DI Kelly Porter is back. But will this new case push her beyond her limits?
On a peaceful summer’s morning in the Lake District, a woman’s body is discovered outside a church. She’s been murdered and a brutal, symbolic act performed on her corpse. DI Kelly Porter is in charge of the team investigating the crime and is determined to bring the killer to justice. But as more deaths occur it is clear this is the work of a disturbed, dangerous and determined individual. Can Kelly put the puzzle pieces together before the danger comes closer to home?
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By Rachel Lynch
Today, forensic evidence is essential to get a conviction. Circumstantial evidence can be argued away by skilful barristers and so-called experts. Science is rarely disputed, and so any Police Procedural, in my belief, has to have plenty of forensic procedure. I love reading about it and I love writing about it, and I hope my readers do too.
I created Ted Wallis, the Senior Coroner for the North West of England, purely by chance, but I liked his character so much that he’s now a permanent fixture. He’s becoming Kelly’s go-to for all things scientific and he’s also quite a father figure to her. She loves bouncing ideas off him and they enjoy each other’s company. He’s experienced, deliberate, trustworthy and reliable.
I research forensic procedure and technique a lot. One, because I enjoy it, but also because I can’t imagine an investigation without it. All forces in the UK used to be able to use the Forensic Science Service (FSS), but sadly it went way over budget (not that there ever was one set), and created quite a scandal when it emerged how much it cost the taxpayer for the privileged use of up to date technology (how dare they). It’s quite a bone of contention still, as it means that now each force has to pay private labs to chase results and process items and it’s astronomically expensive. One investigation could involve the processing of hundreds of items, then they need to be stored, often retested and compared against other tests. It’s a sad loss to the police force, but the price of budget cutting.
For the purposes of tension and pace, Kelly needs to have access to state of the art lab technology, otherwise, my novels would be tomes of ethical debate surrounded by dilemmas of whether or not to pay for speed DNA profiling or expert fibre analysis, not both. Crime readers don’t want to read about budgets, and so Ted has access to what he needs, and he can pull strings with several labs in Carlisle on Kelly’s behalf.
I’m also keen to avoid repetition, so each autopsy needs to bring something new to the table (forgive the pun). Ted himself needs to be surprised by the depravity of the lengths that some killers will go to and I think it does him good to have a few unconventional cases in the twilight of his career. I have studied anatomy and physiology as part of my sports training and massage courses and, although it’s not essential, it certainly helps. Gore will always divide readers but I hope to achieve the right balance to keep fans interested but at the same time not be gratuitous, which I hope I’m not.
Police work isn’t pretty, and it isn’t for the feint hearted, neither should crime novels be so. We’re dealing with the scum of society and the most sick and twisted minds. It’s bound to get ugly once in a while.
The most important aspect for me is that the facts exposed by the scientific research are always made relevant to the story. Everything that Ted discovers is relayed to Kelly, and each piece is processed so that it contributes to the final conclusion; this is my absolute priority where forensic investigation is used. No piece of evidence is ever thrown in by chance.
So where do I get all the information? The internet mainly. I Google some scary stuff. I also use personal testimony, books and my imagination. I go by the loose guide that, if someone has thought it, it’s probably been done, and nothing much surprises me about the lengths that serious criminals will go to snuff out a human being. After all, crime fiction is about the good guys (or girls) beating the bad guys (or girls). And the stakes are always higher when the baddies are particularly nasty.
I read and reviewed the first book in the DI Kelly Porter series – Dark Game, and while I enjoyed it, for me, it was overly graphic and too factual, in parts. Deep Fear, the second book in the series has retained the action, pace and suspense of the first, while losing some of the gore and facts, making it a perfect 5* read.
Kelly Porter is a dedicated police detective, it is part of her life, and she often sacrifices personal matters for the job. Kelly’s complicated relationship with her sister Nikki continues in this sequel as does her on, off relationship with ex-serviceman Johnny, both give an insight into Kelly’s emotional side and are integral to the plot.
The dark and twisty plot makes compelling reading and something you have to finish. The Lake District and Cumbria is an exciting setting, which gives the perfect cover for heinous crimes. The stark contrast of the beautiful lakes and hills with the dark, horror of the murderous crimes adds to the suspense.
The authentic and well-researched plot and the realistic characters make this story come to life, with a well disguised serial killer. The final chapters are adrenaline-fueled with a heart-stopping ending. All the questions thrown up by the story are dealt with believably, although there is one loose end about a person of interest, which could be part of another investigation?
Readable as a standalone but if you want the full impact of DI Kelly Porter and her team, read Dark Game first.
I received a copy of this book from Canelo via NetGalley in return for an honest review.
Rachel Lynch grew up in Cumbria and the lakes and fells are never far away from her. London pulled her away to teach History and marry an Army Officer, whom she followed around the globe for thirteen years. A change of career after children led to personal training and sports therapy, but the writing was always the overwhelming force driving the future. The human capacity for compassion as well as its descent into the brutal and murky world of crime are fundamental to her work.