The charred remains of a child are discovered – a child no one seems to have missed…
It’s high summer, and the lakes are in the midst of an unrelenting heat wave. Uncontrollable fell fires are breaking out across the moors faster than they can be extinguished. When firefighters uncover the body of a dead child at the heart of the latest blaze, Detective Chief Inspector Jude Satterthwaite’s arson investigation turns to one of murder.
Jude was born and bred in the Lake District. He knows everyone…and everyone knows him. Except his intriguing new Detective Sergeant, Ashleigh O’Halloran, who is running from a dangerous past and has secrets of her own to hide…
Temperatures – and tension – in the village are rising, and with the body, count rising Jude and his team race against the clock to catch the killer before it’s too late…
The first in the gripping, Lake District set, DCI Jude Satterthwaite series.
Guest Post – Jo Allen – Death By Dark Waters – Turning to Crime
I used to be a romantic novelist. I suppose I still am. But I’ve always loved reading crime.
When I was younger I read Agatha Christie (possibly not that well-characterised but fantastic, page-turning plots); Dorothy Sayers (wonderful characters, superb writing but possibly a little dense); Ngaio Marsh (so dated now, but I did become engaged with her detective). I marvelled at the complicated plots and the twists in the tale. I really, really wanted to write that sort of thing, but it was just…too difficult.
I fell into a trap, I think, of believing that some genres were easier than others — romance was “easy” because it doesn’t need so many fiendish red herrings, for example — but I was wrong. Romance is just as difficult because although it appears formulaic you still have to create characters who keep the reader interested and you have a plot that depends not on what happens in the end (spoiler: it’s happy) but on how you get there.
My first novels, if you can call them that, were ‘crime’. There was a mystery about a stolen ruby and a less-than-probable tale about a Cold War plot in the skiing world cup. (There was also a one-act play about match-fixing in international cricket which eventually proved prescient.)
But these were all rubbish, truly poor, no research, terrible plotting…every mistake in the book. I moved on to things that didn’t really require research, or not in the same way. In 2014, after many rejections, I finally had my first novel, a romance, published. But even as I practised writing I was still reading crime and thrillers.
It was in 2017, in September as I recall, that I was wandering about in the Lake District musing on what to write next when it suddenly dawned on me. The tools for a successful book are the same whatever genre you write in. You need to be able to structure a plot, create a location and (probably most importantly) develop your characters. And on that walk, Death in Dark Waters was born, and I realised that, after all, I could write crime…
So now I can introduce you to DCI Jude Satterthwaite and his cases. The first of them, in Death by Dark Waters, begins with an unidentified dead body in a burning barn. Whodunnit? Read the book to find out…
Jo Allen was born in Wolverhampton and is a graduate of Edinburgh, Strathclyde and the Open University. After a career in economic consultancy, she took up writing and was first published under the name Jennifer Young in genres of short stories, romance and romantic suspense. In 2017 she took the plunge and began writing the genre she most likes to read – crime. Now living in Edinburgh, she spends as much time as possible in the English Lakes. In common with all her favourite characters, she loves football (she’s a season ticket holder with her beloved Wolverhampton Wanderers) and cats. Twitter Facebook
I received a copy of this book from Aria Fiction via NetGalley in return for an honest review.
Set in the Cumbrian Lake District ‘Death By Dark Waters’ features a troubled Detective Chief Inspector – Jude Satterthwaite and his team as they investigate a death on the hills close to Haweswater. Forensically there is little to go on and the team have to rely on their detection skills to solve the crime.
Jude’s personal life is challenging, he is driven and seeks the control he needs, through his career, which is so lacking in his emotional life. Ashleigh O’Halloran, newly transferred from Cheshire, presents as a confident professional, not afraid to challenge her colleagues. She is a distraction for Jude who shies away from emotional ties.
There is a considerable amount of introspection and emotional angst, in this story, it is an unusual style for a crime novel but does give the story an original angle. The police procedural is believable and, the plot has enough suspects and twists to hold your attention. The pacing is slow but this is to be expected in a new series when characters have to be introduced and their motivations and flaws explored. The crime is grizzly but the descriptions aren’t overly explicit. Instead, the reader is allowed to imagine the scene.
The action really takes off halfway through the story, when a significant plot twist occurs. I thought I’d solved it, and I did guess who, but the motivation for the crime is sinister and twisted and not revealed until the end.
On balance, I empathise with the troubled detective and look forward to more crime solving.