on the setting rather than the characterisation and plot.
An interesting read of forbidden love in a different culture.
After Frank drops down dead in Heathrow Arrivals on Christmas Eve, his estranged daughter Jem is called in to identify the body. When Jem travels back to Frank’s house in France – a house she hasn’t been in since she was a child – she realises that Frank had a son too.
Frank has died of a congenital heart defect, a defect he may have passed on to his daughter – or on to his son. Jem must warn her brother, but in finding herself a family she risks ripping another apart.
I received a copy of this book from John Murray Press via NetGalley in return for an honest review.
This book has a great opening, it really catches your attention, and makes you feel sympathy for Frank who dies so painfully and abruptly. What follows reveals Frank as a destructive man who cared for no-one, and whose thoughtless actions had far-reaching effects on those he came into contact with.
The plot is not remarkable, although it is good, it’s the characters, the pertinent observations of what motivates people to react in certain ways, and most importantly how families work in a contemporary society that resonates with this story.
All the characters are authentically flawed and most are not particularly likeable, but they are understandable. Even though the family dynamics are magnified, the interactions between mother and son, father and daughter and husband and wife are recognisable.
The pacing suits this type of book and the characters and settings are full of vivid imagery, which makes this an easy but definitely intriguing read.