In a large house in London’s fashionable Chelsea, a baby is awake in her cot. Well-fed and cared for, she is happily waiting for someone to pick her up.
In the kitchen lie three decomposing corpses. Close to them is a hastily scrawled note.
They’ve been dead for several days.
Who has been looking after the baby?
And where did they go?
Two entangled families.
A house with the darkest of secrets.
I received a copy of this book from Penguin Random House- Cornerstone- Century via NetGalley in return for an honest review.
Complex, damaged characters, a terrible tragedy, an innocent survivor, and a house full of secrets. Told from three points of view, the dark and suspenseful family drama is painstakingly revealed, through the eyes of the people who were there.
The relentless plot conceals as much as it reveals, evil is an undercurrent of this story, but it’s also about weakness, survival and emotional damage.
The contemporary, urban setting gives the plot its authenticity. In the current culture of child abuse scandals, the terrible events explored, and their outcome, seem credible and are all the more chilling because of this.
The story has a transparency that I didn’t expect. You can unpick what happened through the three narratives, and I did manage to unravel most of it, but you are never sure if the protagonists are reliable. They are emotionally damaged children, victims of abusive treatment.
The characters are well written, you do empathise with them, and dislike those who should have been taking care of them.
‘The Family Upstairs’ is a noir family drama, with a realistic contemporary setting and layers of suspense and emotional angst, that make you believe that it could really happen, in a world where no one looks too deeply into the inhabitants and events of the house next door.