Nightingale House, 1919. Liddy Horner discovers her husband, the world-famous artist Sir Edward Horner, burning his best-known painting The Garden of Lost and Found days before his sudden death.
Nightingale House was the Horner family’s beloved home – a gem of design created to inspire happiness – and it was here Ned painted TheGarden of Lost and Found, capturing his children on a perfect day, playing in the rambling Eden he and Liddy made for them.
One magical moment. Before it, all came tumbling down…
When Ned and Liddy’s great-granddaughter Juliet is sent the key to Nightingale House, she opens the door onto a forgotten world. The house holds its mysteries close but she is in search of answers. For who would choose to destroy what they love most? Whether Ned’s masterpiece – or, in Juliet’s case, her own children’s happiness.
Something shattered this corner of paradise. But what?
I received a copy of this book from Headline via NetGalley in return for an honest review.
Like all saga’s this one has a great deal of scene setting and introduction of the players and their motivations. This makes the first half of the story slow-paced and detailed.
There is an intriguing mystery to solve and complex family dynamics. Told from two timelines, Lydia’s set in the late nineteenth century to the early twentieth century and Juliet’s her Great- Grandaughter in 2014.
The prologue sets the ethos of the story and introduces the painting of the garden, which is rightly a significant character in this story, as it represents an ideal that shrouds secrets, which are ultimately revealed as the story progresses.
Many of the characters are difficult to empathise, they are self-centred and seem uncaring of how their actions affect those around them. Juliet and Lydia are drawn together through the actions of Juliet’s deceased Grandmother Stella when she bequeaths her the house and garden, years after her demise.
Modern themes of social media abuse and dysfunctional families are explored and contrasted against the family in the late nineteenth century. It is notable that censure of certain behaviour and imperfect marriages were just as common in the historical setting, just hidden better.
The depth of research and historical detail gives this story its richness and authenticity. The imperfection of the characters also makes it believable. It is possible to want them to have a hopeful future, despite that lack of likeability and their numerous flaws.
If you enjoy a mystery, like a historical and contemporary timeslip point of view, and want to completely escape, this story is for you.