When the seventh Earl of Lowesdale is found hanging from the rafters at Wasdale Hall, everyone assumes the ageing, hard-partying aristocrat had finally had enough of chasing the glory of his youth. But when the coroner finds signs of foul play, DI Kelly Porter is swept into a luxurious world where secrets and lies dominate.
At the same time, two young hikers go missing and it’s up to Kelly to lead the search. But digging deeper reveals ties to two other unsolved disappearances and Kelly and her team find themselves in a race against time.
Now, as all roads of both investigations and Kelly’s own family secrets lead to Wasdale Hall it becomes more important than ever for Kelly to discover the devious truths hidden behind the walls of the Lake District’s most exclusive estate…
Guest Post: Developing characters over a trilogy – Rachel Lynch
As a reader of crime novels, I’m always smitten (and terrified) by the ways in which the writer can come up with dark deeds that have been committed for millennia, but in new and refreshing ways. As a writer of crime novels, I worry more about my characters convincing the reader, than the cases they pursue. I truly love creating baddies, and allowing them free reign to shock and awe, with their hideous behaviour. But when it comes to the core players chasing them, I’m constantly looking for ways to move them forward, in ways that are both believable and engaging.
Kelly is a straightforward woman, she’s got problems, she’s not perfect, and she makes mistakes. And, like most of us, she doesn’t have the ideal family. We’re all the sum parts of our relationships, and for Kelly to be convincing, she’s got to handle confrontation and disappointment. Driving those forward over three books has been satisfying and challenging. Her emerging relationship with Johnny, her changing perception of Ted, her tension with Nikki, and the tragedy of her mother’s illness, all need to weave inside and around the crimes she’s investigating. New characters always pop up too. It might be part of her job and the colleagues she works with, or it could be reconnecting with old pals; whatever the reason, she touches people and they touch her.
The reception Kelly has received so far is phenomenal, and she really has become a fully dimensional person for me. I like being in her company. She’s feisty and strong, but also vulnerable and incomplete. She’s looking for what we all look for, in the sense that she’s searching for peace, but it doesn’t take over, and she’s a committed woman with an important job to do. She genuinely cares for those she champions in her cases, and won’t stop until she finds answers, even if she puts herself in danger. That’s my favourite trait of hers: she puts the truth first, and everything else is secondary. She’s a fighter but she’s not arrogant or dogmatic. She’s driven but still encourages her colleagues. She carries within her an energy that makes this all possible, and I’d like to spend time with her.
Her life over the course of Dark Game, Deep fear and Dead End has changed over a time span of almost three years, and she’s learned a lot about herself and her family. She’d avoided this in London, like a lot of us do when we’re forging our careers, but now she is trying to make sense of it and make amends at the same time. She and Johnny are great partners because he’s an outsider too, and he’s growing on me with every book. He’s still got a lot more to give, even if he and Kelly were to split up. I have massive affection for Ted and I admire his wisdom, and I think he brings much structure to Kelly’s world.
All of these things connections have to move forward, book by book, and they have to be real. Writing a sequel was a steep learning curve for me, as this is my first series, it was also incredibly rewarding. Getting to number three, and working out how these people still interacted was another journey, and I’m thrilled with the reception so far for this web of characters, who never cease to surprise, but also remain reassuringly familiar. It’s also interesting for me, as a mother, to write about a woman with no children, and I’m jealous of how much time she has on her hands, though she doesn’t necessarily appreciate it!
There’s a lot more in store for Kelly, and I’m sure she’ll continue to surprise me, as well as, I hope, you too.
The third instalment of the DI Kelly Porter series has two separate storylines that appear unconnected but are intricately woven together to produce an absorbing mystery, detailed police procedural and riveting thriller.
Kelly Porter is such an exciting character, driven, caring, yet vulnerable, and your empathy with her grows with every story. The cast of characters both antagonists and protagonists are complex, and the storytelling draws you in, deepening the mystery with every clue it reveals.
I hope there’s another one as I’m hooked and set in the lovely English Lake District the dichotomy between its raw beauty and the ugliness of the crimes it conceals is what makes this addictive.
I received a copy of this book from Canelo via NetGalley in return for an honest review.
Rachel Lynch grew up in Cumbria and the lakes and fells are never far away from her. London pulled her away to teach History and marry an Army Officer, whom she followed around the globe for thirteen years. A change of career after children led to personal training and sports therapy, but writing was always the overwhelming force driving the future. The human capacity for compassion as well as its descent into the brutal and murky world of crime are fundamental to her work.