Two women. Connected by heartbreak, separated in time. Can Charity save the man she loves, or will Lydia’s vengeful spirit prove too strong?
Two haunting love stories and a hundred and fifty-year-old curse …
When the beloved grandfather who brought her up dies, Charity is left struggling to cope. Alone and rootless, she’s drawn to the sleepy fishing village of Beaumouth near Lyme Regis and begins to research her family tree. A chance encounter with attractive boat-builder Matt sparks a chain of mysterious and unsettling events and leads Charity to uncover the story of a young girl who lived in the village over a hundred years before.
In 1863 all Lydia Pavey wants to do is follow in Mary Anning’s footsteps and become a ‘fossilist.’ Instead, she is being forced into marriage to a man she barely knows.
Charity’s obsession with Lydia becomes all-consuming and she risks losing everything. With a longed-for family tantalisingly in reach, will Charity find the happy ever after she’s yearned for and, most importantly, can she save the man she loves?
I received a copy of this book from Black Dog Publishing and the author in return for an honest review.
If you are torn between reading contemporary romance and historical fiction this lovely, gothic-inspired story gives you both. Charity bereaved, after losing her final family member, the grandfather who raised her, is struggling with her mental health, and her feelings of self -worth.
Needing to escape her old life to aid her healing, she visits the Jurassic coast. Somewhere her grandfather said they had family connections, although he would never visit the area. Drawn by the cliffs she has a serendipitous meeting with Dolly, the Springer Spaniel and Matt, the attraction is instant, even though he is rescuing her from a muddy situation.
The story follows Charity’s life in Lyme and Beaumont and is filled with authentic, complex characters, who draw her into their community and make her feel part of something. There are conflicts with Saskia, and indecision and fear over her growing feeling for Matt.
Interwoven, with this contemporary tale, is a strange, sad and sinister encounter with a woman on the beach. Charity’s research into her ancestry, reveals information about the mysterious woman. Charity is drawn into another world. Her mental health makes her questions, whether this is a delusion. It threatens her growing attachment with Matt, but she is hypnotised by its power and cannot stop it even with it puts her in danger.
The timeslip into Victorian times is realistic, given the fragility of Charity’s mental health, and her crippling grief. The folklore about a ghost near the cliffs gives credence to her experiences. The stories are woven together so well, one informs the other, and introduces powerful conflict.
Atmospheric, poignant and menacing, it builds to the climax. This story’s haunting, gothic quality, fuses perfectly with an engaging conflict-ridden contemporary romance. The ending is a lovely conclusion to a very enjoyable story.
Georgia Hill writes best-selling romcoms and historical fiction with romance at the heart. Although she writes in two genres, they have more in common than you might think; she puts serious issues into her romcoms and lots of humour into her historical novels. She lives by the sea in the south west of England with her two beloved dogs – a spaniel and a delinquent cockapoo puppy, her husband (also beloved and not at all delinquent) and a ghost called Zoe. She loves Jane Austen, elephants, Belgian chocolate (all donations gratefully received) and Strictly Come Dancing. Her stories come from everywhere and anything, so be careful what you tell her as you may end up in a book. She also finds inspiration in the folklore and history of the many places in which she’s lived. To put it politely, she’s had a portfolio career having worked in the theatre, for a charity and as a teacher and educational consultant before giving in and finally acknowledging that making up things was what she really wanted to do. She has a nasty addiction to moving house but is trying to overcome this. After one house move too many, she lost all her notebooks and decided to stop talking about writing and actually do some. She’s been happily creating believably flawed heroines, intriguing men and page-turning stories ever since.
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