I received a copy of this book from SilverWood Books in return for an honest review.
Based on a true crime, although ‘The Birthday House’. is a fictional interpretation of the events before, during and after the tragedy. The characters too are fictional, although the author did know the young girl who was murdered.
This is a short story, but it has depth and impact, more so because this is based upon a real, historical crime. Told from the viewpoints of the people involved it paints a picture, which is both poignant and inevitable. The housekeeper, who made the discovery, and its aftereffects on her. The wife, the child, the friend, the child’s best friend, the husband, who committed such a grievous atrocity, and the grandmother left only with her memories and regrets.
The story reads well, drawing you into the 1950s Dartmouth community. There is something fatalistic about it, so many opportunities to circumvent the eventual tragedy, but still, it happened. A well-written thought-provoking story,
I started writing in a red shiny exercise book when I was seven years old. But in that time and place it was an ‘invalid’ activity, was overlooked, but never went away. It was many years before I felt able to call myself ‘writer’.
But there came a day when the phrase ‘I am a writer’ no longer sounded pretentious, but legitimate, and even necessary. Was it because I had a writing room instead of the corner of a landing? Or because I spent more time writing? Or because I’d got better at it? Or because I get miserable and bad-tempered if I don’t write? Probably a combination of all of the above.
Writing is my third career. The first was as a social worker with children and families, a job I loved but left because I could no longer cope with the system.
This led to a freelance career as an independent management consultant, helping people to handle emotions in the work context. I worked in the IT industry, in companies large and small, as well as public organisations. Later I became involved in research projects concerned with the multi-disciplinary approach to social problems such as child abuse. So, in a sense, I had come full-circle.
All these experiences feed into the process of writing fiction, while my non-fiction book ‘The Wise Woman Within’ resulted indirectly from the consultancy work and my subsequent PhD thesis,‘Bridging Incommensurable Paradigms’, which is available from the School of Management at the University of Bath.
I live in Devon and visit Cornwall frequently and these land and seascapes are powerful influences which demand a presence in my writing.
Writers’ groups and workshops are a further invaluable source of inspiration and support and I attend various groups locally and sign up for creative courses in stunning locations whenever I can. I try doing writing practice at home but there is no substitute for the focus and discipline achieved among others in a group.
I have written some short stories and recently signed up for a short story writing-course to explore this genre in more depth.
I live with my husband in South Devon and enjoy being involved in a lively local community.