Posted in Book Review, Friendship, Non-Fiction, Parenting and Famlies

Why Mummy Doesn’t Give A – Gill Sims @HarperCollinsUK @HarperNonFic @whymummydrinks #Parenting #Family #Relationships – 5* #Review

Family begins with a capital eff.

I’m wondering how many more f*cking ‘phases’ I have to endure before my children become civilised and functioning members of society? It seems like people have been telling me ‘it’s just a phase!’ for the last fifteen bloody years. Not sleeping through the night is ‘just a phase.’ Potty training and the associated accidents ‘is just a phase’. The tantrums of the terrible twos are ‘just a phase’. The picky eating, the backchat, the obsessions. The toddler refusals to nap, the teenage inability to leave their beds before 1pm without a rocket being put up their arse. The endless singing of Frozen songs, the dabbing, the weeks were apparently making them wear pants was akin to child torture. All ‘just phases!’ When do the ‘phases’ end though? WHEN?
 
Mummy dreams of a quirky rural cottage with roses around the door and chatty chickens in the garden. Life, as ever, is not going quite as she planned. Paxo, Oxo and Bisto turn out to be highly rambunctious, rather than merely chatty, and the roses have jaggy thorns. Her precious moppets are now giant teenagers, and instead of wittering at her about who would win in a fight – a dragon badger or a ninja horse – they are Snapchatting the night away, stropping around the tiny cottage and communicating mainly in grunts – except when they are demanding Ellen provides taxi services in the small hours. And there is never, but never, any milk in the house. At least the one thing they can all agree on is that rescued Barry the Wolfdog may indeed be The Ugliest Dog in the World, but he is also the loveliest.

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I received a copy of this book from Harper Collins Non Fiction via NetGalley in return for an honest review.

My Thoughts…

There are so many of this type of book around at the present time, but this series remains dominant. As soon as you start reading, it grabs you and you’re laughing out loud, or digging into the depths of family memories when a similar incident happened to you, or someone you know.

This time Ellen’s marriage is beyond help, and she faces life as a single mum. There are compensations, getting to buy the ‘house of your dreams’, well very nearly, but Peter and Jane are teenagers now and dealing with their attitude, eating habits and apathy alone, on a daily basis, means that if Ellen had a swear box it would be overflowing with cash.

The honesty, and talent for encapsulating the humour of parenting teenagers, an ex-husband, and learning how to date again, make this a lovely book to escape with. You can read a chapter or two, and then come back, and it’s easy to get into, but it is addictive reading, and why not laughter is good for you.

The relationships are so believable, the conversations with ‘Mother’, hilarious and oddly poignant, the best friend who so supportive but facing challenges she never thought she would, and the ex-husband who undermines at every opportunity and wonders why things have turned out the way they have???

There is so much to enjoy in this, humour, often satirical and self-deprecating, poignant moments of guilt, that every mother experiences, as they struggle to find themselves in their ‘mummy’ role and a keen observant exploration of parenting that most will relate to.

Posted in Book Review, Non-Fiction

How Not To Write Female Characters – LucyV.Hay @LucyVHayAuthor @rararesources #NonFiction #WritingTips #BlogBlitz @Bang2Write #WritingInspiration 5* #Review

Female characters. When fifty per cent of your potential target audience is female if you’re not writing them in your screenplay or novel? You’re making a BIG mistake!

But how should you approach your female characters? That’s the million-dollar question … After all, women in real life are complex, varied and flawed. Knowing where to start in creating three-dimensional female characters for your story is extremely difficult. 

So … perhaps it’s easier to figure out how NOT to write female characters?

Script editor, novelist and owner of the UK’s top screenwriting blog http://www.bang2write.com, Lucy V Hay has spent the last fifteen years reading the slush pile. She has learned to spot the patterns, pitfalls and general mistakes writers make when writing female characters – and why.

In How Not To Write Female Characters, Lucy outlines: 

WHO your character is & how to avoid “classic” traps and pitfalls
•WHAT mistakes writers typically make with female characters
•WHERE you can find great female characters in produced and published content
•WHEN to let go of gender politics and agendas
•WHY female characters are more important than ever

Lucy is on a mission to improve your writing, as well as enable diverse voices and characters to rise to the top of the spec pile. 

I received a copy of this book from the author in return for an honest review.

My Thoughts…

This a short read , packed with contemporary thinking, pitfalls and tips on what not to do when creating your story’s female characters. This is a reference book, something that can be used to check whether the female characters you are creating, fall into any of the pitfalls listed here.

The first part of the book deals with the current playing field, what the industry expects from writers’ female characters, and the current commercial and political environment you are working in. Knowing your audience and your critics are useful to research. This part of the book imparts useful knowledge and advice, on what you should consider, and what you should be aware of but not necessarily abide by.

The second part of the book concentrates on highlighting and exploring what not do when creating female characters. The tips are well-researched and founded by the author’s experiences. They are concisely written and provide a useful starting point and aide memoir for writers.

As a writer, I find this book informative and I will be using it as a checklist on my current and future fiction writing.

The essential message I take away is to concentrate on the craft. A focus on current commercial requirements is essential, as is an awareness of current political thinking, but a great story is the desired outcome.

REVIEWS FOR LUCY V’S WRITING ADVICE: 



‘A timely guide to creating original characters and reinvigorating tired storylines. ‘
– Debbie Moon, creator and showrunner, Wolfblood (BBC)  

‘Lucy V. Hay nails it’
– Stephen Volk, BAFTA-winning screenwriter: Ghostwatch, Afterlife, The Awakening 

‘Packed with practical and inspirational insights’
– Karol Griffiths, development consultant and script editor, clients include ITV, BBC, Warner Brothers 

‘A top-notch, cutting-edge guide to writing and selling, not just practical but inspirational. Lucy’s distinctive voice infuses the entire journey. Quite brilliant. Here’s the woman who’ll help you make things happen.’
– Barbara Machin, award-winning writer & creator of Waking the Dead 

‘Delivers the stirring call to arms that writers must not only write, but take their work to the next level themselves, making sacrifices and taking risks if they want to see their stories on screen.’
– Chris Jones, Filmmaker, Screenwriter & Creative Director at the London Screenwriters Festival 

‘Writing and Selling Thriller Screenplays is a must-read for any writer, producer or director looking to create (or in the process of creating) a thriller production. It could also be immensely useful for those generally curious about the genre or looking to learn more.’ – Film Doctor

‘Lucy V Hay explains what a script reader and editor’s role in filmmaking, tells you to work on your concepts and that dialogue is the last thing to work on in her new book.’ – Brit Flicks

Lucy V. Hay is an author, script editor and blogger who helps writers via her Bang2write consultancy. Lucy is the producer of two Brit Thrillers, Deviation (2012) and Assassin (2015), as well as the script editor and advisor on numerous other features and shorts.  Lucy’s also the author of  Writing And Selling Thriller Screenplays for Kamera Books’ “Creative Essentials” range, as well as its follow-ups on Drama Screenplays and Diverse Characters. Instagram TwitterFacebook

Kindle Book Currently free on AmazonUK