The Lost Girls – Jennifer Wells
Everyone remembers the day the girls went missing.
May Day 1912, a day that haunts Missensham. The day two girls disappeared. The day the girls were murdered.
Iris Caldwell and Nell Ryland were never meant to be friends. From two very different backgrounds, one the heir to the Caldwell estate, the other a humble vicar’s daughter. Both have their secrets, both have their pasts, but they each find solace with one another and soon their futures become irrevocably intertwined.
Now, many years later, old footage has emerged which shows that Iris Caldwell may not have died on that spring morning. The village must work out what happened the day the girls went missing…
I received a copy of this book from Head of Zeus- Aria via NetGalley in return for an honest review.
The Lost Girls is a surprisingly poignant story of two girls, from different social classes, who dared to defy society’s norms. An old home movie, showing a girl who went missing, believed abducted and murdered, is the catalyst for a surprising chain of events.
The characters are complex and flawed, and their story is full of dark secrets, and desperate emotion. An absorbing, engaging story, with a uniqueness that keeps you reading.
Guest Post- Jennifer Wells-The Lost Girls
The little moments which bring the past back to life
There is something quite eerie about old films. I don’t mean cinematic classics or even the first Hollywood movies. I’m talking about the old cine films that survive from the early twentieth century. Such films were shot using cumbersome machines, where filming depended on an operator who could doggedly turn a crank handle for minutes on end. These machines produced images that are little more than light and shadow – grainy outlines and stuttering movements – yet there is something about them that is very alluring.
Among these films are some of the very first home movies. They show horse-drawn trams battling through busy shopping streets, exuberant workers spilling from factory gates, football matches, political marches and family events. The women wear shawls or gloves, their skirts swishing around their ankles as they walk. The men strut boldly, their hands thrust into the pockets of their suits. But whether young, old, rich or poor – everyone wears a hat.
The films I am describing are now over a hundred years old. The Edwardian era is a time that has become unfamiliar to us. When you watch such films, the horse-drawn trams and long skirts seem like things that only ever existed in the pages of history books, and the people appear, not as busy shoppers or factory workers, but ghosts.
It is the ghost-like quality of such films that gave me the inspiration for the opening scene of my latest novel, THE LOST GIRLS. The novel opens in 1937 with a public screening of an old film – a lost home movie that had been shot 25 years earlier on May Day 1912. As the audience watch entranced, the image of a girl in a white dress flashes on to the screen. Her face is one that they all recognise – Iris Caldwell, a girl who was thought to be dead by that May Day morning. A girl presumed murdered.
When I first started writing THE LOST GIRLS, Iris Caldwell was little more than a ghost to me. She was no more than one of those old cine film images, her face in shadow and her movements slow and stuttering. But I wanted to give life to a character who might have appeared in one of these old films, and soon the girl in the white dress became flesh and blood to me. Iris Caldwell became a girl who, like many others, loved to read novels and longed for friendships. She also became a girl with terrible secrets and forbidden desires. We live in a time that is very different from 1912. The horse-drawn trams, long skirts and a multitude of hats belong to a world that seems very strange to us. Yet, among the grainy faces that peer out from the past, we can sometimes spot a smile or a wink – something that reminds us that the people who lived back then were not so different to us after all. It is these little moments which bring the past so much closer again.
Jennifer is the author of THE LIAR, THE MURDERESS, THE SECRET and THE LOST GIRLS published by Aria Fiction. Her novels involve the themes of family, betrayal and love and are set in the home counties in the early 20th century. Jennifer lives in Devon with her young family and cats.