Michelle felt her mouth drop open.
A van slid to a stop beside her daughter.
The side door rolled open.
A man jumped out.
Michelle gripped her keys. She bolted into a full-out run, cutting the distance between herself and her daughter. She started to scream, but it was too late.
Ashley had run off, just like they had taught her to do. Which was fine, because the man did not want Ashley.
He wanted Michelle.
It begins with an abduction. The routine of a family shopping trip is shattered when Michelle Spivey is snatched as she leaves the mall with her young daughter. The police search for her, her partner pleads for her release, but in the end…they find nothing. It’s as if she disappeared into thin air.
A month later, on a sleepy Sunday afternoon, medical examiner Sara Linton is at lunch with her boyfriend Will Trent, an agent with the Georgia Bureau of Investigation. But the serenity of the summer’s day is broken by the wail of sirens.
Sara and Will are trained to help in an emergency. Their jobs – their vocations – mean that they run towards a crisis, not away from it. But on this one terrible day, that instinct betrays them both. Within hours the situation has spiralled out of control; Sara is taken prisoner; Will is forced undercover. And the fallout will lead them into the Appalachian mountains, to the terrible truth about what really happened to Michelle, and to a remote compound where a radical group has murder in mind…
I received a copy of this book from Harper Collins UK – Harper Fiction via NetGalley in return for an honest review.
Fast-paced, political and grizzly, ‘The Last Widow’, starts with a seemingly perfect abduction, as a missing scientist has disappeared without a trace. Then, the crime becomes personal when Sara- medical examiner from the Georgia Bureau of Investigation is abducted, after responding to an apparent major incident.
The resurgence of neo-nazism is explored in this riveting, often graphically violent novel, its contemporary relevance adds to the story’s menacing quality. The thriller unfolds on two levels, the threat to society and democracy and the more personal threat of not finding Sara alive. The emotion in this story is as important, as the crime and action-filled scenes, and makes it a believable, albeit terrifying read.
I haven’t read any of the Will Trent series previously, but this reads well as a standalone. It does make you want to read the previous books in the series to find out more about Will and Sara.
This is not comfortable reading, but that doesn’t detract from the gripping plot, the relentless pace and the realistic characters that won’t let you put the book down. If you enjoy your crime thrillers focused on contemporary issues, without filters this story will appeal.