Lena Aldridge is wondering if life has passed her by. The dazzling theatre career she hoped for hasn’t worked out. Instead, she’s stuck singing in a sticky-floored basement club in Soho and her married lover has just left her. She has nothing to look forward to until a stranger offers her the chance of a lifetime: a starring role on Broadway and a first-class ticket on the Queen Mary bound for New York.
After a murder at the club, the timing couldn’t be better and Lena jumps at the chance to escape England. Until death follows her onto the ship and she realises that her greatest performance has already begun.
Because someone is making manoeuvres behind the scenes, and there’s only one thing on their mind…
I received a copy of this book from the publisher.
Set in the classic age of murder mystery, the Atlantic crossing aboard a luxury liner provides the setting for a locked room mystery. The murder mystery is only one aspect of this multilayered novel that explores the social history of the time evocatively, mainly centring on class, politics, and race.
Lena’s career has not developed despite her obvious talent and tenacity. London in 1936 is rife with prejudice and extreme politics making Lena’s position precarious. An offer of a role in New York comes at the right time. Possibly implicated in a murder leaving town seems the best option for Lena. Life on the luxury liner is not what she imagined as beneath the glamour, danger, deceit, and depravity simmer, waiting to destroy her.
I like how the social-historical issues explored give this story a literary fiction feel. Interwoven with the well-written classical murder mystery, it has depth and originality that resonates.